Music actor Ye Qisheng's change and unchanged

The variety show "The Capital of Philharmonic" came to the third stage. The process may be twists and turns, but in the past 11 issues, this program that is the first in the country and promoted specifically for musicals is still with toughness and responsibility to achieve the idea of ​​initially planning this program.

In the meantime, the 1st post on the 1st not only believes that "the Chinese musical actors who collectively appeared in front of the Chinese public, using an outside world to show the most elegant art, show the most bloody side of the idol in the new era." At the same time By the time, "compared to the impetuous mass culture, the musical actor retains pure and quaint artist spirit."

In the latest episode, a "star" actor who had been mentioned twice before, with his ability to break through the "framework", once again confirmed and strengthened the judgment of No. 1 The classic German musical "Elizabeth" selected "When I want to dance", relying on Elizabeth's imagination of the "God of Destiny".

This is a side character designed to outline the context of the protagonist's life, but at the same time, the "God of Destiny" wants to control the "Elizabeth" with free will, and is a strong party in the power competition of the role. After the performance, Ye Qisheng said that at the stage of the two -way selection of the actors and the crew, this repertoire is his first choice.

On the surface, it seems that it is a genius player's promotion story again. However, Zhang Qian's rhythm and hearty emotions erupted, relying on Ye Qisheng himself that he was not very good at it, until the last moment of the stage, he was still driving repeatedly.

Practicing all the time, almost running through Ye Qisheng's performance in the entire show.

In the last drama, the "Moon" of "Moon" was pulled up, and he was relieved. It was the French -based musical actor, presented for the first time, and the so -called "real performance" I saw in the pre -test class 14 years ago. 14 years later, when he really became a musical actor, he finally echoed Casimo's cry again. The performance ended successfully and applauded. He lamented that this was "reincarnation of fate."

The precipitation of time has always been the pride of a mature performer. For Ye Qisheng, he has a lot of things that have not been "stolen" by years, and he is still so firm, sincere, and devoted to the performance. "Destiny" also gave him a return and made him one of the box office responsibilities of the current musical circle.

Other things have changed. Time took away the former greenness, leaving calmness and confidence. After years of fermentation, he became more ambitious and seemed more ambitious.

The musical is to "move" art

Fierce and simple, Ye Qisheng gives people the strongest feelings.

His performance was fierce; there was a persistent simplicity behind the stage. The rhythm of his speaking is not too much, but he suddenly accelerates due to a certain topic related to musicals. "Do we want to follow the German version", "Exercise here, this place can be brought with skills" ... Speaking of the physical cooperation with "Elizabeth" player Guo Yaozheng, Ye Qisheng talked about it alone. Half a minute.

He wanted to leave the best performance on the stage of "The Capital of Ely." In a sense, his musical life is concentrated here.

Story of the story starts from the previous repertoire "Notre Dame".

The interview after the game restored the scene of the year: the teacher in the pre -test class inserted the original discs of the French disconnected from the Paris Dames into the drive machine, and put it on the TV to a group of seventeen and eighteen years in the class. See what children they want to do in the future. There are no translations and no subtitles. The most important emotional release for musicals is presented in the arias, makeup and physical movements of the actors.

Ye Qisheng's response, to some extent, let us see the love and persistence of the musical actor about this unpopular content: he still remembers that he and his friends around him were deeply brought into Casimo and Aise and Aise In the love of Moraida's indispensable love, tears burst into tears. In Ye Qisheng's view, the musical is like an oil painting that can be "moved". The romance of flow reflects the state of mind at that time, and only the 14 years later.

This is the enlightenment of art to individuals.

In the past, art to him, like many people, is more like a static oil painting. It needs to rely on imagination to fill the vacant emotions behind it. Until the group of actors came out, he couldn't help but fell in love with all this on the stage, lighting, clothing, and plot. Although the words "musical" officially entered his vision after entering college, the word "musical" officially entered his field of vision, it was precisely "inexplicable impulse" and "uncertain yearning", which deeply affected Ye Qisheng's studies. And career choice.

Enjoy the "restraint" before the outbreak

Ye Qisheng's words were not many, and more often sat quietly in the corner. The curtain of the stage is like the switch of his emotional expression. The curtain was opened, and the exaggerated diverse makeup was integrated with the identity of the actor. He became a person who told stories in a complex situation after another.

His true feelings can finally be forgotten, and it has become the most focused and valued methodology that Ye Qisheng has been focusing on adherence and valued. Ye Qisheng once said, "Just invest, and the audience can see it."

As a result, like an arrow to shoot long shots, it must be tightened first, which constitutes a "restraint" of energy. Only by calming can we express the excitement of the climax more calmly, can I think calmly, and resonate from the inside out and the role. This is a key characteristic of mature expressions that are gradually mastered by Ye Qisheng in the recurrence and case work again and again. Perhaps, if he was not so restrained at the beginning and released his emotions, then the rising point and change were not so strong.

No. 1 imagined a scene, trying to bring his understanding into his performance system--

If an actor "restraints" well, he can get the most nutritious ingredients in a performance, helping him to "move" even more in the subsequent performance. Before the outbreak, he will think about "restraint" in what form to show. This can bring the actor into a positive cycle that can continue to bring creative adaptability.

