The historical phantom in the reality -reviewed Zhang Wei's middle novel

Zhang Wei, contemporary writer. People from Qixia City, Shandong Province. Published in 1975.

Published 50 volumes of "Zhang Wei's Collection" in 2020. The works are translated as British, Japan, Fa, South Korea, Germany, Swelish, West, Sweden, Russia, Ah, Tu, Luo, Italy, Yue, Bo, etc.

He has authored 22 novels such as "Ancient Ship", "September Fables", "Hedgehog", "Book of Outer Provinces", "You on the Plateau", "Single Pharmacist", "The Secret History of Aiyeburg", "Hewan"; "Li Bai and Du Fu", "Tao Yuanming's Heritage", "Chu Ci Note", "Reading the Book of Songs", "The Five Poets of the Tang Dynasty", "The Five Poets of the Tang Dynasty"; the collection of poems "The Road to Conversion", "Night Holding Bay Garden", "Family Living Wan Songpu", " 10, "Back to the Journey", "The Better Friends", "My Silent Oaks" and other 10 pieces; His works have won the "Hundred Years of Outstanding Chinese Literature Books", "World Top 100 Years of Chinese Novels", Mao Dun Literature Award, China Publishing Government Award, China Excellent Publication Award, Chinese Writers Publishing Group Special Award, Southern Media Outstanding Writers Award, Jingdong Literature award, etc.

Phantom of history in reality

——New name Zhang Wei's novel

Wen | Liao Gaohui

Zhang Wei's novels have rich connotations, including both adherence to moral ethics and criticism of ugly and crooked wind. There are both respect for natural physical nature and sighs that are not ancient. The whipping of cowardly and charming people not only reflects the heavy humanistic feelings, but also contains serious ecological consciousness. It has both reflection on traditional culture and longing for a beautiful future. Historical consciousness. The historical consciousness, reality care, and future vision jointly constructed the three -dimensional three -dimensional art space of Zhang Wei's novel. In Zhang Wei's novels, history as existing things constantly enters the real space, and at the same time affects the subject's idea of ​​future space -time. It can be said that historical consciousness not only enriches the ideological connotation of Zhang Wei's novel, but also has structural functions, or it has become a part of the narrative structure, or as the cause of the narrative structure. Historical consciousness and literary works have inextricable connections, and historical consciousness "is the consciousness of human beings about its own existence. Its development process is a process of human self -awareness, and it is also an important manifestation of humanistic care." Marxist literature The criticism strategy advocates historical consciousness "as an important starting point to understand the ideological operation of literature production, literary criticism, and literature", and proposes the principles of literary criticism with a unified aesthetic viewpoint and historical perspective ①. It can be seen that historical consciousness is also a reference standard for evaluating the value of literature. Historical consciousness includes both confirmation and respect for historical facts, as well as the awareness and evaluation of historical facts. However, the historical facts that have happened have actually disappeared without existence. It has been transformed from "having" to "none", but if the existence of history is only understood as the facts that happened, it is likely that as historical facts Disappearing and caught in the quagmire of historical nihilism. The impact of historical facts or cultural phenomena on the past is mainly in terms of emotions, thoughts, or spiritual aspects. History "what 'has", except for people who create history and inherit history, as well as their hearts, emotions and thoughts, and even spiritual, we can not find any traces of existence in the sense of "entity'." Whether the work has historical awareness not only depends on whether the work has historical events or historical and cultural presentations, but more importantly, see if there is a historical emotional tendency or cognitive evaluation in the work. Different writers have different sense of consciousness and attention to history. Most of the novels of Zhang Weizhong adopt realistic creative methods, which have a strong sense of times and contemporary nature, but there is a clear and conscious historical consciousness. Zhang Wei is concerned about reality. At the same time, it also gives the novel's swaying historical phantom.

