The world is rough, beauty is the best counterattack

Master Dharma:

There is a craftsman in Jingdezhen. In more than ten years, he studied the "twisted tires" of the Tang and Song dynasties, using the soil to make the most beautiful pattern of nature, delicate lotus, the flowing waves, the bright moon in the sky, and the erratic smoke clouds.

He made the soil a romance that Chinese talents understood.

For those who love lotus, it is incomplete that the summer of the lotus has not seen lotus.

I have seen a "pink lotus". In a house near Jingdezhen Ceramics University, the fine powder of the baby's cheeks, the red silk, yellow, and white silk in the petals, tender as Xu Zhimo's phrase : "The gentleness of the most low head is like a lotus lotus."

This is a tea tea. It cannot be said to be like it, but believes that it is a real lotus petal. It is used to make a method into a piece of device.

This delicate pattern is not drawn, but it is also unable to achieve painting or any ceramic technique. It is a combination of different colors of soil. This process is called twisted tires. The pattern is born from the fetus, and the inside and outside are transparent. One child is called "the porcelain of the gentleman".

This is like a pattern that grows from the soil. There is always an unrestrained real vitality, like the person who creates it, Zhu Chen, for more than ten years to challenge the limits of twisted tires a day.

There are many contrasts in Zhu Chen. For the first time, he couldn't think of him. The brother who came from the north was strong and his fingers were strong, but he made the most delicate lotus petals. Heart, leave the nihilistic landscape aesthetics in the south in the twisted tire.

Or you can't imagine that this is an artist, or you can't say what the artist should be, but there is a kind of Zhuchen: in a rough world, doing delicate things.

At the beginning of Zhu Chen's studio, I was startled. She was not in a house in the village in the city. When I picked up the steps, the countertop mud was gradually ash. The sound is in the ear: "Come!"

The teacher wearing a short T and slippers led us to his studio. There were some fragments of twisted tire porcelain in front of the door, and the thick mud and gray was accumulated. I think his studio should not be compared to this. It's even more simple.

As far as you can see, on the racks of the layers, only cup dishes, dishes, dirt, crushed porcelain, and the tools of scraping slices, mud cuts, and dust brushes, and tables of tea drinking. All the studios are in order, making people a real calmness.

When we encounter a power off, I wish the teacher no time to take care of it, let us take a look at it at will. There are various twisted tire porcelain on the shelf, and the chest is surprised: "This twisted tire is really like two -color Alps."

Blue mud or red brown mud and white mud are rubbed with white mud, making the outline of the independent mountain peak, stacked layer by layer, from the heart to the edge of the cup; Waves; or some geometric patterns with modern style ...

Drawing plants, wood, insects and fish, and character stories on ceramics are a kind of "decorative art". The most used is painting and painting. The twisted tires are also decorative craftsmanship. Without inheritance.

Now the pattern of twisted tires can be better than painting, very difficult, because it is a dirt of different colors, and different patterns are born. At this time, Zhu Chen, who was sitting opposite, picked up the tea cup, looked at the window, and showed a sentence: "After all, do things well, do things well, don't think about those." What is the degree of good? "Other ceramic technology cannot reach the level."

There is a ginkgo leaf bowl on the tea table, and the bottom of the bowl is a petal ginkgo leaf. The fan -shaped leaf petal has a trace of filament like leaf veins. It reaches the tip of the leaf from the root of the leaf, but it is not rigid rigid, but it is like living. At the bottom of it is the same ginkgo leaves.

The "extreme delicate" of the twisted tire, in addition to ginkgo, also has the petals tea mentioned in the front, and the lotus bowl. The red silk is as delicate as the filament, but it is not stiff. It is stretched and emitted, as if it grows from the branches of the lotus.

This pattern that grows from the soil is not allowed to make a shallow layer of painting. But for Zhu Chen, there are also techniques to overcome the tire.

Under the high temperature, the soil is not obedient. Different colors of soil are stretched and divergent. Some are bigger, some are small, some are shrinking, some expand, each of which has its own ideas. If you reconcile, you are happy. If it is not good, it is cracking, crooked, and uneven.

When the ultimate and extremely micro patterns can be made, it is a kind of success. In the end, "what others see are no longer craftsmanship, but shocked by twisted tires."

This ultimate beauty comes from death. In Zhu Chen's words, "I am a relatively stingy person."一 It may be a good thing for beauty.

