Longyan citizens' daily leisure new place, a lot of beautiful pictures ...

Longyan citizens' daily leisure new place, a lot of beautiful pictures ...

The new site of the Longyan Workers Culture Palace is located in the triangular land in the triangle of Silla District, east. The Xiaoxi River flows from the southwest side of the base, and the scenery is pleasant. The north side of the base is Liannan Road, east side is East Ring Road, and both sides are close to high -rise residential areas, and the quality of the residential area is not high. Building 1 Building 1 along the road (employee skills training base: including employee service hall, employee training classroom, various exhibition halls and the office of the Federation of Trade Unions, etc.) and Building 2 (District A Workers' Cultural Activity Center: Including basketball halls, table tennis, table tennis Museum, fitness yoga hall, etc., District B employee exchange base: includes employee theaters, lecture halls, etc.). The two buildings are made of L -shaped layouts.

▲ Function analysis

▲ Look from the Creek River to the Cultural Palace

▲ Southwest Highlights

▲ Northeast Panorama

▲ Looking at the west side of Building 2 from the staff cultural square

▲ Corridor between Building 1 and 2

Longyan has a long time and humid climate, and the typhoon season has several months of continuous rainfall.

The use of passive design to optimize the ventilation and heat insulation of the building, shading and avoiding rain to improve the quality and comfort of the building: The height of the internal set in Building 1 is set up to cooperate with the overhead space of the low -rise to introduce cold wind and take away heat. The prefabricated concrete vertical sunshade components wrapped outside the balcony on the south side can effectively cover the dazzling sunset in the afternoon and introduce rare morning lights.

▲ Ventilation shade analysis

▲ Building 1 west facade

▲ The first floor of Building 1 is overhead space

▲ Part 1 part of Building 1

▲ Part 1 out of the outdoor stairs and corridors of Building 1

▲ Building 1 leads to the sinking courtyard of the employee restaurant

▲ Building 1 patio

▲ The facade on the south side of Building 1

▲ part of the southwest side of Building 1

Building 2, the volume of different standards is carried out along the east side of the base, and is connected by two horizontal outer corridors of different elevations. Citizens can go up along the eaves, and they can reach different floors by the staff cultural square, and eventually the roof garden. The gallery is both horizontal traffic and vertical connection, but also provides citizens with continuous shading and semi -outdoor space for rain.

▲ Looking at the west side of Building 2 from the staff cultural square

▲ Partial part of the outer corridor on the west side of Building 2

▲ Building 2 can lead to the outdoor corridor of the roof tennis court

▲ The steps to the east side of Building 2 to the badminton court

▲ The east side of Building 2

▲ part of the east side of Building 2

▲ The first floor of Building 2 is looking at the staff cultural square of employees

The overhead space of the first floor returned the land occupied by the building as much as possible to the city, opened up the path between the city and the wetland park, and also became a space for citizens to stop daily in the future. The upper part of the building will be treated with a relatively complete volume. The scale and location of the terrace in the air are not uniform. The upper terrace echoes the overhead of the low -level, and the two are connected through various paths, which is both functional and space interest.

▲ outer corridor and bamboo forest

▲ part of the outer corridor of Building 2

▲ Corridor between Building 1 and 2

The Workers Cultural Palace uses a large number of bricks used in traditional buildings in Fujian as the main material, and the combination of conventional masonry and hollow masonry is used to form a good and real contrast effect on many complete facade.

▲ Left: Said the hollow masonry wall body

Right: Small template clear water concrete work method signaling

Under the strong construction logic, the process, texture, and texture of the two main materials are also well solved by the low cost of the project and the problems of the local uncontrollable construction process. The spirit of craftsmen. "

▲ Left: Clean water brick wall hollow masonry local © Wei Gang

Right: Details of Qingshui Brick Wall corner © Fu Kaiwei

With the perennial infiltration of rain in the south, the two will gradually show their long vicissitudes of vicissitudes over time. The square is also paved with clear water rock bricks, and the buildings and venues are integrated into one. The high cost of bamboo forests in it is quiet and elegant.

▲ Small template clear water concrete

▲ Details

A large number of semi -outdoor spaces of the Workers' Cultural Palace. On the one hand, the volume of construction, responding to urban climate, and organizing various types of transportation. On the other hand, the boundary between the indoor and outdoor is eliminated, and the boundary between nature, cities, architecture, and citizens is blurred. The "dialogue" space of the atmosphere, dialogue between citizens, dialogue between citizens and nature, dialogue between architecture and urban dialogue, endless scenery and stories are accompanied, and the architecture has become vivid. Even when citizens touched the water brick wall and small template concrete, they seemed to have a dialogue with time and space with the artisans built at the time.

▲ Outdoor space

▲ Outdoor stairs in Building 2 A and B range

▲ Building 2 roof garden

After the house is completed, there will be two groups of couples who take wedding photos every day in the cultural palace. Many students in the surrounding residential areas will stay in the Cultural Palace for a while before going home. The ground slowly integrated into the daily life of the citizens. The owner complains that this has increased a lot of difficulties in their daily management and maintenance work. I think that as an architect and owner encounters this situation, it can be regarded as a kind of happiness.

▲ The building integrates into the daily life of the citizens

▲ Looking down

▲ Model photo

Source: Longyan Longyan

Comprehensive editor: Cultural Tourism Longyan

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