1. Reflection and criticism of social history

Zhang Wei's historical consciousness is not to return to the nostalgia of history, but in the care and narrative of reality, he uses a method of reflection and criticism to review history, giving people some kind of warning or incentive. As a result, history entered the reality of the novel as an unquestionable identity or even the future construction. Zhang Wei's novel "The Night of Autumn", "Angry in Autumn", "Thinking of Autumn", "Hello!" Comrade Benlin, "Yellow Sands", "Vineyard", "Please save the artist", "The Proposal of Traveling", "Seven Mushrooms" and so on. The reflection or criticism of the Zuo Siyuan of the Cultural Revolution shows a distinctive emotional tendency and profound rational cognition, so it has a strong sense of historical criticism. "History critical awareness has more negative meaning and struggle. Sexual colors, the purpose of historical criticism is not to criticize itself, but to criticize the nature of things by criticizing and insight, so as to abandon mistakes, obtain teaching benefits, and adhere to the right way. " "Seven Mushrooms", etc., through the tragic story of the extreme left period, to achieve the purpose of criticism and reflection; another kind of "Night of the Autumn", "Autumn Thinking", "Angry in Autumn", "Hello!" Comrade Benlin, "Huangsha", "Please save the artist", "The Guide to Travel", etc., through the poison of Zizi Tide after writing the Cultural Revolution, to achieve the purpose of criticism and reflection.

"Vineyard" tells the story that happened on both sides of the Luqing River during the Cultural Revolution. For the old leftist old black knife, he used the revolution as an excuse to abuse his power and persecute the original owner of the vineyard, the Minghuai family. The vineyards built by the Minghuai family with hard -earned were collectively returned to the collective. His father was accused of being class enemies by the old black knife and others. Ming Huai's father suffered a double destruction due to his body and mind, and finally lost his life. Ming Huai's wife An Lan was spoiled by the old black knife, and finally shyly died. Lian Minghuai's dog became a class enemy and was finally shot by the old black knife. In the case of unbearable situation of Ming Huai, she was desperate to find the old black knife, taught the old black knife, and then walked away. This novel has a disturbing trace of scar literature, and the Minghuai family's encounter is full of tragedy of social history. However, Zhang Wei did not indulge in sentimental, but increased tragedy into a powerful resistance, so that the tragedy of the weak and turned into a positive drama of revenge. If "Vineyard" is the power of revenge in the tragedy, then "Seven Mushrooms" is the background of tragedy in comedy. The protagonist in this novel is the forest guard Lao Ding. He is a revolutionary predecessor who has experienced the test of life and death. Lao Ding is free and unrestrained, with plants as its neighbors, animals as friends, and absorbing forests. Although over sixty years old, he is strong, energetic, full of passion for life, and helps others. There are high prestige in the village. He was described as the king of the forest, and he was polite to "seize power" of Primary Liu, named himself as the head of the forest farm, and the young team leader Xiao Liu sent by the "appointment" of the "appointment" was an extraordinary person in charge. The author also arranged the "Minister of Culture and Military" for Lao Ding, that is, Wen Tai helped him to write an article belonging to Wenchen, the black roders carried the gun guard, and Xiao Liu was hostile, belonging to the "traitor" or "adulterer". The author adopted the perspective of "blood theory" or "class theory" that was popular at that time. With a harmonious pen, the struggle between Lao Ding and the extremely Zuo Siyuan made the novel have a clear comedy color. Another funny person who plays with rights. The more seriously imitating the class struggle strategy at the time to carry out anti -class struggles, the more funny and ridiculous, the stronger the author's criticism and reflection on the extremely left. The novel is profound in that the author entrusts a serious tragedy under the appearance of the comedy. Lao Ding and others actively absorbed the "struggle strategy" during the Cultural Revolution. For example, Lao Ding Mingxu's unannounced visits, mastered the criminal facts of the female secretary of the adjacent commune and the chief of staff, and killed their husbands with poisonous mushrooms, but Lao Ding also also merged. Do not report the case, but control the chief of staff and the female secretary to let them listen to themselves. Xiao Liu and the girls in the neighboring village of the farm are happy with each other, and they are in love with each other. When the love of the two will have a result, Lao Ding instructed Wen Tai to report to the secretary of the commune and chief of staff, and eventually destroyed the love of Xiao Liu and Xiaomei. , Resulting in Xiaoliu's poisonous mushrooms committed suicide. When Lao Ding passed the sixty longevity, he acquiesced to Zhang Luo and others for him. He was like a king and enjoyed the four sides. Zhang Wei has adopted ironic techniques, so that the novel has a strong irony and tragedy: a old revolution that strongly opposes the extremely left -handed trend, independent consciousness and blood, but unknowingly contaminated with extremely left poisonous poisoning , Also engaged in power worship, and also playing conspiracy. This kind of rejoicing and sadness method not only enhances the aesthetic effect of the novel, but also gives the novel a profound reflection of connotation.

