"New God List: Yang Yan": The animation of affection is overlord

Siyi Valley

As a child who grew up in Lingnan, the author's "Fengshen List" when he was a child was a TVB version of "Fengshen List". In addition to the big protagonist, it is worth noting that Erlang God "Sanzi" Yang Yan got it. The player of the play reflects very righteousness, very honest and honest, and very large -scale character. As far as the development of animation is concerned, because the development of Guoman is a good time, especially the Chinese mythology series, in recent years, such as Sun Wukong, Jiang Ziya, Nezha, White Snake and Snake, etc. Level work. And this year's Guoman deserves attention, it is indispensable for "New God List: Yang Yan".

The story is still produced by Chasing Light Animation, directed by Zhao Yan, an animated film voiced by Wang Kai, Li Lanling, and Ji Guanlin. The story about Yang Yan is really worth looking forward to.

The story roughly tells that after 1,500 years of the battle of the Shang and Zhou dynasties, the heavenly world declined, and Yang Yan, who was wronged, made a living with the silver catcher. One day, Yang Yan accepted a mysterious visitor to the silver to hunt a teenager, and accidentally found that the teenager was actually his pro -nephew Agarwood. Agarwood was determined to find Baolian lanterns, and the mountains to save their mother would cause a big disaster. Yang Yan stepped on the journey of pursuing agarwood and unveiling the past. Looking at this film, we can see that this story starts from the actor Erlang God Yang Yan, which starts under the Hills of Huashan, but in the end, it ended from the Jie (Yang Yan and Agarwood) to save his mother.

First of all, the national level of chasing the light animation has been continuously improved. For example, this film is a very high level of innovation. Put aside the narrative in the story, but it is very Chinese mythical from the picture. Among them, the picture is also very innovative. In order to achieve the greatest degree of freedom of creation and the beauty of Chinese mythology that reflects the aesthetic Chinese mythology, the director takes Wei, Jin, Northern and Southern Dynasties as a historical background. , To draw inspiration from traditional culture, creating a very detailed and magnificent god realm, which makes the three major fairylands of Penglai, Fang pot, and Pingzhou in the film, which seems to be more prominent. The beauty of oriental characteristics and beautiful scenery. So we can see the popular, very prosperous Penglai and square pots, and there are also exotic Mizuzhou. Among them, we also see that the producers also met the advantages of Hayao Miyazaki's "Away".

In addition, the producer uses the Tah Lake Stone as the prototype. With the trend of the clouds and fog, it creates a very immortal and quiet Jinxia Cave, which naturally makes the audience pleasing to the eye. Another thing that reflects the innovative picture quality is that the very eye -catching thing in this film is that the gods in the film have such a plot, that is, because a battle of God cannot fly, the army can only rely on the mixed aircraft to drive the spacecraft to sail. This is very steaming for the style of the Xianxia in the visual element. Essence

In addition, in terms of character creation, it is also well -made with the time and character design. If there is Wan Luo's smart dance and character shape, the hazy and beautiful texture is also in line with modern aesthetic standards. The four heavenly kings to release the wonders such as Yuanshen are also a very visual impact. And the actor Yang Yan ’s real sense of rain on the fight on the fight is a small evidence of the superb technology.

In addition, the production method also combines the ink painting style in order to show the wonderful stimulus scene of Yang Yan. Each frame is very Chinese ink. Chinese traditional cultural elements are presented with CG animation, bringing fans to cultural influence and beauty. Yes, from the innovation of the picture, they saw that Guoman expanded a height, that is, the integration of ink and wash, steam punk, and the integration of Xian Xia, reflecting our high -quality Guoman style.

In the narrative and kernel, the author intends to combine the two Chinese myths and legends involving Erlang God. In the story, we can see the agarwood of saving the mother, in fact, corresponding to Yang Yan, who is young and savior to save her mother. At that time, Yang Yan was strong and firmly believed that the mother would be rescued after the mountain was split. Love. In the story, Yang Yan is the agarwood when he grows up, and Agarwood is also like Yang Yan to split Huashan to save his mother, so he can only see the confused Yang Yan who can help the nephew to help the nephew. The price behind it is very high.

What is the price behind that or the maximum resistance of loved ones? That is the ultimate goal of Yang Yan's master Yuding's real person in the story is to maintain his Jinxia Cave, but also to maintain the hardships of destiny, so he intended to let Cangsheng use it. In this new animation, the theme has changed a lot.

The first is Yang Yan's personal growth. At the beginning, it was quite a rule and justice. But with the core idea of ​​knowing the positive of the master and the core idea of ​​the affection, it naturally makes Yang Yan in this layout not the original film and television "Fengshen Bang", or the original literature "Fengshen Romance". The author's support and praise of Ren Junxian and the dissatisfaction and resistance of the drumless monarch. And here to rescue the great deeds of saving relatives through Yang Yan and Agarwood, expressing is a good interpretation of what is filial piety, and the feelings of affection. In fact, from the perspective of animation, the producer tells the emotional emotions as the kernel is very in line with the parent -child viewing group. The so -called entertainment is not the case, not to mention the traditional Chinese mythical story, it is naturally worthy of strong support. As director Zhao Yan said, "We have always hoped to tell Chinese stories in the way Chinese culture." He has been walking on the road.

Of course, the biggest beauty of which is the most disadvantage is that the shaping of the beasts of Yang Yan's beasts is too westernized. Although it is very eye -catching to sell cute and cute, it loses China's charm. The temperament is not enough.

"New God List: Yang Yan" is the form of Oriental mythology in the form of animated movies, which reflects the concept and intention of the creation of the classic mythology, that is, the great deeds of saving relatives through Yang Yan and nephew. What is expressed is to explain what kind of affection and filial piety, and the feelings of affection.

"Language in Huacheng", Si Yi Valley, Published in March 2020 in Baihuazhou Literature and Art Publishing House

Dangdang, JD.com, Taobao, etc. and Xinhua Bookstores across the country are available

Siyi Valley: Writer, freelance writer, now lives in Guangzhou. He is the author of the collection of prose "The Language in Huacheng".

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