He interprets "the drama is bigger than the sky" in his life -remembering the blue sky and wild

Xinhua News Agency, Beijing, July 5th: He interprets "the drama is bigger than the sky" in his life -remembering the blue sky and wild

Xinhua News Agency reporters Bai Yan and Yang Shujun

The winner of the Seventh Medal, the performance of the Beijing People's Art Theater, director and artist Lan Tianye died in Beijing on June 8th, and always left his beloved drama stage at the age of 95.

At the "Comrade Lan Tianye" hosted by Beijing Renyi on July 5th, Lan Tianye's colleagues and relatives and friends of Lan Tianye tried to think about the artistic achievements of his life. Guanghua is particularly dazzling.

"His life is an artistic work, especially the dense creation in his later years, and set a very exciting example in front of us." Said Beijing Renyi actor Pu Cunxin.

On July 5th, Zhang Heping, the former dean of the Beijing People's Art Theater, showed the letter from Blue Skyye to his handwritten letter at the remembrance meeting. Xinhua News Agency reporter Chen Zhonghao

In the year of 台 台 台 台 台 耄耋 耄耋 年 年 年

On the evening of July 16, 1992, the first edition of the drama "Tea House" performed in the Capital Theater. In the words of Blue Skyye himself, he "really has no fed the drama." On the evening of June 23, 2011, the drama "Home" premiered, and the 84 -year -old Lan Tianye once again appeared on the Capital Theater stage.

Zhang Heping, then the dean of Beijing Renren, recalled that Lan Tianye's out of the mountain after nearly 19 years originated from a "Hongmen Banquet". In the spring of that year, he and several hospital leaders danked Blue Tianye and Zhu Xu in the theater cafeteria, saying that the theater was preparing to re -line up Cao Yu's drama "Home". At first, Lan Tianye thought that he only asked the old comrades to mention his opinions.

Blue sky and wild, who had been on the stage for nearly 19 years. He later wrote in an article: "Has the year that has become more moved? Memory has already declined, remember to hold the word?"

"But in the end, Teacher Tianye still resolutely participated in the performance." Zhang Heping said, "This arrangement is a gang belt. I hope the old artist will help the classic repertoire and inherit the style and spirit of the theater."

According to conventional ideas, it should be Gao Laoming and Zhu Xu in the "Home" in Blue Sky and play Feng Leshan, but have never played Lan Tianye, who have never played the opposite character. Starting from the logic of the characters, he did not simply play "bad", but when he appeared, he focused on the "elegant and refined" side of the character.

Han Qing, a young actor who had been on the same stage, recalled that in the rehearsal, Lan Tianye designed a crutch for the characters. During the performance, he crushed Wan'er's hand in the play with a crutch. Expressing it to the fullest. "

Think carefully and understand the role in depth

At the same time as "Home", Beijing Renyi is also re -reserved another repertoire: Guo Moruo's historical drama "Cai Wenji", Pu Cunxin plays Cao Cao, and reads Cai Wenji's new work "Hu Yan Eighteen Shooting" under the lamp. Essence

When the stage was synthesized before the premiere, he was blocked by the blue sky that he passed by accident: "Cao Cao just got the" Hu Yan Eighteen Shooting ", or did he recite it for several days?" By the way. "Lan Tianye asked:" Then you said that there is a plate, a look, a tone? "

"Teacher Tianye said that the performance of Beijing Renyi should not be false performances and emotional performances." Xi Cunxin said, "In the theater, we are deeply influenced and influenced by old artists anytime, anywhere."

In the second year after the performance of "Home", Lan Tianye created Huang imitating my old architect with the feelings of the family in the 60th anniversary of the Beijing Renyi Yueyue Academy, and served as the artistic director of the play.

At that time, 72 -year -old Lu Zhong and Lan Tianye had a large number of rival plays on the stage. She was very worried that Lan Tianye would forget the words on the stage. "But the result is that Teacher Tianye not only seriously thinks about the role in the rehearsal, but also deeply appreciates the role. And I have never forgotten a poem during the performance, and missed a word. "Recalling the scene of the year, Lu Zhong was crying.

The vivid interpretation of the spirit of "drama is bigger"

At the same time as "Jiaziyuan", Lan Tianye began to brew new works again. At a time at the Artemisia Theater, he accidentally met the daughter and playwright of Beijing's first dean Cao Yu, and asked her to write a "two elderly" scene for herself. The content was unlimited. Wanfang instinctively said that the quantity of the two people's stage words was too large, and the blue sky and wild laughed without saying a word.

"This made me have a strong desire for creation. Teacher Tianye reminds me of my dad. From the perspective of looking back, combined with my personal feelings, I wrote" Repentance "and later changed to" Winter Journey "." Wan Fang recalled that she wrote very smoothly, and Lan Tianye was very satisfied with the script.

Zhang Heping recalled that after studying the theater, considering the reasons such as Blue Skyye's body and age, he was not recommended to perform the play. At the same time, it listed the drama list of more than 10 dramas directed by Lan Tianye in the early years. As a director's compensation, he chose "Wu Wang Jin Geyue King Sword".

"He himself likes" Repentance "and hopes to get outside to perform, but feels bad for people, so he is very tangled and contradictory. He wrote three letters to me." Zhang Heping said, "One Old artists who are highly respected, so serious about art and respecting the theater, this is a spirit we should carry forward and inherit. "

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