Most of Zhang Wei reflects history through the poison of the extremely left -handed tide. The background of the story of "The Night of the Autumn" is the initial stage of the implementation of rural land contracting systems. The negative characters are always mixed, delicious and lazy. In the past, they rely on their own poor farmers to obtain living capital. In the change, the old mixed also wanted to rely on his own poor farmer to eat in vain. As a result, the young farmers represented by Da Jianzi were resisted. And criminals. "Autumn Angry" and "Autumn Thinking" belong to the sisters, Xiao Wanchang, secretary of the brigade in "Autumn Angry", and the Militarian company commander in the new period of reform and development also abused their powers and harmed people's life. eradicate. Wang Sanjiang in "Autumn Thinking" was once the captain and was overbearing. After the land contracting system began to implement, Wang Sanjiang contracted vineyards because of the campaign captain's election, and used the power to corrupt public funds in his hands to deduct the labor compensation at will. Wang Sanjiang's fascination with power is obviously the sequelae of power worship and power abuse during the Cultural Revolution. The young protector of the garden is so old that he has a resistance. He has been exploring the "principle" of Wang Sanjiang's overbearing and boring, which is actually a artistic expression of Zhang Wei's reflection on the extremely Zuo Sichao. "Hello! As the secretary of the commune in Comrade Benlin, the Benlin family was injured during the extremely left period, which caused Benlin to be criticized. Becoming stupid. After the policy adjustment in the new period, Donaldia felt guilty and tried to help the Benlin family to make up for his fault. The repentance of the wrong words and deeds during the Cultural Revolution was essentially a reflection on history. The younger brother in the "Express" bid farewell to her sister before going out, and the sister's instructions on the younger brother involved the history of his father. The father was the old Red Army, but during the Cultural Revolution, he was approved as a class enemy. This was given to the child. The hearts of their hearts caused great trauma. Sister's instructions are not only a rearrassment to his father's fate, but also a review and understanding of history. "Yellow Sand" is revealed the environmental problems brought by modern industrialization, but there are issues such as lied reporting materials, exaggerated decorations, and interfering with the private life of employees in the name of organization. They are mostly ideological issues left by the history of the Cultural Revolution. Object. Yang Yang, a weak and upright painter in "Please Save the Artist", was suppressed by the unity leaders, and the reason for the formation of this phenomenon lies in the pathological social and cultural psychology. This cultural psychology is an intangible network that is difficult to break through. It is "a strange, elastic and persistent network built with an invisible power." ④ This "network" is historical and cultural The difference between Chinese and non -human nature is a pathological existence in the character of national culture. Obviously, "Please Save the Artist" in 1987, its narrative field of vision is no longer limited to the historical reflection of the extremely left -minded trend of the Cultural Revolution, but entered the reflection and questioning of the national cultural level. The trend of root -seeking literature echoes. In fact, in Zhang Wei's novel, the narrative field of vision is more broadly the "Bangzhou Si Su Record" created in the 1990s. This novel re -tells the story of Xu Shi (Xu Fu) led the three thousand boys and women to leave China to go to Puzhou (Japan) to rebuild their homes. The author recovered the history of the ancient Donglai State of Shandong Peninsula by the mouth of Xushi, especially the historical facts of the strong and prosperous Donglai State finally reflected by the destruction of the barbaric and backward nation, and concluded that Gu Dong The reason for the destruction of the Raixian is that people are indulged in the prosperity of material, lacking the practice of physique and thought, so that they are tired of material and vanity. Xu Shi also believes that in the reflection of Qi Qi and Donglai State that a country or nation, if you do not pay attention to the "mountains and rivers" (that is, the land that people inhabit, including the nature of the landscape), loses awe of nature and is keen on power changes. The satisfaction of martial arts and uncontrolled desires will inevitably fall or even perish. This reflection on life, nature, and social history is undoubtedly very profound. Xu Shi's historical concept has a distinctive modern rational color, and therefore has time through the penetration of time.

Second, the respect and reconstruction of the view of nature

Marx pointed out, "No matter what history does, ... creating all of this, having all this, and fighting for all this is not 'history', but it is people, real, living people ... ... History is nothing more than The activities of those who are pursuing their own purposes. "⑥ Human history is always closely related to people's activities, and human activities are inseparable from the space -time environment, including the social environment and the natural environment. In this sense, historical consciousness also includes the awareness of the activity of the person and its space -time environment, as well as the shaping of the environment and the awareness of its results. While Zhang Wei, while criticizing historical events or social culture, also showed great concern to the living environment of people, which made the historical perspective of his novels more open, and historical reflection was more profound. Zhang Wei always adheres to the natural view of the unity of heaven and man, and takes this as a reference to examine the negative impact of modern civilization on the natural environment.

