The editorial department is watching the Hong Kong film special

Author:Film and television industry o Time:2022.07.06

Introduction:

What you see is what you get, what you hear is talking. The simplicity of the "Editor Department is watching" officially landed. The editor's preparation of the film and drama shares the recommendation, which brings personalized analysis. It is not only a relaxed chase reference, but also a warm talk for old friends. The soul of life and self is always a stable place in the world of film and television literature and art.

When watching Hong Kong films growing up, I don't like kung fu films, action films, criminal films.

The Emperor Group and Tencent Film's "Angry · Heavy Case" is a pure Hong Kong -style fashion action film. After being released in the Mainland on July 30, 2021, it broke the mainland box office record of Chinese action crime films.

The film continues the type of Hong Kong director Chen Mucheng's personal Hong Kong -style police bandit action, and adopts the classic double male opposition character structure. The inspector Zhang Chongbang (Zhen Zidan) in the case of the heavy case team saw his comrades -in -arms being killed, and found that the bandit leader was actually his former comrade Qiu Gangao (Nicholas Tse), and the two ordered the two to entangle again.

The film first brings the audience's visual refreshment. The magnificent blasting scene and dense gun battle plot, five dramas one after another. Finally, the duel in the abandoned church, the fist to the meat, reproduced the feeling of the classic Hong Kong film. Fighting pictures full of violent aesthetics do not require the threshold for watching movie viewing. In this era, we need to use this to achieve emotional vent.

The film also brings the audience's shock. The touching brothers' friendship in the Hong Kong films always cannot turn around the police and the underworld. Some people always act as the so -called villain and be crucified. Everyone has their own outlook on life, values, and world outlook. Ao made his own choice for the justice in his heart and for your like -minded partners.

The box office and word -of -mouth of "Angry · Heavy Case" fully verify the market demand of Hong Kong films in the Mainland. As early as 2003, after the signing of the "Mainland and Hong Kong about the establishment of a more close economic and trade relations" (CEPA), the curtain of the mainland and Hong Kong films opened there. Chen Musheng was the first batch one.

In the subsequent career, the co -production film became Chen Mucheng's focus of work. He successively dedicated films such as "Men's True Colors", "Keeping Call", "The Town of the City" and "New Shaolin Temple". Sexual figures are also typical representatives of integrating personal dreams into the national dream.

Since the return of Hong Kong to the motherland, Hong Kong and the Mainland have carried out in -depth exchanges and cooperation in various fields, showing increasingly richer, close and healthy development in cultural exchanges.

On the occasion of the 25th anniversary of the return of the motherland in Hong Kong, "is willing to use the yellow crane wings to borrow flying clouds." This poem is suitable for every Hong Kong youth and mainland youth. Seeking common ground while surviving, self -improvement, let us work together to create a better life.

What does Hong Kong look like in the 1960s? Although the economy has gradually recovered, the living conditions of ordinary citizens are still poor. As people endure the suppression of the Hong Kong and British governments, they are affected by the Mainland movement, and they have to face the typhoon heavy rain from time to time. The turbulent time may be unimaginable by people in today's society.

The film "The Stolen of the Time" starring Ren Dahua and Wu Junru focused on the 10 years from 1967 to 1977. In the context of the Big Age, Hong Kong's deep -waters in Hong Kong's ordinary four -mouth house was separated. After a couple at the bottom of society experienced a lot of life, did they realize that only the changes of the years were the real "stolen". At the same time, the film also made a small view, and through the description of the small people at the bottom of the society, it reflected the most authentic survival situation of Hong Kong citizens in that era.

In the faint helplessness and sadness, the whole film is undoubtedly very moving in the story, mixed with warm fireworks and high hope. The drama conflict that was not specially created in order to promote the plot was not hysterically crying and sensational. Instead, the hard -to -live life and the optimism and support of the family were integrated into the details of life. For example, the younger son gave all his beloved "collections" to his brother who was "selflessly"; as soon as the family desperately guarded the shoe shop when the family came, the shoemrs designed a pair of new shoes for the wife with chicken eyes on the feet. and many more.

In addition to showing the family's affection and the affection of the family, the movie is more reflecting the "crux" of the times through personal destiny. There are also many metaphors and "symbols" in the movie. For example, British soldiers laughed at shoers who did not understand English, shoemakers hated English more than once, the eldest son lost in history, the younger son's English letter, etc., etc. They are all implying that British colonial rule on the cultural impact of the people of Hong Kong, especially the younger generation.

Although the movie tells a sad story, it can still bring people to encouragement and healing forces. The people of Hong Kong are optimistic and active, and always have the spirit and fighting spirit of hope in the future.

