Thirteen Art Festival special issues | Jingxue change for "Big Actor" for Pu opera

▲ Modern Performing Arts Center and Cultural Exchange Center -Pu Jingyuan

Shortlessness for Jingxue for Pu opera "Big Actor"

——The person who continues to struggle on the drama stage and podium

Wu Qianhao

The title of "Big Actor" seems to be normal, but it is a very high evaluation.

In 1996, Teacher Zhang Geng and Guo Hancheng mentioned the "big actor" in the preface of the "Peking Opera Thai Doubook Cong". They discovered and carefully summarized the regular conclusion of the relationship between the actors and the drama from the growth history of the Peking Opera Thai Dou. "No matter which drama, there are big actors, the drama is booming, there is no big actor, and the drama has declined. Because the art of the drama is largely contained in the actors." "The rise and fall of a drama, there are various complicated reasons. Outstanding and representative big actors are the most prominent signs. "Before 20 years ago, the good actors who called on the dramas could be aligned with Peking Opera.

Jingxue changed from 50 years of art, won all the rewards, rooted in the people, and carefully passed on the art. Among Jingxue's many titles, I recognize the title of "Big Actor" of Pu opera.

Jingxue transforms art innovation and artistic entrepreneurship double harvest, create high -level works, cultivate high -level talents, build high -level facilities, implement high standards management, and do things in many aspects. What supports her to persist? First of all, I should talk about her special relationship and feelings with Pu opera. She was born in the birthplace of Pu opera, and was widely influenced at her childhood. Later, she did not leave for a moment of learning and acting. The master demanded harsh, and others could not help it. She did not change her joy and learned a hard work. Learning traditional dramas and new dramas, she has always had a dream of Pu opera art ahead. Jingxue changed to feel that there was a Pu opera. She frankly said: "My life is with Pu opera, or I am born for Pu opera." mental strength.

Jingxue has become a typical daughter of farmers. She has many excellent quality of the Chinese nation and has done something moving. It is not surprising that she has won the honor of the non -art field such as the national labor model. She wants to change the downturn of Pu opera, revive the majesty, choose and refine the repertoire, and open a new world after the test of art creation. It is not spring in one flower, and Jingxue has changed its identity. It has practiced the "burden work" in life in the work troupe and school work. She fought with her colleagues who fought together, and worked hard, and gradually changed the ecology. She is sweet and sweet, enjoying the joy of fighting. Pu opera starts from the doll. To improve the hematopoietic function, the base point will be developed, and the situation will be better.

Jingxue turned into a new stage of watching Pu opera and the times. 2002 is a special turning point in Jingxue's artistic life. She is well -known, and she is appointed as the newly established Pu opera youth experiment performance team in the 42 -year -old art gold age. Two appointments together are the way to go through the group but can be divided into a way.

The establishment of a delegation is a major measure of Xing School. Jingxue becomes an important public figure of Pu opera. It has social influence. It is possible to support the sky. She knew that there was a hardship in front, and the bite of her teeth took over the burden. I participated in the establishment of the group in October of that year. I was held in the drama school. The school was not large, several classrooms, and a humble small stage. As for the troupe, it is poor and two white, one without a group, no arrangement venue, three without facilities, there are difficulties and bitterness everywhere ...

Under the unbearable conditions, she silently led everyone to fight hard step by step. Conditions are difficult, but the goals cannot be reduced. She discussed with everyone and established a group concept of "bring newcomers, go to the road, go out of the boutique, and promote the drama". "How much quality is the same" group training. In order to survive, it is often the year before the Spring Festival and the second day of the year. The troupe of the troupe was loan, and later had performance income, and it could also issue a little subsidy. Jingxue changed to ask everyone. I promise to do it first, and share the hardships together. With the example of her example, hard work and hard work, coupled with the increasingly formal system construction and increasing economic benefits, they gradually brought back people's hearts, and thus began the creation of "Mother of Mountain Village". Faced with the leaving of individual people, Jingxue turned into a drumming and said, "It's all golden. We are in the Long March, and Yan'an is in front!" Everyone desires to have a home's wish, and Jingxue has not forgotten it all the time. When the group was established for 7 years, the regiment and dormitory were covered; when the group was established for 10 years, the modern performing arts center and cultural exchange center, Pu Jingyuan, got up. The reputation of the troupe sounded day by day, moving to the opera stage and film front, and achieved remarkable results. "Mother Mother Mountain" performed a lot of performances and created a miracle; only 400,000 sets of various versions of CD -ROM and recording tapes were released; the special seminars were opened 14 times, 4 of which were in Beijing.