The history of nature is long and complicated, and has its own laws. All human activities must follow this law. A writer should have the correct view of natural history. The development of human society must not only be developed in a certain natural environment, but also itself is part of natural evolution, and is deeply restricted by the natural environment. In traditional Chinese culture, Confucianism and Taoism both emphasize the natural outlook of "the unity of heaven and man". It emphasizes that people are integrated and belongs to natural centralism, but whether it is Confucian or Taoism's concept of nature, it always follows the premise of human society and nature that belongs to the same whole, that is, "the unity of heaven and man". However, with the continuous expansion of human greed and power, humans have accelerated the so -called "conquest" of nature, abandoned respect for nature, ignored nature and let nature withdraw from the deep thinking of human history. Naturally, in all directions of emotions, morality, and spiritual communication "," the consciousness of diluting the responsibility and obligation that should be assumed in nature ", thereby bringing tragedy to human beings and nature. Therefore, some scholars advocate that "human beings return to nature and naturally enter history." What humans need to understand is that naturally, it is not possible to develop rapidly according to human wish. "When people finally understand that it is impossible to make the entire world perform straight movement, the complexity of animals and plants has fully resisted the Guangyan entity. When a single form of various forms, naturally, you must express yourself in all the wealthy and colorful nature of your own. "Therefore, human beings cannot interfere with nature or" conquer "nature without self -knowledge, but should get along with nature harmoniously with nature. , Guard the diversity and richness of nature, enable nature to enter history, reconstruct the view of nature, and reflect and review the inseparable complex relationship between the history of human development and the history of nature. Zhang Wei is deeply influenced by Chinese Taoist ideas. When considering the relationship between man and nature, he always holds the concept of natural history with awe and respect for nature, guardianship and integration of nature. Therefore, in addition to the view of social history, its novels also have natural historical concepts. The historical concepts of these two connotations have profoundly affected its novel creation. In addition, Zhang Wei also often emphasizes or highlights natural historical consciousness in his novel, and integrates the historical evolution of nature with the development history of human society, which has formed a response to the traditional concept of "heaven and man". Among them, the novels more concentrated reflecting the natural history of Zhang Weitian's unity is "Yellow Sands" in 1985. Uncle Yishi in the novel goes to the city to sue, but people in the city do not understand the content of his sue, the city's city, the city’s There is a huge gap between the historical process of modernization and the natural evolution of the countryside. They have their own discourse system and realistic demands, so the uncle's sue becomes extremely difficult. Zhang Wei cleverly placed the farmers' uncle in the city. In a completely strange environment, Uncle Yishi became more difficult to walk. The survival situation of Uncle Yishi in the city is the metaphorical expression of the modern ecological environment and precarious metaphor. In the face of strong material interests, the appeal of Uncle Yishi seemed to be weak and helpless. The Jiang Hongji he wanted to tell was only a representative of modern power. Jiang Hongji destroyed the environment for the benefit in front of him, causing the yellow sand to diffuse, and the yellow sand gradually eroded the will Liu Lin. A basket of yellow sand in the willow forest is the valuable quality of this kind of protection of nature, which is the true manifestation of the Taoist and heavenly people.

