"Happiness to Wanjia": The realistic local story of the reasonable confrontation

Based on the development, construction, and governance of Wanjiazhuang as the epitome, "Happiness to Wanjia" integrates the topic of women's inspirational growth and the construction of the rule of law into the vivid practice of rural revitalization, and makes useful explorations in the new narrative expression of contemporary rural themes.

Author: and Song

The development and changes of the new countryside under the vision of rural rejuvenation are one of the important propositions for the creation of film and television dramas. From June 29th, on the golden file of Beijing Satellite TV and Oriental Satellite TV, Youku broadcasts "Happy to Wanjia" simultaneously. The first week of the premiere, "Liang Sword", such as the downturn to the rural marriage through the heroine He happy, let The contemporary rural drama "lively" opened.

Since the broadcast, the play has received over 170 Weibo hot search. Wanjia is not enough to watch##people's network evaluation of happiness to Wanjia#and other views of the drama evaluation topics. At the same time, the play set the record in Youku Station as soon as possible.

On the social platform, He Xingfu's integrity and toughness caused heated discussion among netizens: "Everyone recognizes that it does not mean that it is right. There must be people such a world." So many time costs, emotional costs "...

"Happiness to Wanjia" In the realistic tone, the colorful rural realistic stories are opened, and the active practice and new achievements of rural spiritual civilization construction and the construction of rule of law civilization under the theme of rural revitalization strategy. Essence

"Happiness" to "knock on the door", reality has strength

The drama was married to the Wang family of Wanjiazhuang from the outside villagers He Xingfu.

A lively wedding, a long overdue village secretary Wan Shantang and others, insisted on asking He happy and Wang Qinglai to give Wan Shantang's in -laws, unscrupulous Wan Chuanjin who was married to He Xing's sister ) ... Between the staggered and intertwined, the background of the story and the status quo of Wanjiazhuang -Wanjiazhuang's population is not complicated, but Wang is a small door and a small family; Those who trust; Wan Chuanjia takes the lead in marriage, but it is rarely stopped, revealing the reality of rural civilization and the concept of rule of law under the bad habits.

He Xingxing to prevent the door that stops the wedding and the bench that is raised, that is, "not to break or stand" -ly, regardless of the traditional rural rules, he pierces the true contradictions of old customs and new concepts. "Wealth" will also be on the agenda.

Based on this, He Xingfu began the "reasoning" journey again and again.

With the development of the plot, the contradiction between the old customs such as the marriage and the new concept of the rule of law, the contradictions and conflicts between the villagers and the village cadres gradually revealed. The establishment of the sewage plant also buried the contradiction between environmental protection and economic development. Real topics such as water pollution that will appear in the follow -up drama are quite current and social discussion.

It can be seen that the path of "reasoning" He Xingfu is not smooth. The process of defending rights is pulled in many ways. Based on the current situation of Wan Shantang, the grandma of Wang family and her husband seeks all, the aunt's puzzlement, and the private discussions of the villagers are the "big mountains" that can not be avoided on the road of "discussion".

In the trailer, the judge found Guan Tao, a lawyer who helped He happy to fight a lawsuit. The phrase "the legal provisions cannot be separated from the current situation of the countryside". In terms of extent, it reveals the resistance that cannot be ignored by grassroots township civilization and the construction of rule of law civilization.

These contradictions in the play are essentially the collision between the concept of modern rule of law and the concept of traditional humanity. "Happiness to Wanjia" directly describes the contradictions and conflicts in the countryside, allowing the audience to see the real problems in the development of the countryside, the growth of new women in rural areas, and even the change of the entire countryside, it seems precious, and it is reality. warmth.

Under the "Wanjia" fireworks, measure the new changes in the countryside

As of now, 11 episodes have been broadcast in "Happiness to Wanjia". Under the fast -paced narrative, "sniper" is "sniped" one by one on the marriage incident and land acquisition compensation cases. The play not only shows the contradictory tear, but also focuses on the influence of He Xing, and Wanjiazhuang's changes and progress. As the director Zheng Xiaolong said, "this drama reflects the real changes in rural areas in recent years."

The arrival of He happy is the turning point of new changes in Wanjia Village. She persisted to "discuss" the bullied sister, so that Wan Shantang began to reflect on the rationality of the marriage. In the end, at the village cadre meeting, Wan Shantang announced the movement of customs, abolishing the marriage, and winning the support of many villagers.

The clue of the legal aid of professional lawyers affects the popularity and implementation of the concept of rule of law. Earlier, the villagers in the village default a "golden mean" treatment -even if Wan Shantang kicked Wang Qinglai, it was the elders' lessons; even if the compensation for land acquisition did not make up for its own loss, it was not necessary to rush to the theory with the branch. But when you enter the judicial procedure, everything will be placed on the balance of law, and everyone is equal.

In the perspective of the viewing perspective, the solid firework group image is full of the diverse expression of Xinxiang style story. In the process of pursuing justice and searching for the law, not just how happy, the characters in the play are growing and changing.

The parents of the Wang family began to feel that the happiness was too true. After thinking about it, I felt that the "temper -temper daughter -in -law" was bringing the "pillar" power to the little family, and gradually agreed and supported He Xing's decision.

As the leader of Wanjia Village, Wan Shantang has a sense of backwardness, and the style of the "big family" also makes him contradictory with He Xingfu. However, it also has a positive and pure side. He is willing to speak "love", "reason", "law", and he has not forgotten the original intention of the villagers to seek welfare. There is also a viewing view of the grassroots rural style and the construction of the rule of law, and there is also a perspective that cannot be ignored -young people who have received more education. After reading books and working in the city, Wang Xiuyu, who has always insisted on working and studying, "measures" whether the development of urban and rural development is consistent. It is expected that the hometown can become the world of personal value and dream. Chasing the demand of happiness. Guan Tao, a lawyer who is willing to help others, was shocked by the lack of the concept of the rule of law in Wanjiazhuang and helping villagers to enhance the legal awareness. It was another "scale" for Wanjiazhuang's progress.

Under the major issues of rural rejuvenation, these people with undulating changes convey the courage of the enthusiasm of the unprepared life and penetrating a warm life, so that the audience in front of the screen can feel concerned and goodwill. Angry.

Under the contradiction between the "old" custom and "new" concept, it is the deep description of Fang Chunyu film and television with realistic themes for the current reality of rural areas. "Happiness to Wanjia" is based on the development, construction and governance of Wanjiazhuang, and integrates the construction of the rule of law into the vivid practice of rural revitalization, and has made useful explorations in the new narrative expression of rural themes.

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