When the troupe developed a little peaceful and Jingxue became breathless, the heirs of Pu opera who never stopped started the great cause of cultivating successors. She proposed the "Little Plum Blossom Class" to recruit more than 90 students at once. Learning the drama is strong, and Pu opera can be strong. She was a bit empty, so she rushed to them with all her heart, caring for care, and strict requirements in all aspects; when she went out, please come in to make them good nourishment. She also took time to teach her children and cares about her children. The name of "principal mother" came from the child's heart.

For more than 10 years, the "Little Plum Blossom Class" has been able to perform more than 20 independent performances and a few whole dramas. Elementary schools have a new drama, and she finds a way to add new drama. Jing Xuechang said: "No matter how difficult it is, it can't make our children better." She strengthened the stage practice of the "Little Plum Blossom Class" and strengthened communication with society. The effect was good. For more than 10 years, there have been "little plum blossoms" almost every year, with a total of 52 flowers. Jingxue becomes a planned water to make a height of Pu opera, and proposes to train a batch to harvest a batch. Essence Some "Little Plum Blossoms" were selected into the youth Pu Drama Troupe, some were sent out to study, and some could take over some representative drama performances of Jingxue. They performed well.

In order to reverse the low cultural level of local drama actors, in 2017, Jingxue changed to work with the leaders of Yuncheng College, and was approved by the Ministry of Education to set up a undergraduate major in the school. Jing Xue was hired as a special professor of the college and served as the leader of the subject. At present, more than 20 National Plum Blossom Awards actors have been admitted to the undergraduate major of theater in Yuncheng College.

Jingxue changed to Zhang and Guo Er Lao's advocacy of "big actors", but they did not contact very early, but they realized the same truth from their valuable practice. They returned to a common goal. Pu opera audience carried a large plaque of hot cashmere and praised her as "our favorite good actor." Jingxue's change gradually realized the huge role of "big actors" in various dramas.

Jingxue has become a 50 -year artistic career, and it is just a proper review and reflection. She is an ascetic person and a luckyman. The strong nostalgia for Pu Opera has transformed into a hard work for decades, and has made all his efforts. Interest and career are highly united, deepening and deepening, ups and downs, no regrets. The direction of changes and setbacks has not changed. At the time of encountering difficulties, the superiors and her comrades and her greeted her. The majority of Pu opera audiences were her strong backing, lifted her confusion, and strengthened confidence and strength. Now that we have entered a good era of development of opera, we can have a more struggling spirit and strength, condense together, and invest in new battles.

(The author is a researcher at the Chinese Academy of Art, the former editor -in -chief of "Chinese Peking Opera", a member of the Chinese Drama Association, a drama critic.)

The poetry of life is fused with the traditional essence

——Watch the spirituality and creation on the stage of performance artist Jingxue change stage

Tan Zhixiang

Born in Jinnan Pu drama is an ancient drama, with rich family and distinctive characteristics. This is the advantage of the drama. However, for the creation of modern drama, we must not only keep the artistic characteristics of the drama, but also make it with the new era and new ones. Life is in line with new characters, which needs to be added and abandoned, and the difficulty of creating has undoubtedly increased a lot. The more ancient dramas, the more the family is rich, the more difficult to create modern drama.