In "The Night of the Autumn", the crops covering the night are integrated with the crowd of the night protection. The vineyards in "Autumn Thinking" are fruitful. The protagonist has to think about the connection between Huangsha and grapes, and think about the relationship between man and nature. He understands that people should take root like plants in order to stand on the earth steadily. The old tendons and others in "Wind by the Sea" have always been integrated with the sea. "Hello! After comrades in Comrade Benlin, Benlin returned to the embrace of Lu Qinghe in real life, and he could get great comfort and cure the trauma of the soul. Once Benlin leaves the Luqing River, he will feel nervous and uneasy, and life will become difficult or unbearable. The novel expresses the concept of integration of people and nature. "Vineyard" is full of romanticism, and the vineyard is filled with the fragrance of plants and fruits. The free animals patrol it. A beautiful vineyard rural landscape painting, the author calls it "beautiful castle". In addition, Zhang Wei wrote vineyards with the concept of all things. For example, the grandmother in the vineyard always regarded the dog in the garden -Lao Dangzi as a family member and said that it was "a good person." Zhang Wei also described the harmonious and tranquility of people in the vineyard from the perspective of animals, making this novel have fairy tales. The author gives Lao Dangzi (dog) and Xiaoyuan (cat) with people's thinking. In the eyes of these animals, grapes and various plants in the garden have spirituality. And with the children and grandchildren who can introduce to Lao Dangzi, the animals and plants in the vineyard can talk to each other. Zhang Wei expressed his ecological consciousness that he integrated into the earth in this novel very clearly in this novel. There is such a plot in the novel: After the old black knife was shot by an old black knife, he fell into a pool of blood, but his eyes still looked at the field wilderness. , Always holding the desire of "running towards the field". Zhang Wei, a kind of all -thing Taoism, is more fully displayed in the later "Seven Mushrooms" in response to nature. Zhang Wei also adopted the perspective of animals (a forest dog named forest dog named treasure), which gave the novel fairy tale color. Make animal plants full of spirituality. Of course, in children's novels such as "Singer by the Sea", "The Beauty of the Dental Pavilion", "Little Love", and "Fox Wife", etc., it also runs through the equal and spiritual philosophical philosophy of all things, which fully reflects the return of "Heavenly Man The concept of historical and cultural concepts of integration. The profoundness of Zhang Wei's novel is that he not only expresses the ecological consciousness of human harmony with nature, but also reflects on the mental state and vitality of modern people. The vitality in Zhang Wei's novels has nothing to do with modern power and modern scientific and technological power, but in nature gives human beings with inherent survival and willpower, which is the primitive natural power of human beings. Through the praise of the wildness and vitality of human beings, Zhang Wei profoundly reflected the damage of modern civilization to natural humanity and life's great power, thereby giving the deepening of novels and a perspective of time and space. The young farmers represented by Datongzi in "The Night of the Autumn" are full of enthusiasm and longing for life, and dare to fight the evil spirits. Dazhenzi dares to dare to do, unrestrained, and shows the beauty of wild nature. This wild nature is the natural attribute given her to her. In "Hello! In Comrade Benlin, when Benlin leaves the Luqing River, he will fall into the mental state of tension lesions. Once he returns to the embrace of Luqing River, he can wash away the dust, heal the trauma, and regain his vitality. Zhang Wei believes that only nature can restore modern people's increasingly vitality and mental blood, so he advocates returning to nature and doing pure natural sons of nature. Zhang Wei clearly pointed out in "Vineyard" that the beautiful vineyard is the result of people's hard work and wisdom. Among them, the first generation of vineyards has the spirit of pioneering. With strong vitality, they naturally communicate with the power of nature, and they belong to the son of nature. However, the descendants of these pioneers are gradually burnout. "Although they have the blood of the pioneers, they have lost the emotions of the pioneers." They fight for each other because of some interests or their narrow ignorance. , And also obsessed with materialized and utilitarian vineyards, they cannot get out of their solidified space, and they cannot return to their true nature. Their vitality and feelings are getting withered. The call and thirst for natural and healthy humanity is the profound connotation of Zhang Wei's historical consciousness. He hopes that our nation will restore the natural power and life passion, which is also the most important content of his thoughts that integrate into the earth and into nature. In "Seven Mushrooms", Zhang Wei strongly praised the strong vitality of the forest guard Lao Ding. Lao Ding, who has lived in the mountains for decades, has been completely integrated into the mountains and forests. His passion and powerful vitality, he has formed a sharp contrast to modern people who are increasingly vitality.

Zhang Wei's novels have a deep sense of historical worry. He not only reflects and criticized the historical culture of an era, and the environment that forms and influences this culture. At the same time It is a key factor in the impact of historical culture and natural environment. This not only enables its novels to obtain the depth of historical reflection, but also expresses the ideal demands that integrate into the earth and return to nature. Response of the view of nature. 3. Uto Gang Homeland under historical reflection

The historical consciousness of Zhang Wei's novels is also manifested in his story, which is both the era and transcending the times. The story in his novel is like the waves in the long river of national history, but he did not capture these waves separately into bottle decorations. Instead, these stories are restored to the long river of history, so that it can be connected with history, reality, and future. Therefore, the readers see not only the independent vivid and vivid characters, but also a part or organic component in the logic of the evolution of national history. Because of this, Zhang Wei's novel has a strong sense of history, and understanding his novels also needs to start from history, reality and future triple maintenance.

