The men's problems were all played by him?

When asked about his reputation, he did not hesitate to answer: "The reputation of the work is more important. The vitality of good works is very long, and the test of time can be afforded, and it is valuable."

Produced | Blog World Dawen Entertainment Group

Author ｜ Huang Yingying

Edit ｜ Lonely Pigeon

Yuan Wenkang once again played a "scum man" husband.

In the suspense drama "Jiang Zhao Dawn" at the beginning of the year, Liang Heyu, the owner of his role as the business owner, first thought about how to protect himself, move his wife to the driving seat, and forge the scene; Among the middle, he became a high family who was lied and derailed in marriage.

The two characters that seem to be different are different. The former is ruthless, the latter is selfish and cowardly, and Yuan Wenkang has a tough and gloomy and elusive mysterious temperament, which makes him play such characters to be more familiar.

Yuan Wenkang has a set of logic of his own understanding of the role. He will detailed the behavior of the character, and use the superficial behavior to dig deep into the psychological basis behind the characters behind, and build a relatively complete person step by step.

After playing for more than 20 years and participating in many popular works, he still maintains the habit of thinking, thinks about the lack of performance, and thinks about how to maintain learning in a fast -paced film and television environment. In his eyes, the reputation of the work is far more important than the personal reputation.

Suspense version of marriage

Yuan Wenkang used "emotional dislocation" to interpret the relationship between Gao Jiawei and Fangtang (Sun Li).

He said to "Blog World": "My interpretation is that Fang Sugar brings a son called Gao Jiawei. Gao's family always wants to be close to other opposite sex, but has been by his 'Mother' stop, in the end he can only hide the 'mother'. "

In other words, in the perspective of Gao's family, his understanding of the marriage relationship is immature. He regards his wife because of love as a full -time housewife as a deserved effort, and he claims to eliminate himself. Responsibility in marriage.

When the audience knew that he was a derailed man from the beginning, so for the actors, how to let everyone look at it was a problem. In the first episode of "The Selection of Wife", the details of Fang Sugar have been suspicious through the details of the lip printing of the husband's neckline, which led to the clue of the Gao family who was unfaithful to the marriage, and then how to expose this line.

The climax of the story occurred in the second half. When the sugar lock the derailed object of Gao Jiawei, Ma Xiaoou and went to the other party's house. The Gao family quickly hid, and the three were in a large Shura field.

The design of the script about this bridge was originally behind the shower curtain of the bathroom. The space of the real scene was narrow, and there was no suitable shooting angle. The director proposed to shoot this scene in the bedroom. Instead, Yuan Wenkang felt that he would weaken tension in the wardrobe in the bedroom. Later, everyone would change to the curtains of the living room.

Yuan Wenkang designed a detail. He did not hide the men's slippers he wore, but intentionally placed it at the door, creating the illusion that Ma Xiaoou's boyfriend had just left. When the opponent actor Sun Li opened the curtains on both sides, he also chose to use his left hand to open the curtain on the left side, and pushed away the right curtain of Gao Jia for hiding with the motion.

"Wife's Selection" fragment

In the final show, Fang Tang knew it, and he tentatively tentatively tentatively the object of derailment with words, and Gao's tense was stiff and dared not breathe. This is the most impressive scene of Yuan Wenkang. When looking back, he remembered a lot of sounds in the barrage.

In fact, "Wife's Choice" is concerned about how a woman chooses out of the marriage after experiencing marriage dilemma to realize self -growth in the middle -aged stage.

"I think in the face of marriage, everyone is a student, and we are not experts in this area. Many people cross the river with stones." Yuan Wenkang said.

In order to play this type of role, Yuan Wenkang went to a professional college to listen to the relevant courses of criminal psychology, read the relevant materials about the trial, and watched the drama including the US suspense criminal investigation drama "Lie to Me" to observe the police. The skills of criminal suspects.

At the same time, he also watched many films on marriage themes in different countries, pondering the character's thinking and behavior logic of the characters, summarizing the commonality, and then specifically to the role he wants to play to analyze his particularity.

