"Assassin" is everywhere, which market is the market?| Jiupai Time Review

【Source: Nine Pai News】

Following the "ice cream assassin", the next one to the hot search is "Performance Assassin".

In recent years, the fares of many live house and music festivals in China have been as high as four digits. Compared with the past several times, it is a lot more expensive compared to the same size performances abroad, which is really painful. However, its quality is often sorry for prices, and many music lovers are suffering for a long time.

A common meal circle is to love to see not to watch, free markets, and willing to hook. But people with a little economic common sense know that under the operation of capital, you don't want to choose some scenes. Obviously, the reason why "Performance Assassin", "Ice Cream Assassin" and other assassins arouse such great indignation, indicating that its price flexibility is difficult to take effect, and it is no longer in the comfort zone of the public--

Doesn't the people know that "love to see if you look down"? However, there are "assassins" everywhere, and ordinary people are not so many good and cheap products. After all, I had to want to listen to a music to relax. This is just like a unlucky child flipping ice cream in the freezer. As soon as he asked, he wanted 20 yuan and then turned into 30 yuan.

The demands of the people are actually very simple, that is, they hope that normal fares can be replaced back to normal performance. But unfortunately, these two "normal", many domestic music festivals are not enough at the moment: While the fares are high, the performance effect is still teaching people to sweep.

If you try to explain this phenomenon with the theory of supply and demand: In some other regions, the population is relatively small, and the artists perform less in the corresponding audience in the local performance, so you have to sell tickets hard; The water rises, and the artist's performance does not have to work so much-

At first glance, it seems very reasonable, but we actually avoid the key to the problem: can we not change the thinking, we have a lot of population, can we cultivate more and more high -quality artists, supply more and more high -quality performances, come to come, come to come, come to come, come to come, come to come, come to come, come to come, come to come, come to come, come to come, come to come. Let the market reach a balanced again?

We have the accumulation of thousands of years of material wealth spiritual wealth, and the people of the general public also have increasing cultural needs. These have provided extremely fertile soil for the growth of literary and artistic creations and literary actors. However, above the fertile soil, there are also strange appearances that have been lush and lush in the survival space of Lianggu.

Why does the supply and demand relationship of offline literary performances deform? Why can't we give a reasonable pricing and not to offer the work that satisfies the masses? Perhaps the rice circle operation of domestic artists is one of its indispensable pushing hands.

The core of the rice circle is not paying for the artistic effect of the work, but for the participation of the artist. The final art level of the performance is no longer the core element of the source of income from the performance organization, and the traffic brought by the artist is.

As a result, as long as the artist with its own traffic is invited, even if the fare turned over a few fans, it is still willing to pay, and the music festival organization can get more profits. Why don't you increase the price? You invite me, you also rise, I also rose.

And this part of the entertainer who can make a lot of money can make a lot of money. It does not need to work hard to improve the performance level. Naturally, they cannot expect them to contribute to the high -priced audience.

The music festival invites some unknown artists to raise the fare, just like the bell Xue Gao in the freezer. The size of the freezer of the shops downstairs is limited, and the opportunities for local art performances are also limited. In the middle of them, the original position is occupied by the "assassin", but the general public also has the right to enjoy ice cream and art works-

The indignation and helplessness of "thorns", just because, we just flatten the common people and do not want to provoke you this "high -end" brand and "traffic" artist ... but often as long as you still want to consume, you can hide. not open.

The market for macro -controlling offline literary works, while respecting objective laws, should also give priority to developing advanced culture. The "traffic -oriented", the crooked wind blowing from the line to the offline, sitting on the traffic dividend, and not leaving any popular works, which is not beneficial to the development of advanced culture.

There are always some fans who said hard, and the willingness to hook it, which is normal. This is really normal. After all, the interests are dazzling.

But this anti -intelligence phenomenon should never be encouraged, nor should they be released.

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