It may be more than that's the biggest gain on Ye Qisheng. Faced with the attention of the media and fans to his life, he always showed particularly stable:

Nowadays, everyone's industry and days are so full of uncertainty and crisis. If Ye Qisheng is "enjoying restraint" as he said, then maybe this will create his personality and help him live calmly to live calmly Become a positive person.

for example:

In the matter between "Living in a small attic of one or twenty square meters after a thousand performances", it may not only be more than A Yunga on the show. Ye Qisheng was asked in many interviews. But outside, he always seems to show a "excessive" but more positive migrant mentality. This peaceful mentality is precisely the basis for a healthier relationship between "idols" and "fans" to maintain.

Robin Baker, the head of the National Archives of the British Film Association, once said: "The musical has a powerful spiritual vent of the spirit. During the watching process, the unspeakable emotions were amplified. Full of colorful future world. "

From this perspective, Ye Qisheng's peace and optimism deep in his heart is also like the process of giving each other between him and the fans. In the first episode of "The Capital of Philharmonic", it can be seen that the three layers of the inside of Ye Qisheng have been surrounded by the surrounding, forming a certain "star effect". But this support and incentive is more like a rare and determined sense of security between the "idol" and "fans".

Do something out of the comfort zone

Liao Changyong said to Ye Qisheng in the show, "The spirit of adventure and challenge on your body is the reason why you can get so much love."

After doing more than ten years of musical actors, Ye Qisheng still feels that musicals are not easy. He said on the show, "No matter how difficult it is, it is also necessary." But just like he adapted to different characters on the stage, Ye Qisheng always felt that he couldn't treat the problem too much. After seeing Ye Qisheng's interviews, you will find that his expression, together with the view of life, can accommodate different colors. It seems that it is not the most important thing to find problems. It is the key to stand up to solve the problem.

Why is this reason that is not universal?

Ye Qisheng said in an interview that he hopes to attract more audiences into the theater through every true performance. Therefore, he hopes that his performance can withstand reflective. In fact, he believes that the biggest uncertainty brought by occupation is from the reflection after each performance.

When the "Silent Truth" in 2021, he encountered insufficient energy when he encountered performance. After a few days, he did not perform, and then stood on the stage. He needed to think deliberately what the next sentence was. He was there a sense of crisis. In the process of returning home, he will try to modify the written lines with a heavy tone, and he will also cheer himself in the mirror, so that he will be peeled out of this uncertainty as soon as possible.

He believes that the sense of crisis and uncertainty is of great significance. With the crisis, you will think more and explore. Therefore, when thinking becomes an inertia, those characters with strong special characteristics stay deeper in his memory.

Jiang Yang in "Silent Truth" used his own sacrifice to the society's attention to justice. Ye Qisheng's idea was, "What should we do to make the society less tragedy"; In the virtue, he turned "smoky makeup" and played the "Diablo God", seduced the human Paper virtue to conclude a contract, and pushed him step by step towards the darkness. He would think: Will there be a evil side of the good and clean people? After all, people's hearts can't stand the test?

Thinking on No. 1, maybe, the final question he left to himself is: "So, what kind of person do I want to be?"

Constantly thinking and projected into the next performance, probably, this is where Ye Qisheng can stand out of his peers.

Some fans commented on social media that he has "ambitions". On the 1st, it was based on this that he embedded his life into the world of performance, and then shuttled freely.

He respects the classics, but he is unwilling to re -engrave. Music dramas are all over the world. But Ye Qisheng said that he was a Chinese musical actor after all. Even if Zhuyu is in front, the people they see will inevitably enter the original version first, but Chinese audiences will still look forward to the stage presentation and musical works that can resonate with their own nation. The originality it is rich shows the ultimate significance of Ye Qisheng and this wave of new -generation musical actors he represents -allowing Chinese musicals to share for the world. In 2013, Ye Qisheng, a student studying at the School of Visual Arts, was selected as an adult Xiaoqiang, the leading actor of the domestic original musical "Mom Love Me once", and won the 24th (2014) Shanghai with the show. Bai Magnolia Drama Performance Art Award Newcomer Nomination Award.

He also took the film and television script. For example, in 2018, he starred in the movie "Thirteen Walks" and played the leader of the unit. In 2019, he starred in the super web drama "River God 2" and played the second home. It can be seen that he wants to develop diverse in the future.

He also revealed that fantasizing that he can play God and Demon in the future, and shape an independent universe like "Marvel"; there are also more concrete, such as a police officer undercover in the financial system.

You will find that all his sense of justice and heroic complex points to the same setting: Ye Qisheng, after all, want to be a kind person.

He always passed on positive energy. Just like he came to participate in the recording of this variety show of "The Capital of Philharmonic", he said that he felt lucky and hoped to be seen by more people.

No. 1 conclusion

True is Ye Qisheng's background: First of all, he is a very real person, and the second is true expression and live.

After more than ten years of performance experience, Ye Qisheng found a positive balance between changing and unchanging: there is a bottom line, and there is no limit. Life is very short, but life is very long. For him, he has a positive crisis and enjoy changes.

The next stage of "The Capital of Philharmonic" is also the final stage, which will turn to Chinese original musicals. With Ye Qisheng's success in the latest issue, many people are looking forward to what kind of performance he will show. We can wait and see.

In the end, the epidemic is willing to retreat as soon as possible, and more audiences will enter the theater, and I hope that every excellent drama will have a place to show.

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