Missing | Cui Daoyi: My workplace in my life

I have done my best in my life

Cui Daoyi

"People's Literature" is the same age as the Republic. When he was founded, he edited Chairman Mao's inscription. Chairman Mao wrote: "I hope that more good works will be born." In 1975, the editorial department wrote to Chairman Mao. Chairman Mao instructed: "Yes". This letter was sent by me to Zhongnanhai.

Mao Zedong's Institute for Pioneer "People's Literature" (September 23, 1949)

In the early days of the founding of New China, as a "national journal", "People's Literature" launched the first batch of powerful and potential writers, laying the foundation for the cause of literature from the beginning to prosperity. At that time, when I read the draft, I felt that "People's Literature" was a garden that discovered and promoted the outstanding results of the writers. The works published were high -level, distinctive, attracting readers, and extensive influence. For the patent tacit time: only by published in "People's Literature", it will be called a writer. Since the reform and opening up, many journals have been published, and the literary world has been surging, and the rookie has stood out. "People's Literature" maintains the traditional taste and flavor of pure, fresh, pleasing, elegant, noble, and outstanding.

I graduated from the Chinese Department of Peking University in 1956 and was assigned to the People's Literature Magazine. At first serving as the editor of Beijing -Tianjin North China novels. In the spring of 1957, Li Guowen's "Modification" was selected in the manuscript, which was appreciated by Li Qingquan, director of the editorial department. It was my first performance, and confirmed the workplace where I was doing my best, in "People's Literature".

I remember the masterpieces selected as: Wang Zengqi's "Sheep House", Hao Ran's "Caixia" (1962); the famous articles obtained by the draft: Zhou Libo's "Mountain" (1958), Ma Hu's " My first superior "(1959). Repeatedly published in 1975, about Jiang Zilong's "One Day of Mechanical and Electrical Director". Since then, he has been the deputy director of the editorial department and deputy editor -in -chief of the magazine agency. He is responsible for review and final review. He is no longer a "first reader". Excluding the "Cultural Revolution", 32 years in the post, like a "machine" for reviewing and identifying the manuscript. It takes time to look at the text on the paper, and most of the energy has disappeared in an unreliable manuscript. What is pleased is that the well -known writer's works have been recommended after a series of published publishing.

During the job, I personally experience the lively pulse and agile trajectory of our literature. Even during the first period of politics, "People's Literature" insisted on the premise and foundation of artistic quality as the premise and foundation of the manuscript. From the editor -in -chief of the duty, the heart is tacit, and it is self -evident. First of all, the artistic standard is considered to ensure the high specifications and purity of the published works, maintain and carry forward the unique status and corresponding influence of our literature in the world structure in the world pattern Essence

"Class Teacher", "People's Literature" 1977, No. 11, "Class Teacher" manuscript

In the autumn of 1977, Liu Xinwu sent me his novel "Class Teacher". Although the work is written on campus life, its meaning is deep and far away, with pioneering and enlightenment significance. In the summer of 1979, Jiang Zilong's "Director of the Qiao Factory" came out, comparing public opinion, and inspiring the people's hearts. In those two years, these two works caused an unprecedented warm response among readers. They are peaks and turns. Since then, the social effects of literary works have gradually returned to normal.

"Joe Factory Director", "People's Literature" No. 7, 1979

During the working period, the process of literary literature and rotation of Chinese literature was experienced. In my mind, "People's Literature" is both the "booth" of spring flowers and autumn fruit, and to a certain extent to a certain extent. In the autumn of 1998, I retired, ending my career in "People's Literature" who has a heart -ending editor.

In recent years, I have read the journals, and I still read "People's Literature" first. She is my homeland, my hometown, and where I have devoted myself. Today, the essence of the essence, Jin Yutang, is better, thicker, and very pleased.

Source: "Literature and Art" (3rd edition of October 23, 2019)

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