"Mother of Mountain Village" is a masterpiece of Jingxue's modern drama creation, and has achieved gratifying artistic achievements. Take off the colorful coat, take off the beads full of beads, put on the mountain village women's thick -handed gaps, combed my wife's Baba bun, there is no water sleeve, no bazi, fan, towels, braids, dumplings ... Performance What do you play? How to get on the stage? It is neither walking in Tsing Yi, nor can he walk in Huadan, nor can he walk on the old Dantestou, not to mention that Jing Xue has never played Lao Dan, nor can he move the footsteps of the old man in life to the stage. How to do?

Jing Xue's spirituality was manifested in her life, and she reached into traditional opera in one hand, and she lived "this" mother. Take two small examples: Mother enters the city of the city, holds two dried pupa and a bottle of water, rush to the road, walks and sings on the road of the mountain village, shakes her body on the bus, and the bustling of the city car is full of prosperity. On the street, he walked tremblingly ... Many performances borrowed from Pu opera's excellent traditional repertoire "Running City", which were affectionately called "female running city" by the audience of Pu opera. In a period of "test nanny", in order to prove her legs and feet, her head was not dizzy, she could bring her children, and she jumped into a chair and wiped the glass. At this point, the audience will report warm applause. Someone is crowned with "wife hanging paintings". Anyone who is familiar with Pu opera knows that the vivid performance here comes from the classic "Hanging Painting" of Pu opera. I know how difficult and painful this jump is for Jingxue. Her knees were injured and difficult to walk. In severe cases, people were carrying people up and down stairs. In order to play this drama, she didn't know where she came from. She had never made a mistake or cut off this performance. Although she was often closed before the performance, she performed very well. This is a different "wind and fire in Kyushu". In particular, these performances are the needs of drama, an important pen and ink to portray the characters, and it is by no means a strong pull.

Although "Mother of Mountain Village" has legendary colors and romantic feelings, it reflects the truth of life, the existence of urban and rural differences, the rich people of the people in the mountains, the inexplicable sense of superiority in the city ... We think a lot, what is the function of drama? Why do operas emphasize "leaving white"? How does drama think from the watch and inside to deep thinking? What is the lack of "Mother Mother Mountain"? It reminds me of how the opera is superior to its appearance and is deep. Opera is the art centered on performance. The opera performance is important, but it is just an important part of the opera. The comprehensive and overall presentation of the opera art is the most important. At the beginning of the opera creation, we should have the consciousness of guiding the audience to think together, so that the drama has touched the soul from narrative to the soul of people ... This is the pursuit of modern audiences -the unity of aesthetic pleasure and rational thinking. Thanks to Jingxue's "Mother of the Mountain Village", which brings us a deep understanding of the value orientation of good drama.

(The author is a researcher at the Chinese Academy of Art, the honorary chairman of the Chinese Minority Drama Society.)

The character play can be found on her

Zhang Manjun

Snow changes, I am a person who wants to say a few words for her.

As a director, I have been exposed to many dramas across the country and a lot of outstanding actors, but Xue changed in my heart. Her weight seemed to be particularly heavy, and she was particularly dear.

why? Because her living environment is similar to her experience, it seems to be similar to me. People who have worked at the grassroots level are also relatively closed, or in a place where various pressures are relatively heavy. Those who work hard to be their own literary and artistic career. So every step she took, I can really realize the hardships inside, but what I sincerely admire is the kind of courage she gives, and I also sincerely admire her talent. So character and drama, in her, seem to be able to find a kind of mutual and tacit understanding.

The snow became persistent. In order to find me, she followed me to go south and broke into the north. Repeating is a sentence, "Zhang Dao, you give me a row, you give me a row." Everyone knows that it is not an actor to come to the actor It looks like scenery, applause and flowers. In fact, this process is more of the hardships and hard work, even sadness and grinding. Behind each plum blossom actor is "the fragrance of plum blossoms comes by bitter cold". So, the snowy change moved me with her persistence and participated in the re -creation of her "Mother of the Mountain Village".

