The theme of non -heritage craftsmanship favored by photographers

In the list of intangible cultural heritage at all levels, handicraft projects are favored by photographers. Many photographers have worked hard to go deep into factories and workshops, and use lens records, dissemination, and inherit these deep historical and cultural techniques. However, with the development of the times and the acceleration of the rhythm of life, and the increasingly dependent on people's "fast -moving" products, many traditional handicrafts once faced problems such as inheritance and slowing down. Fortunately, in recent years, the country and localities have been increasing in the protection and support of traditional handicrafts, and more and more people are willing to learn traditional handicrafts. Many traditional handicrafts have re -entered people's vision and integrate into people's lives.

For the shooting of traditional handicraft themes, the photographer does not have to stick to the rules, not only to take good pictures -to show the moment of process with various mature techniques, and to take good pictures -keep pace with the times, keep pace with the times, keep pace with the times, keep pace with the times, keep pace with the times, keep pace with the times, keep pace with the times, and keep up with the times. Focusing on the innovation and development of craft masters, inheritors, etc. on skills and works, you can also pay more attention to the positive impact of traditional handicrafts in people's lives and social development. In this way, photos can be rejuvenated like these traditional handicrafts. --editor

Laoshan blue printing cloth: blue and white, simple and natural

Anti -dyeing slurry scrape Deng Haijian Photo

Photo by Yang Qingwei in the flower cloth

The blue flower printing and dyeing production skills of Pushan County, Anhui Province originated from the Daoguang period of the Qing Dynasty. The existing printed and dyeing production skills were mainly Hu Zhengshen's family in Hu Tun Village, Lizhuang Town. In 2017, Laoshan Blue Printing Flower Making Skills was selected into the provincial intangible cultural heritage list.

The Laoshan area is a typical landform of the Yellow River. It used to be barren land, but it is particularly suitable for the growth of Blue Cao Cao. In addition, the local folk textile technology is very developed. At the end of the Qing Dynasty, Hu Anqing, from Hu Tuncun, inherited the ancestral industry and opened a small dyeing workshop. At that time, the blue printed cloth was very popular in China, but there were very few versions of the flower version, and the technology of engraving the flower version was very confidential. Therefore, Hu Anqing focused on drilling the research technology. After years of hard work, the flower versions carved by the Hu family are novel, clear, and durable. The influence in the industry once exceeded the blue flower printed. The Hu family opened a dyeing workshop in the north of Laoshan City, and also operated the blue printing cloth and flower version, named "Sanyuan Xing". After further exploration and improvement, his son Hu Renxian has become more mature and refined, and the sales volume has increased significantly. Dyefang's most brilliant period is to radiate the surrounding area centered on Laoshan, and the products are sold at the farthest to Beijing, Shandong, Henan, Jiangsu, Shanxi and other places.

The manufacturing process of the blue printing cloth of the mountain is very cumbersome. First of all, the flower version must be carved, that is, the flower version of the paper that brushes the tung oil. This is a key point that is easy to be ignored by shooting Laoshan blue printing cloth, especially the carving process. The engraving knife needs to be vertical to strive to be consistent with the upper and lower flowers. The engraved knife is divided into a single knife, double knife, and round mouth knife. A putty pad that does not hurt the knife mouth under the version is helpful. The Blue Printing Edition of Laoshan is carved with ancestral skills, with novel and elegant composition. The existing "lion rolling hydrangea", "pomegranate chrysanthemum", "butterfly bamboo plum blossom" and "two dragon drama beads" and other more than 1,000 patterns.

The raw materials of the blue printed cloth of Pushan use hand -textile white cotton coarse cloth, use the plant blue cricket as the dye, fix the flower version on the table, dip the white cotton cloth to the flower version, and use soybean noodles and liminity to make anti -dye pulp. Scrape it evenly on the flower version, then unveil the flower version, carefully remove the cotton cloth hanging, hang it and dry it. The cooked blue salamander dyes are poured into a large dye cylinder for later use. The cloth is taken out of the suspension, and the cloth surface is continuously touched with the air to make it oxidize evenly to achieve the purpose of coloring. After drying the tank, the ash -alkali is severe. First, soak the acid water and fix the color. Wash the cloth with the grill twice, remove the mortar and floating color of the residual cloth surface, and hang it on the old pear branches to dry. At this time, the blue printed cloth has been blue and white, and it floats with the wind.

The rustic colors and ancient patterns of the blue printed cloth of the Shan Shan bring a strong rustic atmosphere. The original blue and white color is cleverly matched, creating a simple and natural art world in front of the camera. ● Cui Meng

Longgangmi Plastic: combined with wisdom and fun, close to life

Photo by Drawing Rice Miao Tompy Pigeon Photo

Photo by Mi Plastic Tool Miao Dige

The rice plastic in the south of my country is a traditional folk craft, and it is a must -have with northern noodles. Yang's Michastin in Longgang City, Zhejiang Province was listed as a provincial intangible cultural heritage protection project in 2007. It is different from the northern surface plastic, and it is also different from the rice plastic area in the east.