Taking Liang Heyu in "Jiang Zhao Dawn" as an example, after a drunk driving accident, he first thought about how to protect himself. When moving his wife to the main driver's seat, he might cause secondary damage and delay the best rescue time. Essence

"Jiang Zhao Dawn" fragment

In Yuan Wenkang's view, Liang Heyu did not save his wife, but before calling 120, in order to cover up the facts of his drunk driving, he moved the injured wife to the driving position, which caused a second injury and eventually killed his wife. This is different from the beginning of his wife to death.

He said: "After this choice, he made a public welfare in the name of his wife to make up for the fault. But on this road, he slowly walked further and killed people. What does the screenwriter want to perform through this person? He stepped on the brakes in time. If he did not move his wife, they might have another way to go, but can this road go better? Not necessarily. "

"Everyone must accept the true side of life." Whether it is good or evil, Yuan Wenkang brings the audience's thinking about daily life and family relationships with his actual colors.

peak

Yuan Wenkang's interest in the performance comes from the drama you watched as a child. He is from Shanghai. The TV at home can receive eight stations including Shanghai Satellite TV. The repeated episodes include "Dream of Red Mansions", "Journey to the West" and so on. As soon as the summer vacation, Yuan Wenkang asked his family, "Journey to the West" was going to broadcast? If he couldn't get a certain answer, he lay in front of the TV and went to the update time of the episode.

At that time, he faintly knew that the profession of actors was not easy to do. He had seen an interview with an old actor, knowing that when they were acting, they did not need to be a stand -in, whether they were in the ice water, the edge of the cliff, or the city building. From performance to line skills.

Yuan Wenkang

Yuan Wenkang became an actor because of a chance. His sister had an actor friend. Once he accidentally talked to her about the TV series "Miss News" was looking for an actor, and the sister recommended Yuan Wenkang to the crew.

In the play, he played the actress Bai Yun's adopted son, Xiaoyu. For the first time, he cooperated with Zhou Haimei, Chen Baoguo, and Gao Shuguang. This is also the first time he has felt the reputation of the actor.

He said in the play that he said his own phone number when he was a self -reported phone number. As a result, many audiences called the number after watching the show. At the other end of the phone, he asked him if he was Xiaoyu. He said, I am Yuan Wenkang. The other party said again, I didn't expect it to be you. In order not to disturb the lives of his family, Yuan Wenkang had to change the seat number.

In 2002, he came to Beijing alone. For life, he has done different jobs such as salesperson, waiter, salesman, music DJ. When the waiter, in order to train the manner and posture, the hand holding the tray should hold a raw egg, and the wrist is not noticed. The eggs are broken and the salary will be deducted.

Recalling that day, he said: "When people face very practical problems, the adaptability will become stronger immediately. Different jobs will bring me something. When acting, you know what a waiter should play."

Later, he opened a clothing store in Sanlitun, while running a store, making living expenses for himself, and running the crew to try the show. He wrote the phone number, mailbox, height, weight, and age behind his own photos, and handed it to various crews, but he couldn't encounter a chance. Such a day after three years.

Until 2006, Yuan Wenkang finally got a role, but was changed by the director for a few days, and everything seemed to return to the original point.

On the other side, Feng Xiaogang prepared the movie "Jacking" in full swing. Yuan Wenkang still remembers the day when he successfully entered the group -September 28, 2006, he passed the drama and became the last brothers who joined the group.

Yuan Wenkang plays Wang Jincun in "Jacking"

In the movie, he plays a angry troops culture teacher who is full of fear of the war at first, but when he really leads his commitment to the battlefield, he overcome instinctual fear and eventually sacrifice to complete the task.

For more than a month after killing the youth, Yuan Wenkang had a strong discomfort when he heard the sound of firecrackers. For a long time, he couldn't shoot the gun battle smoothly. Later, he knew that it was a post -traumatic stress reaction. After psychological counseling and self -repair, he slowly adjusted it.