This drama was tightly grabbed in her hand, making me feel that the actor was surging in the heart of the grassroots, life, and the people, which gave her a wide range of humanistic care. Such a cognition, so she kept this show.

Among the most common and tender mother -child relationships full of the world, she found the best pursuit of her love for life, the truth of human feelings, and the kindness of the world. The body reflects the most rustic spirit. In the process of interpreting such a modern mother, she realized the style of "littering helmets and armor" of the ancient Pu opera, and the quality of "loading helmets and wearing a armor". She raised her stage skills and continuous cultural knowledge. By understanding and grasping the characters, she naturally integrates her character into the aesthetics of opera performance, so her presentation on the stage basically has no trace of contrition.

This is not easy for a opera actor. It was because of such a cognition about her that when I rehearsed her "Mother of the Mountain Village", I added a lot of play to her, from the traditional "jumping chair" to "running the city". Snow change can quickly realize the good intentions of the director.

Because she has long -term foundation with grassroots, grassroots, people, and this land, she has a deep foundation. With this foundation force, "walking against the ground, in the walking, letting life fly and sing", Xuexue has such ability.

The role of the mother of "Mother Mountain Village" is actually difficult to perform. If the character is completely fell in, she must be full of tears, and she must sympathize with this character. It is precisely in real life. Such a mother image, she is an indifferent, tobec to bear the suffering. This makes the drama aesthetics showed by this character with particularly eye -catching power. Therefore, in the performances again and again, her tears flowed out and gone back, as if she had to slap out but swallowed it back. In such a process, she showed her most accurate grasp of the character. During this seemingly tragic drama, she used a hyperdoor mentality to win her life with a smile, and faced with the suffering to face the events. Essence

Our life is always a lot of hardships. There are eight or nine things, not to mention a rural woman at the grassroots level. However, our people are actually suffering from suffering with the most optimistic attitude. In this tolerance and responsibility, the big mind of a mother and the most brilliant spirit of the mother showed. In this regard, Xuehuai did very ironing, and even felt a little proud of himself. I can think like this, and I can think with her so that we can achieve such a tacit understanding, and she can express it accurately and accurately.

Snow change is a bitter child. It is not easy to walk all the way. I have such a mentality. This actor work like this at the grassroots level. We have the responsibility to promote this actor, have the responsibility to promote this spirit, and to tell people what the stage life of grassroots actors is like A real state. She has come over for 50 years, but she is actually very lucky. Why? Although she had suffered so much, she found a career that was most suitable for settlement, and then she rose it into a career to pursue, so all her dedication and all the hardships can laugh. face. It is luck to say that she is lucky. After all, so many people care about her, local leaders, a large number of audiences, fans, and the very cute team she built in one hand. For her Fortune.

(The author is the vice president of the Tianjin Opera Dance Theater, a national first -level director, winner of the Chinese Drama Plum Award, an outstanding young and middle -aged experts of the Ministry of Culture, and an expert of the State Council's special allowance.)

Modern opera creation is inseparable from the innovation of artists

——The inspiration from the National Outstanding Reserved Act "Mother of the Mountain Village"

Zhou Yude

On the occasion of the 50th anniversary of the art of Jingxue and the performance of "Mother of Mountain Village" for 2,000 games, as a teacher, I would like to say that Jingxue changed and her "Mother of Mountain Village".

Performing modern drama is actually a challenge to Jingxue. Her goal is not only to show a positive modern theme, but more importantly, this drama is made into a drama, and it is made into a popular modern opera that can be comparable to traditional drama.

If you want to make a modern drama script into opera rather than others, you must follow the stage principles and stage spirit of opera art, and use the stage technology of opera art. Otherwise, it may be the drama plus opera, or the opera plus the opera plus The drama, or "drama plus singing". Such an example is endless.