Mican has a long history and has been recorded in the Song Dynasty. For thousands of years, Michard has been very popular in Wenzhou. Rice plastic. Nowadays, Micang is not just a traditional handicraft, but also part of Wenzhou folk activities.

Yang's rice plastic production process includes the following steps: and powder, add water, glutinous rice flour, crack -proof ingredients, etc. to knead the water according to a certain percentage; cook, cook the raw rice flour ball for a certain period of time, and knead it into a special rice cake after cooked. ; Mix color, add various colors to rice cakes; make various shapes on bamboo sticks or brackets. Different works will have different production processes, which are more complicated; For example, the characters can be inserted on the tablet to synthesize a group of characters, or add a glass cover to the packaging, which is conducive to preservation. Yang's rice plastic combines paper tie craftsmanship, combines drama, paper -cutting, calligraphy, painting and other arts, involving folk customs, traditional stories, clothing Facebook, auspicious patterns, etc. The shapes are characters, flowers, birds, fruits and vegetables, fish and insects, beasts, seafood, etc., or delicate and realistic, or simple and freehand, colorful and gorgeous, and profound shapes. The theme of the story is mostly dramatic stories and mythical stories. Rice is rich in types, and is mostly used for Shouqing, Festive, God for God, and ancestors. It mainly includes Jinxingzi (children hundreds of days), children's opposite Zhou Tao, birthday peach, Baxian Shou Tao, Longfengshou Peach, Teaboard Dendrobium, Dendrobium, Dendrobium, Dendrobium, Dendrobium (Da Shou Tao), Longfeng Pan and Mingzhai Tao.

In terms of techniques, rice plastic production pays attention to plastic, stickers, pinching, dressing, disk, rubbing, scraping, picking, picking, cutting, carving, painting. The photographer can also be based on the basic planning, try to record the production process as much as possible.

Although under the impact of modern civilization, people's life rhythm and aesthetics have undergone tremendous changes, but non -heritage handicrafts still have huge room for survival and development. The traditional rice plastic production process is more like a combination of wisdom and interest. It is worthy of inheritance and worthy of focus. ● Miao Zimuge

Liuyang Gushan tribute paper: Hakka skills, create revenue for the people

Photo by fishing Zhou Xiu Yuchun

Code Zhou Xiu Yuchun Photo

Paper Zhou Xiu Yuchun Photo

Dawa Mountain, Zhangfang Town, Liuyang City, Hunan Province, which is located in the Luoxiao Mountains, is rich in bamboo. The local traditional papermaking has a history of more than 2,000 years. The handmade rice paper produced has been a tribute for a long time, so it is named "Gushan Gong Paper".

The ancient method of making paper -based paper -oriented in the intangible cultural heritage needs to be selected for 2 months of bamboo. Wait for 72 processes, lasted for several months. Its craftsmanship is basically the same as the papermaking method contained in the "Tiantong Kaiwan" of agronomists and scholar Song Yingxing in the late Ming and early Qing dynasties, but some special raw materials that must be mixed with the pulp, and villagers never say to outsiders.

Due to the simple texture and good effect of blooming, handicraft paper in Zhangfang Town is mostly used for calligraphy and painting creation and ancient books. Compared with mechanized papermaking technology, hand -made ancient paper papermaking process, long -term consumption, and low yield. In the era of fast -paced, such a traditional skill that pays attention to "slow work" will inevitably suffer from survival difficulties. For a period of time, fewer and fewer villagers engaged in this traditional ancestral industry. However, with the gradual importance and protection of traditional culture across the country, in recent years, the local government and folk volunteers have invested in fund development and promotion. Research "" non -heritage+cultural and creative "methods use pictures, videos and other means to vividly show tourists from all over the country to vividly show Hakka ancient papermaking skills that have been circulated for nearly 2000 years. In addition to shooting, photographers can also experience the process of ancient papermaking on the spot, create handmade paper that retain thousands of years, and feel the charm of ancient papermaking. With the increasing number of passenger flow, the rejuvenation of handmade paper is shining, related cultural tourism, catering, and homestay industries are booming, and villagers' income has gradually increased, which has also become a highlight of photography performance.

