"Bottom Line": The warm realism of the fireworks at the breath of the fireworks

Author:The highest law Time:2022.09.27

Another drama is here.

The "Best Line" just launched is a rare judicial drama on the screen. It shoulders big propositions, to show the latest achievements of my country in the field of judicial reform, interpret the responsibilities and mission of judges in the new era, and spread the popularity and popularization of the new era. legal knowledge.

However, the "Bottom Line" cleverly entered with small incisions. One of the cases is a trivial matter that wraps the human nature; a judge is also a little person who has experienced the warmth of the world.

While ensuring professionalism, the "Bottom Line" has the effect of four or two pounds. The leading of the ratings proves that the "Bottom Line" is correct and effective with the creative ideas of small opinions. Make the "proposition composition" that the audience likes to watch, testing the wisdom and responsibility of contemporary film and television creators.

For many years, there have been very few domestic film and television works on judicial themes. Liu Guotong, director of "Bottom Line", said that they only received the creative mission in June last year. He was very embarrassed and very confident. "Because the court and the judge are very strange to me, there is a natural awe." After several discussions, they firmly strengthened the creative direction, that is, to shoot the image of a temperature, a living judge The warmth of realism and the warmth of the fireworks.

The "Bottom Line" uses the fine traditions of the courts of the three generations of the Chinese courts as the combined link, which has shaped a group of flesh and blood, saying and laughing, and allowed the image of the judge to quickly enter the audience's field of vision. In the play, Fang Yuan played by Jin Dong is the chief of the court of grassroots district courts. He fucks a "plastic Mandarin", humorous, enthusiastic, and love, and at the same time, he is responsible and professional. He was also happy to accept the title, and he was ridiculed that he was not angry. Such a human -like and grounded judge distinguishes the elite image that Jin Dong played before.

In the "Bottom Line", Fang Yuan's image reflects the bitterness and bitterness of a grass -roots judge experience.

He would have grievances. In the custody retrial case, his verdict was overthrown during the retrial because he believed his child's lies. When he returned home, he cried with his wife, and he couldn't understand why the child he was so comfortable had to lie to him. In the play, the mouth of other characters questioned: "People have unfair things to find the court to reason. Who is the judge who encounters unfair things?"

He would also struggle. When the law firm threw seven -digit salary olive branches, Fang Yuan could not do anything completely unmoved.

He will also be confused, "One case follows one after another. Is it meaningful to do it day or night?" Master enlightened him, because there is no world without a lawsuit, so the judge will always be needed, and the judge is just the judge, and the judge is just the judge. "People who treat social diseases."

In addition to Fang Yuan, there are also a group of different courts, which constitute the daily life of the Xingcheng District Court.

Cheng Yi took off the coat of the ancient and beautiful man, facing the simple Gua Gua head, and spoke the original soundtrack with dialect accents. In the play, he played the newcomer method to help Zhou Yiren, and he had many interesting teachers and apprentices in Fang Yuan.

Cai Wenjing plays Ye Xin, a young female cadre in the Supreme Law Research Office. She is called "French Sister".

Wang Jinsong played the president Chen Kang, and he and Fang Yuan's "girlfriend" contributed the greatest laughter in the early stage. When the two were trained in front of the old dean, they asked each other for help with each other.

Sister Wang, who loves and loves gossip, was opposed to Ye Xin's needle because of inconsistent ideas at first. Later, he was taken orally by judging the example.

The atmosphere conveyed in the "Bottom Line" is both united and lively and serious. The drama does not delay the insertion scripture, and the comedy does not affect professional case handling.

The "bottom line" uses cases as a plot propeller. It is not only seamlessly connected, but also multiple cases. There is no muddy water. In Lei Xingyu's "case of humiliation", he discussed the definition of legitimate defense, and was thinking about how reasonable and jurisdiction. In the case of the sudden death of the online female anchor Luo Youyou, the surface is discussing labor arbitration, but it is actually a reflection on the male and female families.

In the process of trial and judgment of a pile of cases, it has both the display of complex humanity and social state, and also popularized the latest achievements of my country's judicial reform and the transformation of the rule of law.

For example, anti -sexual harassment into a large highlight of legislative reforms. Civil code stipulates that sexual harassment is a category of life rights, health, and physical rights. In the drama, it was reflected in the case of Li Fangning's vocal harassment. When the defendant's lawyer asked, "Why don't you say it for so many years and say it now", Li Fangxing answered strongly, "I have the right to be unhappy at any time, and I have all of them. I am not willing, I am not too sensitive, it ’s too casual!”

In the end, the plaintiff was sentenced to victory, and Sister Wang sighed, "According to the past, the Ning Ning people are the best protection for the parties. Now the legal environment has changed, and everyone's concept of rule of law has increased.

"Bottom" not only has the forward -looking, but also has deep ideology. When the reporter asked whether the judicial trial would be forced to be under network pressure, Fang Yuan firmly stated, "We welcome public opinion supervision, but we will not accept public opinion trials." "The trial is not to retaliate evil, but to boost goodness."

Although only a dozen episodes were broadcast, they could feel the solid creative attitude of "Bottom Line". Before the start of the filming, the main creative team carried out more than ten adoption, visited more than 60 courts and more than 200 court workers across the country, collected more than 500 cases, and revised 20 drafts before and after the script. Two months before the start, the starring actors entered the court's immersive experience life and walked with the judges. Not only did the hearing in the court trial, organized simulation courts, but even to mediate under the guidance of the judge and communicated face to face with the parties.

Wang Kai, the director of the play, said, "The collection of wind must not be a three or five days to watch the flowers, and you must not be soaked in life." In one -to -one style, they will not directly ask work or cases. Instead, the children's photos, their clothes and jewelry on their mobile phone screen guarantee, and temporarily put down the "purpose" in order to get the surveyed story experience and professional perception of the interviewees.

Director Liu Guotong said, "We do not need perfect falseness, it is the most powerful!" He hoped that this drama would make the masses realize that we must pick up legal weapons at a critical moment to protect ourselves. The bottom line of morality is restricted by your words and deeds.