"No matter the depth, it will eventually cross this river" film director Huo Jianqi as a guest in Suzhou and then talk about "Life Show"

"Life is like a river. Regardless of the depth, we finally walked over and stumbled, and we must cherish the beauty of the present."

The 4th China Suzhou Jiangnan Culture and Art · International Tourism Festival is in progress. On the evening of September 28, the famous director Huo Jianqi was a guest in Suzhou to bring a vivid humanistic film lesson to Suzhou fans.

In half an hour of sharing, he led the audience through time and returned to 20 years ago. Feel the changes of the times through movies, and talk about the changes from literature to light and shadow.

In Huo Jianqi's work, women's theme films accounted for a large part, which is inseparable from his wife and screenwriter Su Xiaowei (pen name Siwu). Female screenwriters' unique fine feelings, coupled with Huo Jianqi's iconic and beautiful lens language, and jointly, the Chinese film scene is a Chinese film scene.

It is worth mentioning that the two representative works "Life Show" has won the best film of the Sixth Shanghai International Film Festival Golden Jue Award, the best heroine (Tao Hong), and the best photography. The good results have become a classic.

In the sharing of that night, Huo Jianqi used the film as a cut point to discuss and communicate in depth, and talked about the change from literature to light and shadow.

Huo Jianqi introduced that the movie "Life Show" was adapted from Chi Li's novel "Life Show", starring Tao Hong, Tao Zeru, and Pan Yueming. Describes the personal experience of individual female bosses on Jiqing Street in Wuhan and the complex life of that era.

Stills of the movie "Life Show"

Life gave her a bad card, but she played Wang Fried.

In the play, Shuangyang was killed at the age of 15. At the age of 16, he was removed by the factory because of an accidental fire. His father came to admire his virtue and escaped in the form of "remarriage". Lai Shuangyang inevitably provoked the burden of raising her younger sister. The small business was booming, and she became a well -known female boss on Jiqing Street.

"After the reform and opening up, there was a 'out of the country' in the country. Everyone hurried to go abroad all over the world and urgently changed personal destiny. At that time, Shuangyang became Jiqing Street and even Jiqing Street and even. Hankou's first individual operator. "Huo Jianqi said.

In Huo Jian's eyes, Shuangyang's character is very representative. She is both independent and strong, delicate and tender, diligent and enthusiastic, and flexible and strong. She tried to do all the ways to make life on track. Even a grass, she must live as the most lush and most vigorous one.

Why create such a movie? Huo Jianqi believes that the surface of the film seems to be talking about the double -boiled personal fate, and the development and changes of a country are reflected behind it. "" Life Show "is also a hundred show in life. In the middle, there are advantages, disadvantages, sweetness and bitterness, and strong side. This also shows that our country has developed to the present. Change. "

"China's changes are really amazing." After 20 years, looking back at this movie again, Huo Jianqi was emotional. "The times have developed quickly. Go to see those old photos and old images. You will find it. Many places have long changed. "

Life itself is a big show. The film "Life Show" has no ups and downs stories and tortuous plots. The protagonist's life and emotional state slowly show with people and things in daily life. The film seems to be a story of life, and the storyline flows naturally over time.

As Huo Jianqi was sharing at the end, life was like a river, which was a flowing state in itself. "Regardless of the depth, we finally walked over and stumbled. Nowadays, our living environment and quality of life are getting better and better. All this is not easy. We should cherish it."

Director

Huo Jianqi (January 20, 1958-), born in Beijing, graduated from the Fine Arts Department of Beijing Film Academy, and has art design, director, screenwriter, and producer in mainland China.

I first worked as a film and television work in "September", "The Thief of the Thief" and "Da Sa", and then began to directed film and television works such as "Winners", "Nashan and Namo", "Blue Love" and other film and television works. At the Best Director of the Film Festival of Peking University Student Film Festival, the 21st China Film Golden Rooster Award Best Director Award. Because he joined the director industry late, he claimed to be the "fifth -generation and a half" director, and some people called him "the oldest" new generation director.

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