From the perspective of Luo Jin's two innocent children, "Time Stealing" integrates the real Hong Kong image in the 1960s, showing the tough and unyielding life scene of the Hong Kong people with a barren but wealthy Hong Kong people. When the return of Hong Kong's 25 years, this film can not only evoke the memories of the old generations of Hong Kong people to the past, but also triggers all Chinese people to think and look back on Hong Kong's social development, meaning of life, and life value.

"154 years, Hong Kong returns to China, we don't want to, we can't wait a second more"

On September 30, 2019, "My and My Motherland" was officially released. The film tells the story that the ordinary people are closely related to the Republic in 70 years. Among them, "Return" is the most impressive. On July 1, 1997, in order to welcome the return of Hong Kong, in order to raise the Chinese flag on time at 0:0:00 on July 1, China and Britain experienced 16 rounds of negotiations. Waiting for 154 years, Chinese children do not want to, nor can they not be able to, cannot Wait a second more. Chinese diplomats actively negotiated, Hong Kong police maintained order, guard of honor guards, and worked hard for the guards of the honor of the honor of the honor of the guard of honor, and the watches and watches fulfilled their duties. Everyone fulfilled their mission and for a common goal: smoothly greeted Hong Kong's return. Everything was ready, but the accident happened. As the British national anthem ended in advance, the return of Hong Kong's return and handover ceremony had a full 12 seconds of blank, and the scene was in unprecedented silence. This is also the famous "Hong Kong 12 seconds" in history. Zhu Tao, the prototype of the flag -raising bearer in the movie, said at that moment, "This is the longest 12 seconds in my life. I thought I was deaf."

In the end, the national anthem played on time, the soldiers saluted, and the five -star red flag rose with the singing. The Hong Kong police officer replaced the Chinese police emblem. At the moment when the national anthem stopped, the national flag rose to the top of the flagpole.

There is a line in the film, "This moment is the end for you, but it is the beginning of us." Now that Hong Kong has returned to the motherland for 25 years, but the excitement and joy still linger in the hearts of each country.

At the 25th anniversary of the return of Hong Kong, I have been watching Hong Kong films recently. If there are any Hong Kong movies in recent years, I will probably say that it is "Breaking Wolf 2".

Fast rhythm and high intensity are my most intuitive impression of the movie. At the beginning, I used a play to quickly attract the attention of the audience. The subsequent prison fighting, slaughterhouse fighting, and the final team battle were all fist -to -meat. After the domestic ancient puppet play "A slow movement on the left hand and right hand" and "the magic turn of love" after the poison, I turned back to watch the play in "Breaking the Wolf 2". : Too addicted! In the film, Wu Jing's drama action is simple, Tony Jia is heavy, while Zhang Jin is sharp. One of the one, one, the three styles of the actors of the three styles of the actors are the biggest highlights of the film, and Zhang Jin The performance is even more promising: the most handsome thing is not wearing a suit or a fight, but a suit and fighting. The movement is clean and not procrastinating. After the fight is finished, there is no trace of change from hair to trousers.

Compared with the tension and stimulation of action scenes, the main line of the movie is much warmer. The girl who suffered from blood cancer and Ajie played by Wu Jing was healed and healed when the clip of accidents met in the hospital. In this place, it was fully released, adding a touch of tenderness to the film. Although the film can not die no matter how many knives, the character endings are blurred, in general, "Breaking the Wolf 2" is still a very good and worth watching movie.

Recently, various news about the college entrance examination and the high school entrance examination exploded the social network. "700 candidate parents received Tsinghua telephone at three in the morning" and "Tsinghua North University snatching people" and so on. Is this so 'volume'! "Then you might as well look at the TVB documentary" No starting line? " ", Maybe a little comfortable.

"No starting line? "It shows us a group of anxious Hong Kong parents. This film truly records how the Hong Kong families are educated for TA from the birth of children from the birth of children. During the period of kindergarten to elementary school, they try their best to arrange all kinds of learning to children in order to do all kinds of learning in order to in order Get the story of "Perfect Resume".

In order to be beautiful, many children in Hong Kong start from kindergarten, and their homework will be more than ten o'clock. At the same time, 5-6 interesting classes have been enrolled in interview classes to strive to learn various skills. In the film, a 27 -year -old second -born mother, because I have been putting up the big baby before, and did not prepare for him. As a result, the eldest son was raised to 1 and a half years old, and he had to interview the preschool class in kindergarten. On the starting line. So at the second child, the mother decided to let the baby in the belly win in the uterus.