From the perspective of time dimension, Zhang Wei's novel is first of all. The spiritual temperament of the novel in the 1980s is exactly the same as the new enlightenment spirit in the 1980s. Secondly, it is also history. Zhang Wei interlaced and collided with history and collision, which not only formed a strong contrast, but also tried to sort out the logic of historical development in the wrong relationship between the two. In the historical phenomenon, the ideals of the new order of social ethics are also sent to the recaller, review, criticism and reflection of historical phenomena. Once again, its novels also point to the future. They are the expression of the author's humanistic ideals, and they always run through a kind of nostalgia Uto Gang impulse. It is worth noting that Zhang Wei's utopian impulse is not a negation of history, but the inheritance and guardianship of the excellent traditional culture in the long river of national history. Among them, Confucian ethics and Taoist views are Essence Therefore, Zhang Wei's utopian home has a deep historical consciousness, which is essentially the reflection, integration and transcendence of excellent traditional cultural mirror. Zhang Wei's impulse to rebuild the ideal homeland is derived from a deep sense of sorrow of the homeland, or a sense of nostalgia. "'Nostalgia' is a culture and aesthetic phenomenon that appears after the modernization of Chinese society. It is related to the emergence of modern cities and the emergence of modern industries. In the process of modernization, the rationalism of tools overwhelmed humanism with an absolute advantage. Human nature was increasingly depressed or distorted by the gradual expansion of material desires. "Son of Nature" has become a "rebellious son", and the spirit of man gradually becomes decomposed. Therefore, the humanistic banner and the reconstruction home of the nostalgia have become the inherent motivation of Zhang Weito's spiritual impulse. Zhang Wei's ideal nostalgia home is constructed on the basis of the absorption of the excellent culture of social history and the basis of the natural and natural way of nature. This is consistent with its consistent social and historical criticism and the reconstruction of natural history.

Zhang Wei expressed his ideal urban home environment in "Yellow Sands", where "the water is green, and the mountains are full of yellow flowers. There is no dust in the dust. "In the" Seven Mushrooms ", the reader also described a person with a harmonious and vibrant homeland with nature, and of course, it was full of strong nostalgia. The author pointed out that this novel is a dream of his childhood. This forest kingdom is "another world". "It is so far away from the current life. It is a complete, independent and independent world with the outside world. . "The dream of his childhood has always been accompanied by Zhang Wei, becoming his ideal expression of modern local homeland. In addition to using "forest" and its related images, Zhang Wei also often uses the "vineyard" image to express his home imagination. In the novel "Vineyard", the flowers and fruits are fragrant in the vineyards, and they are full of freedom and laughter. Everything looks vibrant. Zhang Wei call it "beautiful castle". Constructed nostalgia home.

Zhang Wei used the spatial background of the Jiaodong Peninsula or Lu Qinghe for his novels. He started a rich artistic imagination and expressed his land consciousness and home appeal. His nostalgia Uto Gang consciousness is not only manifested in his idealization of the country's natural and material homeland, but also in the aspect of the human spirit and morality of the human spirit, the human spirit and morality. In Zhang Wei's Uto Gang world, people should become a son of natural strength, abundant love and life passion like Lao Ding, and become a "master" who lives in harmony with nature on the earth. Such idealized personality is more reflected in the novels, such as the old gain in "Autumn Thinking", the old tendon in "Wind by the Sea", Luo Ning in "Yellow Sands", "Locking the Autumn" Da Jianzi in Night, Minghuai, etc. in "Vineyard" and so on. Zhang Wei's spiritual appeal of rebuilding the ideal personality is consistent with his criticism of human degradation and spirituality, or the criticism of human nature in Zhang Wei's novel is to rebuild the ideal modern personality.