Zhu Chen's life is very simple. When he does not make a twisted tire, "just sit, drink tea, and think." But in the matter of hacking, it is a very jumping person.

"When I do pattern, I want to pursue the complexity of patterns. I do techniques. After I do it, I wo n’t pursue it.” Extremely delicate and regular extremes, whether it can be irregular, but beautiful.

The "wave" is a very undulating movement. On the sea, it rises by the wind, the flowers are blossoming, sometimes clustering, sometimes low. Zhu Chen made waves and only gave it a flying direction, but how tall, more curved, and the cusp was thin, they were finally completed by the soil in the fire.

Every row of "Sea Mingyue Cup" in Zhu Chen's studio is different. The waves are tall, the waves are clustered, and the shadows of the sky are far away. Some waves only undulating lowly, looking low, like the loneliness of "raising to a glass invites Mingyue, the three people to the three people", or the loneliness of "after the people are scattered, the crescent moon is like water".

With ever -changing mud, the beauty has thousands of phenomena. Behind freedom is facing accidents. Zhu Chen made a plate. Only a yellow -brown pattern passed across the middle, and the rest were purple sand mud.

On a piece of dirt, when the pattern is complicated but regular, the strength of each direction is uniform, and the possibility of cracking is relatively small. But such a lonely and zero mud of different colors, like a fist in, is easy to break.

Do one well, spend a lot of time than uniform patterns, and try one cycle and one cycle. After the success, a pattern on the purple sand soil was amazing, lonely and neat, and circled like the star track of the universe.

Compared with the regular patterns, this black paint, the lonely line, few people like it. Zhu Chen likes to make such an attempt. On the one hand, the challenge is simple, which is a higher requirement for twisted tires.

On the other hand, the uncertainty and changes brought by the soil made him surprise and enjoying surprise is his happiness. As for the result, "instability is a test, and it is also an accident."

China ’s blankness is attractive to Zhu Chen, but a person who grew up in the north lacks imagination.

"The mountains in the north are not the same as the mountain in the south. The north is stone mountain. It will not have fog after it rains, but the south is different. I see that it is floating after it rains." , Aoyama is vaguely.

In this point, I wish the teacher happy in his chest. He fell in love with the mountain here and liked to run in the wind on the wind, Yu Yunsan Mountain was showing. As early as in Tianjin's undergraduate, he wanted to make the poetry of the mountain with twisted tires one day, but "I couldn't do it at that time."

After making colorful soil, I touched the mud thousands of times a hundred times. With confidence, Zhu Chen had the opportunity. He finally knows that there are two kinds of white mud, which can be fused. After firing, one up and down one, like light and shadow. After the rain stops the clouds, the shadows are leaked at the beginning of the shadow, deep and shallow. Mountain.

Slowly, it will make the green green of the peak, the color of the distant, and the mountain lines and the cloud veins, forming the ups and downs of the forest, the hazy clouds, and the interruption of rain. Zhu Chen's twisted tire ushered in the beauty of poetic.

"I personally like this kind of artistic conception. It is simple and complicated." It is the most romantic and beautiful of the Chinese.

Gradually understand that leaving white is so difficult to do. It is not a calligraphy that is not understood, called blank; paintings that are not understood, called poetic; unknown poems are called mood. Leave white is not rough, and it should not be understood rough.

As Zhu Chen said, "This must be exposed for a long time, not a state of one step, it is impossible."

I have never done complicated and delicate patterns, and have never made the skills to the extreme. They have not been rich, how to reduce, how to stay. Leave white is not nothing, and nothing has experienced, but after existence, it is simple.

At the end of the tea, Zhu Chen said that he had made a fish and jumped on the plate and the bottom of the plate.

"Because I feel that the twisted tire is not good -looking, the gongbi may be more vivid than it, then there is no need to do it." It is necessary to do it only to express the beauty, so that it has "existence "".

Picture ｜ Yishan kiln 夷

I am happy in my heart, do not exist for any presence, and concentrate all the body and mind to do it, and reach it in a full state. This existence is deep, and the beauty is unique.

Capture is an easy but rough thing, and the best counterattack against it is true and delicate. Fortunately, people who still have beautiful hearts. I hope the roughness of the world is not buried.

Figure ｜ I want to see 拟

· To my dear object, the people ·

Lotus, also called 也,

Without exposure, like a girl's flashing look.

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