And Jing Xue changed and her team, she fancy "Mother Mountain Village", determined "Mother Mountain in the Mountain Village", and was determined to make it into a quality of modern opera. After several years of hard work, "Mother of the Mountain Village" finally made a opera artwork that can be appreciated repeatedly.

The first time I watched "Mother Mountain in the Mountains" in 2004. The deep humanistic connotation of the script and the wonderful performance of Jingxue's changes have left me a very beautiful impression. In 2007, I participated in the 10th China Drama Festival in Suzhou, and I was fortunate to watch "Mother Mountain in Mountain Village" again. It was noon performance that day. The audience was mainly the Suzhou citizen who was accustomed to Wu Nong's soft language. Jing Xue's performance was too successful, and the audience was greatly moved. Dou Hua's singing dance stirred up the emotional resonance of the people of Suzhou. At the end of the performance, it should have been the curtain, but the large group of Suzhou audiences rushed to the entrance, applauding and cheering. Many of them have known the charm of Pu opera for the first time in the world. The audience was so excited that Jingxue became crying. Jingxue and Pu opera met a conscience in Jiangnan, thousands of miles away.

This scene rarely appears in the theater of the opera modern drama. Jingxue has won the excellent performance award. In fact, the audience's appreciation and praise are the greater rewards!

The success of "Mother of Mountain Village" comes from a distinct contemporary theme, from the exciting humanistic tension, and the unique charm of opera art embodied in the overall performance. The overall design of "Mother of the Mountain Village", every chant, and every body are carefully studied and worked hard to achieve drama, so they leave a unique artistic experience for the audience. More than ten years have passed, and some details in the play have remained deeply in my memory. I couldn't forget that Dou Hua sang "the call for the folks from the mountain wind", and the appearance of the fiber tied with a firewood was unveiled. I couldn't forget that Douhua's "quietly leaving the crescent of the mountains" went to her son's wedding, and rushed to the fast -paced circle on the mountain road with joy. I couldn't forget that Douhua rushed to the door of the hotel. I can't forget the dialogue between the mother and son outside the door. I can't forget that Dou Hua is a nanny for his son's house. He is discriminated and doubted by the psychological abnormal family. Tell the photos of the dead husband. The charm of opera singing is irreplaceable. Jingxue turned too much, and the singing of that paragraph urged people. Jingxue turned too much, and she consciously turned the traditional figure into the action of contemporary figures. The changes in her eyes and expressions are opera. The exaggeration is so reasonable. When she wiped the window, she even used the chair of the Pu opera "Hanging Painting" to make the audience ejaculate.

There are many topics that are worth studying in "Mother Mountain in Mountain Village". The success of this modern Pu opera has once again proved that the modern drama of opera has indeed entered a mature stage, and it can already be solemnly entered the hall of art. "Mother of Mountain Village" is not like the short -lived drama of the drama. It is an excellent reserved repertoire that can often act in the end of it. It is a artwork that the people need. The success of the opera modern drama represented by the Mother of Mountain Village shows that the creation of modern drama is inseparable from the sincere participation of artists.

The success of "Mother Mountain Village" once again proves that the modern opera modern drama is very dowworthy.

(The author is the former dean of the Chinese Academy of Opera, an expert in special allowances of the State Council, researcher at the Chinese Academy of Art.)

Pu Jingyuan Fu

Huang Xun

Ask where the Chinese opera cavity started? Is it the Hedong Pasaka; Could it be Pu Jingning Garden. Twenty years of dreams, 80,000 miles are gorgeous. Endless, the scenery is infinite. The people's stage, the people's theater, the art hall, the benchmark of the drama.

Pu Jingyuan Xi, it is difficult to rejuvenate. Thinking about the year, the reform was just overwhelming. The youth group innovation experiments, struggling to break through. In the early days of entrepreneurship, it was difficult. There is no monopoly in the ground, and there is no room. There is no place for food, and there are no venues. The troupe is up and down, and the poor think of changes. Practice projects, raise huge sums of money, collect land, engage in infrastructure, and burn passion. Big conclusion, big responsibility, great feelings, great dedication, everyone's style. Pu Jingyuan rose to the ground, Wei was a big view; the youth group was integrated, and the national model.