Due to the poor lighting of most papermaking workshops and the inconvenience of the on -site environment, I can only use high -sensitivity hand to shoot. Swinging curtains is one of the most critical processes. It is necessary to swing the paper curtain into the water and swing back and forth in order to make the pulp evenly in the curtain. In order to make this action dynamic, I put the camera opposite the pool and repeatedly shooting with the slow door until the picture that made the slutmark blur and the character just in the middle. After shooting a whole set of processes, I deeply realized the hard work of ancient papermaking, and more firmly used the belief of inheriting the ancient culture with images. ● Zhou Xiu Yuchun

Zhangzhou Cai Fu Mei Drum: Precision work, cross -strait inheritance

Make a drum body Xu Shaohua

Photo by Mongolian Drum Skin Xu Shaohua

Debug the drum sound Xu Shaohua

The traditional Chinese instrument has a long history, a long history, a reasonable shape and structure, pure sound, and exquisite production skills. Zhangzhou Caifumei traditional drumming skills, which are included in the national intangible cultural heritage list, are one of the best.

In the early years of Qianlong in the Qing Dynasty, Cai Fumei, a drum artist, started from Longxi County, Zhangzhou Prefecture, Fujian, carefully engaged in various leather drums, and printed on each leather drum under his own name, which is loved by customers. During the Guangxu period of the Qing Dynasty, in order to expand the business, Cai Xinzheng, the Cai family, went to Taiwan alone.

Cai Fumei's drumming process is extremely unique. There are more than 30 drum making processes left by the ancestors. Some of the drumming processes need to be very skilled and superb skills to complete. So far, Cai Fumei's drum drums are processed from raw materials to finished products. Each level is carefully produced in accordance with the provisions of the ancestors. The materials selected are very particular and the finished product is unique.

After a long -term development of the ancestors, the southern water leather with toughness is most suitable for drumming, but the cost is high, so it is very different from other drum products. Choose a century -old pine and fir as the material. Drum -drum barrels are first processed into a wooden sheet into a curved wood with small inner rounds and large widths. Boil cowhide with broken leather into a pedamed adhesion, and it can be made into a dense drum barrel without a nail. Drums are also called stretching drums and skins. It is the most important process of drum making. The drum maker puts the drum skin on the hemp rope and short sticks. While tightening the tympanic membrane, he uses the drums to beat the drums from time to time to stretch the drum surface more dense. The big drum also has to make drummers climbing to the drum to jump on the drum. The strength of the feet and the power of the whole body make the drums more flexible. This process often takes several hours.

Cai Furi Drums have 13 varieties and more than 20 specifications such as temple drums, lion drums, dragon boat drums, drama drums, waist drums, red drums, and small tide drums. In addition to different drums, the sound is also divided into high and low. Because of the drums and beauty, durable, mellow tone, and pure drums, they were sold well in the middle of the Qing Dynasty in Fujian, Guangdong, Taiwan, and Southeast Asia.

Today, Cai Fumei's traditional drumming skills have inherited 13 generations. After more than 200 years of baptism, it still has its own beautiful and durable characteristics in Zhangzhou and even the national drum -making industry. At the same time, its tortuous inheritance experience across the Taiwan Strait is a living specimen for studying and changing the cultural inheritance of Fujian and Taiwan, and also a testimony of the blending of the traditional Chinese craftsmanship of the Chinese nation. If a photographer can use this as a clue to shoot the inheritance story, it must be more fascinating. ● Xu Shaohua

Lanxi Kong Ming Lock: Tenon and tenon structure, gossip background

Confucius lock, Chinese knot Ding Peony Photo

Carved Ding Mudan Photo

Covering Ding Ding Peony Photo

There is a beautiful village in Lanxi City, Zhejiang Province. The buildings in the village are arranged according to the gossip array, and a large number of Ming and Qing houses are preserved. This is the famous cultural village in China -Zhuge Bagua Village. More than 700 years ago, Zhuge Liang's descendants lived here, making it the biggest settlement of Zhuge Liang's descendants.

Between the old houses of Bagua Village, there is a model hanging on the China Pavilion of the Shanghai World Expo.

Zhuge Wencang is the 51st generation of Zhuge Liang, and it is also a representative inheritor of the provincial non -heritage of Confucius Lock. It was rumored to be invented by Zhuge Liang according to the principle of gossip metaphysics. Its internal is a tenon -and -mortise structure. It does not need nails and ropes. It looks simple. In fact, the connotation is rich and the mysteries are endless. The selection of materials is more particular. It is necessary to use the camphor wood in the previous year. This is not only easy to shape, but it can also refresh the brain, prevent insects and prevent moth. Pay attention to the selection of materials, opening materials, jagged mouths, cutting teeth, polishing, assembly, lighting and sealing of 8 processes. The accuracy requirements for making Kongming locks are extremely high, and the craftsmen need to focus on the high concentration of attention and excellence the craftsmanship.