Good things are also happening. Once the "Jacking" was released, it caused a sensation. It ranked second in the 2007 domestic film box office list, and won many best film awards such as the Golden Rooster and Baihua Awards, achieving a win -win market and word -of -mouth.

Yuan Wenkang also nominated the Best Newcomer Award for the Baihua Award and the Golden Rooster Award for this film. He went to the award site of the Baihua Award, and Huang Bo, who nominated together, was sitting on his right. The final award was a non -professional actor Lei Qingyao who lost his arm.

Talking about the feelings at the time, he said, "I watched her movie crying and crying, and performed so well. When you arrived at this place, you could see yourself clearly. Suddenly, I saw the distance. There are many things to learn. "

Yuan Wenkang made a hard work to advance to more mature and natural performance goals.

Self -provider

"Jacking" made Yuan Wenkang's first exposure, but in the 15 years after that, it was a process of exploration and confusion for him.

In 2016, he and director Xin Yukun first talked about Xu Wenjie in the movie "Black Silent". In the first version of the script, Xu Wenjie's drama was not much. Yuan Wenkang made some suggestions; when he met the second time, the two people talked for seven hours. The drama.

For example, Xu Wenjie, who raised her daughter alone after divorce, should she wear a wedding ring? If we wear a ring, it is for the child. With this clue, he knows how to play the role of facing the child.

For another example, why is Xu Weijie who is a lawyer to take risks for a money? It may be that the child's mother was seriously ill; the school uniforms of international schools worn by the child also showed that the family needs money; and his stock trading fails, only the motivation to collect money for perjury.

"At that time, it was going to make it all. These key details determined how to perform my last scene." Yuan Wenkang said.

Movie "Blast Silent"

In the last interrogation drama, Yuan Wenkang did a action -removed the glasses. He observed that his peers who had high myopia but did not wear glasses were relatively low in the blink of an eye during acting, so he borrowed it. Because a person who was interrogated was blinking or dodging when he looked at each other, it means guilty conscience. In the same year of filming "Blasting Silence", Yuan Wenkang met the corner of Taiyi Jiang and Bin in "Biography of Rugao". After many years of complex character with inner conflict, shortcomings, and constant choices of fate, a seemingly perfect decent person makes him pondering how to perform, but he can only do it with his head.

Recalling the performance experience, he smiled and said, "When I finish the challenge, I expanded my space. I think I can play everything."

Yuan Wenkang has always maintained the habit of self -introspection, thinking about his performance in performance. Taking crying as an example, he would ask himself what the final effect of showing the sorrow of the character is to make the audience tears or the actor is sad? Earlier, he had taught the skills of crying with his predecessors Tang Guoqiang, but he really understood what the good crying scene should be because of a chance of life.

It was on a train in the Tibetan area. He saw a brother sending his sister to the train. The younger sister smiled and asked his brother to go back quickly, but he curled up in the seat and sobbing in the seat. When Yuan Wenkang heard crying, she glanced back. She covered her eyes with a hat, her tears crackled down, and she endured not to let herself cry too loudly. Yuan Wenkang stuffed a packet of paper towels in her hand. She trembled slightly. When she touched a paper towel, she took it over and wiped the tears on her face.

His sister was crying carefully and restrained. "At this moment, it is a very tension of the show, because it is real, and the actor should perform things with common life experience." Yuan Wenkang said.

Now, Yuan Wenkang feels that the entire market environment of filming is different and the rhythm is faster. He now sleeps for six to eight hours a day, shortening to four to six hours when he is busy. Although he has played a lot of years, he still has a sense of crisis, and he constantly reminds himself that he must be proficient in the techniques he had learned before and learn new knowledge.

He has developed the habit of regularly returning to his alma mater. He exchanged with teachers and students, and found a new performance training method. He said he needs to constantly adjust and change, so that the performance is charming.

When asked about the reputation, Yuan Wenkang replied without hesitation: "The reputation of the work is more important. The vitality of good works is very long. It can stand the test of time and is valuable."

He also moved closer to this road and grew up with the character.

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