Folk craftsmanship is passed on generations, approaching Fuhai Street's non -heritage art "scoop painting"

Lu Guangcai's hometown in memory

Yunshi News (Reporter Li Liping Intern Reporter Liang Shuang) There is a village in Fuhai Street, Dianchi Lake. A few decades ago, the flowing water passed slowly from the stone arch bridge. Essence In the evening, Yu Hui passed through the gap between the leaves. The teahouse next to the arch bridge is full of people. They drink tea while talking. From time to time, the aunt who stepped on sprinkled cloth shoes and a blue cloth towel passed by the door of the teahouse. On both sides of the path in the village, many old house roofs are used for pottery cats, and the door of the home is hanging with swallowing scoop painting.

This is the Lujia community of Fuhai Street, Xishan District, Kunming City, which is a monster in Lu Guangcai.

Lu Guangcai

The combination of gourd and tiger was born with swallow scoop painting

In Yunnan folk, there is a kind of exorcism that paints a mask -like pattern and carved on the scoop. It is called "swallowing" and "scoop painting". The long -term swallowing scoop painting in the people has important historical and cultural values.

The scoop is used as a living appliance for water. It is commonly made of gourd and wood. Swallowing scoop painting is made of scoop, not casual. In the Chinese nation family, many nations of the nation worship gourds, and there are many legends related to gourds. The Hulu Homing "Fulu" has the meaning of auspiciousness in traditional Chinese culture. Therefore, the scoop with a scoop is the hope of ancient people to live a better life. Most of the themes of the scoop painting are like a tiger with a wide -eyed and wide blood basin. In traditional Chinese culture, tigers symbolize strength and rights, and also represent auspiciousness and peace. It is a symbol of auspiciousness in people's hearts.

The combination of the gourd and the tiger was born with swallowing scoop painting, and also witnessed the peace and joy of the Lujiaying Xiaoqiao flowing water. According to Lu Guangcai, the people along the Dianchi Lake of Kunming like to hang scoop painting on the lintel, with the meaning of wicked evil spirits and longing for a good. However, with the development of the times, scoop painting has also changed from the original town house to folk arts and crafts.

Lu Guangcai's scoop painting works

Lu Guangcai's scoop painting has both humanoids, beasts and shapes, and presented in front of people with a colorful "facial expression". The eyes, nose, and mouth of these expressions are very prominent, with some eyes, and their mouths are exposed with chilling teeth; some mouths contain their swords and are not angry. On the basis of the dragon and tiger pattern, Lu Guangcai also blends elements such as Peking Opera Facebook. Each pattern is conceived by himself, without the same. Lu Guangcai said: "I draw these tigers on the scoop, it looks like a big mouth, as if I can swallow a bad thing."

Lu Guangcai's scoop painting works

According to Lu Guangcai, the initial scoop painting only had a single ink color, without other colors, and it looked relatively monotonous. But with the development of the times, the masses' aesthetic ability improved, Lu Guang also had new ideas. In order to make scoop painting works more three -dimensional, Lu Guang chose acrylic and gouache, and the color of red, blue, black, and white is mainly used in color. And naive painting. In order to facilitate storage, after coating the color, he will also brush a layer of transparent external paint to avoid damage to the color. These coloring methods make the visual impact of swallowing scoop more intense.

According to the scoop, draw a tiger. The scoop painting wraps the memory of the times, and each stroke is a Chinese -style expression that cannot be hidden. Those swallowed scoop paintings painted by Lu Guangcai came to face. The image of the gods corresponds to the modern mind of the soul. The mysterious atmosphere reveals goodness and love, producing a huge realistic charm, so as to give the audience a rich association and exaggerated beauty.

Lu Guang when he was young

From paper -cutting, scoop -cutting to entanglement, folk craftsmanship passed from generation to generation

In Lu Guangcai, Lu Jiaying, who grew up from a young age, has many talented folk masters. For example, Lu Guangcai's mother is good at folk paper -cutting and embroidery. She drew a lot of flower shoes, pillows, plackets, waists, and hats on the village women in the village. The multi -end lines on the paper inspired Lu Guangcai's interest and hobbies. When he was a kid, his family conditions were poor, and there were a lot of paper on the red earth wall, and he painted on this paper. Under the influence of the mother's subtle influence, painting is accustomed to Lu Guangcai. Some neighbors knew that he could draw, and asked him to help draw some shoes and waist; the picture of the wealthy people in the village was also the world of his painting skills.

In junior high school, because the school was close to Guandu Town, the temples, pavilions and pavilions in the ancient town were the objects of Lu Guangcai's copying exercises. After going to high school, he was introduced by his classmates. He was fortunate to meet a art teacher named Qu Anjun. Every few weeks, Lu Guang will send his paintings to Teacher Qu and ask for advice in the form of letters. Mr. Qu's guidance has benefited Lu Guang a lot.

Lu Guangcai's first scoop painting work is far from being so bright today. However, this scoop painting work has been obtained by Gao Jinlong, the vice president of Yunnan Painting Academy, and Lu Guang is encouraged. After contacting the swallowing scoop, he was out of control, and one painting was decades.

He has been planted, has done literary propaganda, and has been a teacher ... Lu Guangcai has been a young man from a young man to more than ancient times this year. No matter what kind of occupation and work, he has always been a love of his life. Lu Guangcai laughed and said, "From the beginning of the painting scoop to the present, I can't count how many specific drawing, but at least there is a truck."

Times have lived up to those who live up to hard work. In 1999, Lu Guangcai was named "Yunnan Provincial Department of Ethnic Folk Artists" (that is, the first batch of provincial intangible cultural heritage project representative inheritors). When his six works were exhibited in Beijing, he was collected by the Chinese Folk Art Museum; 12 works were selected as the art of art materials for the elementary and middle schools of Yunnan Province. Intangible cultural heritage is an important part of Chinese excellent traditional culture, which carries unique national memories. The existence and inheritance of scoop painting not only promotes the excellent traditional culture of China, but also enhances the recognition of Chinese culture from all ethnic groups. For decades, Lu Guang has grown from a folk craftsman to a master who shoulders the mission of non -genetic inheritance. After retiring from Fuhai Middle School in Xishan District, he rushed to the scoop painting, concentrated on creating at the same time, and often entered the school at the same time. He took the children to paint on paper with paper and let them immerse themselves to experience traditional culture. Legacy. No matter how the times change and inherit the scoop painting, it is Lu Guang's insistence in his bones.

Lu Guangcai's nephew Yu Zhou's scoop painting works

Lu Guangcai also gave the nephew Yu Zhou to his nephew. Due to the deep artistic atmosphere from the elders of the Lu family, Lu Guangcai's brother Lu Guangcai would draw Chinese paintings. The nephew Yu Zhou not only painted it, but also liked the art of entanglement. Yu Zhou, who graduated from the visual communication major of Yunnan Academy of Art, has always been interested in folk arts and crafts culture. At present, he has a major in traditional art craftsmanship. Yu Zhou introduced: "It takes a lot of eyes to make flowers, and use multi -color wire threads to wrap flowers, birds, fruits, worms, fish and other artworks on the artificial billets composed of cardboard and metal wire. Now it is mostly used for jewelry production. . "He will paint a few scoop painting works in the gap between entanglement. He believes that" swallowing in Yunnan has a long history. Its colors and forms are very national characteristics. ","

From paper -cutting to scoop painting to tangled flowers, the unique folk arts and crafts can inherit and carry forward because of the love of ordinary people such as Lu Guangcai and family members. With the continuation of a generation of life, in the future, folk crafts and crafts will also have a long history in a more gorgeous way.

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