Zhang Wei's Uto Gang and the sense of nostalgia have already performed obviously in "Wind by the Sea" in the 1980s. One of the novels, Lao Jinsou lived on the beach and lived in fishing. The hard -working and kind old man was purely a son of nature. He was far away from the hustle and bustle of the earth and built his own living space by the sea. Lao Jin has its own blueprint for social: This is a beautiful water world, a harmonious and quiet world connected by fishing boats. In the meantime, everything is equal, flowers are blooming, and everyone is friendly. Everything follows its own nature. Obstacles, each has its own. This is also the ideal place for the center and respect, and every life is respected and valued. Here is crystal clear, pure and dust -free. This is a Utopia idea of ​​Zhang Wei. By the 1990s, Hometown Utopia reflected the most in its historical novel "The Records of the Chauzhou Thought". The novel creation time is between 1992 and 1996. This is the transition period of Chinese society and the stage of deepening marketization. Traditional ethics and local space have been greatly impacted. In particular, the corresponding destruction of the wave of consumerism on the local society and interpersonal relationships has filled Zhang Wei full of sorrows of their homes. So he conveyed his beautiful ideals in the form of literature and converted the aesthetic form full of homesickness into a tragic aesthetic form. "The Records of the Chauzhou Thought" is Zhang Wei's rewriting of the traditional story of Xu Fu brought three thousand boys and girls to go to Japan. Xu Shi (Xu Fu) in the novel has exhausted his mind in order to take root in Japan. He opposed himself as a king, and he thought about the entire Chinese who crossed Japan. He wanted to build Dazhou into an ideal soil to make him a perfect state. Here is full of randomness and freedom, and there is a vast. "It has" stability and calmness of self -prison nor him prison "," a beautiful rhythm of the sun and the moon ", and" the colorful color of the four season reincarnation ". Such a society not only attaches importance to "personnel", but also pays attention to "mountains and rivers", and people and nature live in harmony. Among them, the habitat and nature belong to the relationship between "mother" and "child". The novel focuses on the emotional and nostalgia consciousness of Zhang Wei's homeland to rebuild the homeland, and has a strong nostalgic Uto Gang color. While looking forward to the future, the novel also remembers the excellent traditional culture. Although the dream -seekers represented by old -fashioned, old tendons, Xu Shi, etc. have not completely got rid of the world's desire and habit of power, Zhang Wei's novels are always full of idealism and high -profile humanism. Zhang Wei pointed out in the "Missing Missing" (that is, ideals or dreams) in the mouth of Xu Shi in "The Records of the Chauzhou Thought", and "to find a lot of splendid missing," One place, that is, the great goodness of the times. "Zhang Wei in his novels in his novels using the Uto Gang spiritual home built in language, isn't it exactly what he found for the contemporary" miss "? It is also Zhang Wei's goodness.

Note:

[1] Fu Jianzhou, Huang Nianran, Liu Zaihua: "Transformation of Modern Chinese Culture Theory", Shanghai Ancient Books Publishing House, 2015 edition, p. 489.

[2] Sa Bartel, "Research on Morality and Education of Mongolian Secret History", Huaxia Publishing House, 2016 edition, p. 22.

[3] Chen Chunying: "Historical Consciousness in the Construction of Contemporary Chinese discourse system: Value, Connotation and Reality Discipline", "Socialist Research", No. 3, 2020.

[4] Zhang Wei: "Please save the artist", People's Literature Press, 2019 edition, p. 15.

[5] Zhang Wei: "The Records of Dazhou Simu", People's Literature Publishing House, 2019 edition, pp. 159-163. [⑥] Marx, Engels: "Complete Works of Marx and Engels" Volume 2, People's Publishing House, 1957, pp. 118-119.

[6] Example Fen: "Li Kefen Naxi Academic Collection", National Press, 2013 Edition, p. 62.

[7] Li Genji: "Research on the History of Environmental History and Economic History", "Xinhua Digest" 2006 (13), p. 56.

[8] (French) Michelle Foucault: "Archeology of Ci and Humanities", Shanghai Sanlian Bookstore, 2016 edition, p. 133.

[9] Wang Jie, "Hometown Utopia_Etibly Chinese Forms and its aesthetic expression", "Exploration and Contention", No. 11, 2016.

[10] Zhang Wei: Huangsha, People's Literature Press, 2019 edition, p. 102.

[11] Zhang Wei: "Seven Mushrooms", People's Literature Press, 2019 edition, p. 191.

[12] Zhang Wei: "Records of Pingzhou Thought", People's Literature Press, 2019 edition, p. 30.

[13] Zhang Wei: "Records of Puzhou Thought", People's Literature Press, 2019 edition, p. 30.

[14] Zhang Wei: "Records of Puzhou Thought", People's Literature Press, 2019 edition, pp. 132-133.

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This article originally published "Journal of Yan'an University (Social Science Edition)", No. 5, 2021

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