Pomegranate skirt, Luo skirt, skirt ... Come and pick your heart touched Tang dress

Last night, He David aired the second issue of "Pepper Flowers" in "Great Beauty China". Have you watched it?

Many netizens replied to us and praised He David as "aesthetic leadership". At the moment of glittering, Chinese classical beauty brought us a unique viewing experience.

Let's follow "The Beauty China". Together with Guan Wan'er and Princess Taiping, they walked in the paintings and paintings of Datang to feel the beauty of women and culture unique to Datang.

At the time of Cardamom, the two were playful and agile, implying that the auspicious hydrangea fluttered in the hands of the two, a vivid and interesting scene.

When she first came to the palace, Shangguan Wan'er was still a niece, and she was wearing a blue skirt.

After rising to the "Prime Minister of the Anti -Prime Minister" all the way, Shangguan Wan'er was dressed in Hu clothes. In fact, in the Tang Dynasty, Hu Wei was a common service for men, and it was not uncommon for women to dress up in the Tang Dynasty.

The atmosphere of the Tang Dynasty was very open, and the pursuit of fashionable Tang Dynasty women played cool.

After Princess Taiping was named Princess Taiping, the two of them became more stable and heavy, and every move exudes mature beauty.

The two danced in the hall were shocked, and Princess Taiping's bright green skirt could be described as "a lot of lotus leafle skirts." Shangguan Wan'er was wearing a red dress "Fog light red", graceful, as if she was gorgeous.

Going out of this painting roll, remembering Shang Guan Wan'er's epitaph, the book "Long Live, Pepper Flowers". I hope that after thousands of years, someone will still remember you like me!

The friendship between Shangguan Waner and Princess Taiping's cherishment burst out with the beauty of Chinese culture. The red makeup is fixed, leaving the beauty of eternal to the present, leaving a glimpse of shock in the years.

The costumes in the film also impressed people.

Shen Congwen introduced in "History of Chinese Clothing": "The Sui and Tang dynasties are good -looking and can dress up. The" half -wall 'spread from the court has a pair of plackets, hoods, lapels, or unpaid styles, sleeves with long elbows, length and waist, so as to use Little belt should be held as a chest. "

Shixing's half -wall system is covered with narrow -sleeved shirts, and has a "age reduction" style. The dresses of women in the Tang Dynasty can be described as "unrestrained."

Gong Le Tu

The Tang Dynasty costumes are diverse. In terms of classification, it can be divided into: Luo skirts, pomegranate skirts, moon Chinese skirts, flower room skirts, phoenix skirts, flower cage skirts, skirts and other styles.

With such a rich type, Ren Jun chose, which girl can I not be motivated?

Tang Dynasty high -waisted skirt, pictures come from Visual China

"Mo Shang Sang" once wrote, "Qi Qi is a skirt, and Zi Qi is the upper." Du Fu wrote in "Li Pingxing", "embroidered Luo's clothes to take advantage of the twilight spring, and the golden peacocks and silver unicorn."

Ouyang Jiong's poem "Red -sleeved girls are led", and Yuan Ye also said "Skin Shirt Skin Skirt", which depicts the Tang Dynasty skirts with a lot of charm, and wrote the unique pursuit of clothing in the Tang Dynasty.

It is not difficult to see from these verses that the bright and bright colors such as red and green are good hearts of Tang women. The word "red skirt" in "The Poems of the Tang Dynasty" appeared 16 times. It can be seen that the red skirt was a color that countless women scrambled in the Tang Dynasty.

Tang Zhou Zhou's "Flower Flower Lady Picture", the picture comes from Visual China

Most of the red skirts prevailed in the Tang Dynasty were pomegranate skirts. They were big red skirts. Because they were dyed with pomegranate flowers, they were called "pomegranate skirts".

Bai Juyi wrote in the "Pipa" and wrote "The Diaoyun Cloud Step in the Crusher and the Blood Ronaldo Skin Wastes". Pomegranate skirts sing and dance, becoming a beautiful landscape in the Tang Dynasty.

Historically, clothing left a strong stroke for the beauty of Chinese culture. Today, it is also the era of the national tide.

At this year's Winter Olympics, sportswear worn by sports athletes combined many national style elements, which contains the memory of the times. The light of Chinese history and culture is even more shining at this moment!

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