For lock -making handicrafts, craftsmanship is not only a tool for making a living, but also a kind of feelings, adherence and responsibility. For decades, under their efforts, the ancient Kong Ming lock was not only inherited today, but also innovated a series of righteous locks, 鸳 locks, treasure locks, and four seasons. Works, ancient handicrafts are constantly rejuvenating. ● Ding Mudan

Anji Bamboo Le: Crispy in the ear, non -heritage salary biography

Photo by Zhu Hua Hua Miao Yi

Tap the audition Hua Miao Yi

In recent years, Zhejiang Anji Bamboo Weaving Craft has continuously innovated, derived the bamboo music process, and gradually stepped out of Anji Mountain and moved towards domestic and foreign markets. The Anji Bamboo Music Team, which beats the wonderful melody on the bamboo, participated in a large -scale exhibition of traditional Zhejiang music with a song "Bamboo Sea Mountain Wind", and was listed as the intangible cultural heritage project of Zhejiang Province. The Chinese New Year concerts in textile organizations caused a lot of sensation abroad.

Not long ago, I drove to the Dazhuhai Bamboo Craft Exhibition Hall in Wuhe Village, Tianhuangping Town, Tianji County, and filmed the entire process of making bamboo craftsmanship. When you choose the materials on the mountain, the craftsman will select bamboo over 5 years of age. After cutting home, according to the needs of different instruments, the falling section, bamboo cut, layered, split into silk and thin crickets. Fire roasting or cooking is prolapsed. Bamboo materials for making instruments such as bamboo platforms and bamboo plaques need to be treated. Later, according to the needs of different musical instruments, the craftsman will take the filament and the thin and narrow and thickness of the thinness, and scrape it multiple times to improve the smoothness and brightness of the pupa. Breaking bamboo bleaching is conducive to coloring, and the proper color is dyed, and the instruments made will look simple and generous. The method is to put the bamboo material in 2%of the alkali or sodium carbonate solution, boil it for 3 to 5 minutes, and then put it out in an alkaline dye solution. Boil for about half an hour to dye the required color. For the polishing of the bamboo drum, the craftsman put the bamboo drum rough in the water, mixed with two fine sand and one part of the rice shell to improve the luster of the bamboo drum. During the combination of bamboo drums, they generally use rod connection, d -jin, arch, cross, embedded, etc. When the joint, they need to use wood core, bamboo nails, iron nails, glue agents, etc. to achieve good results. Finally, bamboo drums are punching, nailing, and fixed shapes.

I was deeply attracted by this crafts and its production process. I used different shooting angles. The side backlights used by the windows to shoot the craftsman and crafts to make a layered and three -dimensional sense. In terms of composition, I try to avoid messy objects, so that the picture is clean and simple, and more beautiful. ● Hua Miao Yichao Prefecture Tide Embroide

Photo by two stitches of enterprise scales Jiang Chunqiao

Photo by Jiang Chunqiao, a velvet

Tide embroidery is a large tributary of Guangdong embroidery in my country. It has appeared in Chaozhou, Guangdong in the Tang Dynasty, and has formed a style in the Ming Dynasty. Tide embroidery has a strong folk decoration style. It is based on dragon and phoenix, flowers, birds, beasts, and aquariums. Essence The composition is full, the needle is large, the texture is clear, the gold and silver line inlaid, the ground is high, the color is strong and the decorative.

The biggest feature of tide embroidery is its technique, which can be divided into 5 types of embroidery, pads, stickers, spelling, and dotted. There are more than 200 kinds of needle, stretch hook embroidery. Among them, the technique of raising techniques in nail gold embroidery is the most unique. It is combined with golden lines, silver threads, velvet and other materials, and emphasizes three -dimensional, pictographs, and texture with cotton wool and paper pads. Concise method and embroidery embroidery. Many works of tide embroidery use different embroidery and needle methods. For example, the masterpiece "Kowloon Screen" uses five major embroidery methods.

The tide embroidery technology is self -contained. Its needle method and uniform needle steps. It can cleverly use the texture of the pins to express the texture of the image. Among them, two stitches of embroidery and embroidery embroidery of pads, floats, hooks, Le, and Tongtong The method of law is the most prominent, and it is unique in the "four traditional Chinese embroidery". On May 20, 2006, Tide embroidery was included in the first batch of national intangible cultural heritage list in my country.

In late May of this year, several movie friends and I went to the Chaozhou Chaoxiu Research Institute in Chaozhou City, Guangdong Province to shoot the production technology of Chao Embroidery. Before the shooting, I learned that Sun Qing, director of the Institute of Tide Embroidery, was the inheritor of the national intangible cultural heritage. During the shooting, I chose embroidery products with strong color contrast as the key shooting object. Pay attention to the dynamics of the embroidery master, so that the embroidery movement can be fully displayed. In addition, pay attention to the master's hand shape, and press the shutter when you choose a beautiful attitude. ● Jiang Chunqiao

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