Pu Jingyuan Xi, plum blossoms are amazing. During the drama career, it is difficult for talents. Shengdan Jingtu is ugly, and "five internal organs" are all available. Pu Jingren vowed to build a talent highland and build an elite cradle. "A big concept", take the newcomer to go to the road, master teachers, and teach each other; Cultivate the talents of opera, grasp the early and grasp the strictness. Practicing "Toy Gong", the life of art is long; the "little plum blossom", Puyuan Ye Maozhi. The monarch does not see, the "history of seedling" is remarkable, Tao Li is full, and the fruit is full. Jun did not see, 52 "Little Plum Blossoms" Karachazan, the first and two sessions in the country.

Pu Jingyuan Xi is wonderful. What is the vitality of art? The boutique is a sky. How many Hedong Story Drama sings you in Damei Canal City. How many opera transplant dramas, let the true love love forever. How many inheritance of classic dramas and promoting excellent traditional culture. How many original boutique dramas have made the humanistic spiritual candle in the world. Seeing "Mother of the Mountain Village", a show jumped into the peak. The national "stage art boutique project" and the national "digital opera film project", two "national characters" projects, are overflowing. Entering Peking University Hall, entering the Great Hall of the People, entering the National Theater, and entering the world's big stage, four "big -font" platforms are slightly high. "National Modern Drama Excellent Drape", "Excellent Reservation of the Ministry of Culture", "China's First Top Ten Excellent Opera Films", "The Best Nomination of the Chinese Film Golden Rooster Award", four national awards, how easy it is to talk about top honors. The "Best Film of the World Film Festival" and "Outstanding Contribution of World Cultural Exchange", two world -class awards, the glory of the king is unprecedented.

Pu Jingyuan Xi, the team's strength is highlighted. The "national province and city" are in caressing at all levels, and development is prioritized. Experts and scholars take care of them, starting high -end. The troupe gathered up and down, and struggled. Fans of ticket friends have supported and dedicated themselves. There is a way: "Pu Jingyuan said that there is a huge change, and the change of the snow is not forgotten." The non -genetic inheritance is heavy. As a long -term manner, bravery, talents, dramas, teams, bases, "four constructions" have achieved brilliant achievements, and they can't complain about bitterness and sweetness. As a master of Pu opera, Deyi Shuangxin, Huadan, Xiaodan, Dao Ma Dan, Wu Dan, Zhengdan, Lao Dan, "six characters" are all universal, interpreting the world's clutch and sadness. Honor has come, and praises have repeatedly made many times. The Ministry of Culture's "Wenhua Performance Award", the second "Plum Blossom Award" of Chinese Drama, the "Best Actress Award" of the World Film Festival, the "three -level jump" of the award, and the highest honor. "Talent actor", "Grand Great", "Queen Pu Opera", the master praised and reputable for the world. "Farmers are good daughters, people artists", the people are good at word of mouth, and the reputation is even more promising. Sigh: In the past, Pu opera roads, today Pu opera road, come to Japan Pu opera road, Pu opera road is far away; Yuncheng Pujingyuan, Pujingyuan, China, Pujingyuan in the world, Pujingyuan must have dreams!

(The author is the former party secretary and director of the City Culture and Tourism Bureau, a member of the Chinese Couplet Society.)

(The article is cut on the original manuscript)

"China Culture News" on September 23, 2022

5th edition -36 version published on the 13th China Art Festival special issue

Among them

"Audience for the" Big Actor "Jingxue for Pu Opera",

"The Poetic of Life with the Traditional Essence of the Essence",

"Character play can be found on her",

"Modern Opera Creation is inseparable from the innovation of artists",

"Pu Jingyuan Fu"

↓ ↓ ↓ ↓ ↓ according to

Editor -in -chief: Chen Xiaoyue

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