"Art Qi Chat" AI painting has caused the painter's identity crisis, but the digital art trend has been irreversible

Now, whether it is a new generation of artists, curators, or critics, it seems that they want to say something for contemporary painting. This is because few people have painted on the canvas, and now they are popular with AI art. According to the New York Times, the Nahmad Contemporary Exhibition Hall, located in Manhattan, New York, recently held the "Painters' New Tools" exhibition, showing the results of contemporary artists using new media painting on the basis of maintaining their own personality. The curator Eleanor Cayre and Dean Kissick collected 57 works from 31 creators. They admit that the new technology has irreversed the meaning of painting, but it also maintains the meaning of painting -still pursue beauty. While trying to express these two views, the exhibition also reflects the support of mysterious and contradictory traditions -from rural life to Catholicism. Surprisingly, young people who pursue this tradition are mainly young people who like to surf the Internet.

Figure: The "New Tools of the Painter" exhibition held at the Nahmad Contemporary Exhibition Hall. Indeed, painting requires technology support, and it has always been the case. Just as the invention of oil painting with slower drying speed brings a series of innovation to the artists, photography, video and computer graphics also use lens and crystal tubes to bring deep and irreversible changes to the artists and the world. Laura Owens' hovering strokes on the emerald color canvas and dizzy layering pushing Photoshop software painting technology to the peak. One of her paintings was displayed on only low -resolution LED tapestry. In a cutting -edge anatomy research conducted by video artist Kate Cooper, the camera passed by the digital model of the human body, just like Leonardo playing MRI (MRI) machine.

Picture: Kate Cooper "Untitled" (2022). A seven -minute cycle video. Art consultant Cayre and New York critic Kissick conducts a thorough analysis of the crisis of the artists' continuous aggravation, whether these artists themselves have noticed it. The painter representative of the new tool is Julien Nguyen, who is known for applying the Renaissance's drawing method to contemporary paintings. In the digital portrait of "The Charming Youth of the Bath", he uses iPad's brushes and color panels to draw a classic painting style.

Picture: Digital portrait of Julian Ruan's "Fascinating Youth in Baths". Novelty does not mean that they are all new. "IMAGO" (2022) of artist, artistic director and network developer Ezra Miller is a vague abstract concept. Real -time evolution on the mesh of the four monitors, it looks like driving into a rainy Monet's painting, and then a dispersed black cross passes through the image center of the screen intersection. Observation at close range, it is not a stroke, but a black tape covered with seams.

Figure: Jordan Wolfson "Untitled" (2021). Interestingly, New York critic Kissick's columns written in Spike Art Magazine are like shuttle between classical and super-modern-for example, from the thought painter Jean-Honoré (Jean-Honoré Fragonard) to explore NFT (intangible homogeneous tokens). The independent art consultant Cayre specially captured the art from the 1950s to the present. Of course, their discussion is still focused on the contemporary, and it is more considered: what today's life means.

Figure: Jessica Wilson "Perfect Clear" (2022).

——————————— Source 丨 "There is an art realm" comprehensively sorting out the self -network responsibility 丨 school pair 丨 Li Hanmei 丨 澹 月 丨 丨 Haruko

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