The show also invited two artists under the leadership of the real tiger and tiger mother to experience the study career of Hong Kong's busy children one day. They even went to two kindergartens a day, and they started to hurry up when they went out. When eating bread on a taxi, the mother would always take out the words of the literacy card to test the words. Even on the street, she saw a street sign. Do not recognize.

To "win on the starting line", there is a chance to join the "victory group", so how to let children win on the starting line? In fact, it is to fight for parents and resources. But a very realistic problem is that the starting line of each child is different. Even in the same class of the same elementary school, the gap between children and children will be very large. In the childhood time, children always bear too much expectations. When they grow up, they should have regrets when they grow up when they grow up.

The enthusiastic atmosphere of the Beijing Winter Olympics on the entire network seems to be in front of them. When everyone pays attention to the achievements of the Olympic athletes, they often forget their hard training for the year. Last fall, according to the movie "Mom's Wonderful Boy" adapted from the real affairs of the Paralympic Champion Su Huawei, the film tells that Su Huawei overcome her physical obstacles with the help of her mother and the help of the coach. The inspirational story revealed the hardship behind the athletes for the audience. The spirit of reflecting the city of Hong Kong with the story of a small person is one of the most good narrative methods in Hong Kong's film and television works, and "Mom's Wonder Boys" is no exception. Su Huawei's story gathers the uncompromising of ordinary families in Hong Kong, the tough personal hardship journey, tolerant everything, united and mutually supporting team feelings, and even win the world -recognized home country pride sense. Sports competition is extremely bloody and contagious, and it is easy to drive the emotions of the audience, making "Mom's Magic Boy" a treasure movie that is not to be missed.

In fact, sports have always been the favored theme of Hong Kong film and television works. For example, the "Uncle Inverse Flow", which combines the trouble of the middle -aged crisis with the hard work of the Dragon Boat Team, tells the "" Uncle Instant Uncle ". "Five steps", "Men's Volleyball Women's General", which is concerned about the promotion of the volleyball team. Seeing your own shadow and finding emotional resonance, as if the phrase "On Your Mark! Set! Go!"

The 25th anniversary of the regression, Hong Kong has changed from the somewhat out of reach of steel forests to the real land we can reach in a few hours. She has a lot of halo and achievements, and there are various tests and challenges. But in any case, the city will still bring her spirit that she will never abandon, and continue to welcome every day in the future.

A few days ago, the new studio made a mixed cut in Hong Kong movies. In more than ten minutes, I not only saw the golden age of Hong Kong movies, but also the past self. For example, seeing Chen Haonan appeared in the second second of the second time, "The Chast -Star" sounded, and he was still heartbroken and was still in an instant. For a long time, Hong Kong films are a window of Hong Kong. The bustling, busy modern city, because of Hong Kong films, because of Hong Kong dramas, it seems very close.

The depiction of life in Hong Kong has different sides. "Day and Night of Tianshui" took 90 minutes to shoot the lives of ordinary people. Tianshuiwei is a less common community in Hong Kong. High -density public housing in high -floors is like a siege. It also attracted the attention of Hong Kong due to several family tragedies, with a strong tragedy label.

Xu Anhua's delicateness showed vividly in the film. She filmed the living conditions of the citizens at the bottom of Hong Kong, and did not magnify the sadness of Tianshui. From the life of the single mother and the son, the life of the bland, hard -working, and warm life was talked about. Gui Sister is optimistic and develops a good son. She was worried that her son would come out of the "siege" and said, "What should I do to the society?" The grandma would make a lot of money for the dishes, but she would give it to the noble mushroom mushrooms to the noble sister, and to tear off the price carefully. Gui sister and son Jia'an, coupled with the neighbor's grandmother, happened to be three generations, and it was just a relationship between the growth of single -parent families, lonely old people, and middle school students. The hustle and bustle of Hong Kong, the old and crowded communities, three meals a day, work to eat. The entire film does not have a ups and downs, let alone conflict contradictions, but it flows into the heart like streams.

There is a scene in the film. During the Mid -Autumn Festival, the residents of Tianshuiwei arrived at the terrace, and the lights were gossip and daily. This day does not happen special, but in a long life, it is meaningless to think of this day. In the past few years, a concept was popular, "Escape from Beishangguang." Many people leave the super city to find poetry and distance. It is unknown to find a pure land. In the third year of the epidemic, in the rhythm that was forced to slow down, those real, trivial, and once ignored human fireworks became particularly clear. Where do we live, how to live, and where will we go, it seems to be a collective thinking that accompanies the era of epidemic.

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