Marriage and Family Drama hit: "Emergency Marriage and Education" should be guided instead of selling

For a long time, "marriage" and "family" are popular themes for film and television works. From "New Wedding Age", "Wang Gui and Anna", "Golden Wedding" to "Parental Love", "Thirty" and "Little Reluctant", explosive TV dramas have provided an important window for observing marriage concepts and family life changes. In recent years, an obvious trend is that the traditional life -oriented film and television drama with family relationships as the core has gradually been replaced by female -led marriage and childbearing topics. Compared with parents in ordinary life, women, especially how women in the workplace handle family, work, and parenting, have become the most immediate traffic passwords. On the one hand, it shows the awakening of women's consciousness and the improvement of women's status; on the other hand, it is also a universal medium representation of marriage and childbearing anxiety.

How to view the social influence of this film and television boom can be developed from two aspects: on the one hand, wedding and childbearing film and television dramas show a variety of aspects of contemporary marriage life. Form positive value guidance. At the same time, they tried to respond to the structural problems such as fertility, education and other structural problems at the point of the family, which caused widespread discussion and reflection. In the long run, it is conducive to promoting social progress and policy innovation, and reflects the responsibility of literary and artistic works to serve the country and social development. On the other hand, for the healthy and orderly development of the industry in the future, under the premise of affirming its positive influence, more importantly, they are vigilant. After the rapid popularization of short video platforms, the content of the audience's self -produced and fragmented information in film and television dramas have become an important source of audience society cognition. Among them, there are many negative topics of false exaggeration or intentional production. Once coupled with experience fragments in real life, it is easy to deepen the inherent stereotypes, and through the enhancement of information cocoons, "unmarried" and "infertility" and other extreme escapes such as "infertility" such as "infertility". psychology. Therefore, how to grasp the degree of "rendering anxiety mood" and "promoting the problem improvement" are the core issues that film and television works need to solve.

In recent years, the so -called "explosive models" in the film and television market have shown similar controversy to varying degrees. For example, the phenomenon -level hot broadcast drama "Little Happy", "Little Li Li", and "Little Relief" trilogy focuses on the key stage of high school, junior high school, and primary school children, and cut into the parent -child relationship propositions of urban society from family education. The success of the three works is that the anxiety, struggle, and helplessness faced by contemporary families on children's education issues are relatively authentic. The score theory of the college entrance examination, the popularity of the middle school, and the inner rolls of the chicken baby in the early school. These are the difficulties that ordinary people may encounter in the process of raising the next generation. Through the exploration of family life and educational concepts in the TV series, the multiple reconciliation of different intergenerational adults and society, self, parents, partners, and children, provides realistic observations for the current marriage and childbearing anxiety. However, some plot excessively dramphly rendering the anxiety atmosphere, which also causes negative effects at the same time. For example, "Little Relief", the two families have lost their rational educational comparison and suffocating chicken baby means, and the psychological panic brought to young audiences has far exceeded benign reflection. Therefore, although the idea of ​​film and television drama is to use the fine cut surface in the family scene to present a more magnificent and complex reality behind it, its creative process must handle the drama tension between different plots to better realize the conceptual concept Leading and social guidance effects.

In depth, the increasingly serious "sales anxiety" problem in film and television works can be partially attributed to the creation of the creation of the class that is constantly solidified by society. At present, the basic setting of most of the marriage and family dramas is high -income class. The core contradictions of the characters are concentrated in maintaining social status, realizing a hill jump, or a conflict between women and daughter -in -law of high -level workplace women. This plot is obviously suspended on the daily experience of most ordinary people. They built a distant world through drama elements. It is difficult to have a universality and reference path to solving problems. Ordinary people can only obtain fragmented emotional resonance from it, but they have to bear a huge sense of gap and weakness. sense. In the play, anxiety is real, and the future is false. If people who master more social resources are inevitably wrapped in reality, how can young people in the struggle resist the heavy pressure of life? It can be seen that when film and television works emphasize the position of the class, it is easy to form a cultural interval and lose the effective connection with real life. As a result, the attention of weakening social problems is dominated by emotions.

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