The most burnt commercial film of the National Day file is here!

Diplomats withdrew overseas Chinese. In the inherent impression, they were a boat and an airplane. Everyone lined up with a passport. Although the atmosphere was nervous, it was considered to be on board and boarding in an orderly manner, and finally returned to China safely.

But can the facts really go so smoothly?

In the new film "Return to Return" this year, we saw the hard -to -be withdrawal of diplomats.

As soon as the film came up, it was the life and death bureau of the diplomat.

Under the chaos, withdrawing overseas Chinese is not a joke.

The ease of diplomats between various relationships on weekdays have become a life -saving straw that is blocked between fellow citizens and warfire at this moment.

Movies, of course, are not writing blindly. This is a story of withdrawal overseas Chinese adapted from real events. Behind it, there are hundreds of thousands of diplomats.

Diplomat Zong Dawei (Zhang Yi), with a fledgling young colleague Cheng Lang (Wang Junkai), arrived at Numia who was in the civil strife.

Originally, this is a simple task that can return home immediately without the airport.

But in the end, it became the two people who were defeated into the theater to assist the withdrawal of overseas Chinese.

At the war scene of the war that will be penetrated and flying at any time, the diplomat is the only person who has no incoming iron but must fight for the fellow fellows behind him.

For the first time, we saw the thrilling road of Chinese diplomats on the screen.

In more than two hours of watching the movie, we were completely filmed by the film. It broke through everyone's consistent imagination of commercial films and gave new surprises.

Most of us born in the peaceful age never experienced war, but in those corners of war burning, everything broke free of daily rational and secular logic and became crazy.

The war deprived of all rationality and order in human society, and put everyone into extreme chaos.

Withdrawing overseas Chinese, for diplomats, it is a war without weapons but must win.

The irrational, disorder, and violence of the war against the war with human rationality, order, and wisdom, only their wisdom and the powerful motherland rely on the diplomats.

Zong Dawei is an experienced diplomat. He has experienced earthquakes, coup, and plague. In the face of Numia's chaotic war in China, he was calm and calm, but he did not hesitate to move.

In the war, Zong Dawei used to contact the satellite phone of the embassy to be damaged and lost the command and support of the embassy. Where should the next hundred Chinese compatriots be retired?

Is it waiting to be treated or retreated to a safer place?

Zong Dawei did not hesitate to choose the latter.

This is an adventure decision, and it is also a decision that needs to be responsible, but the only hope is hidden behind this decision.

Different from the retraceable protagonists such as previous soldiers and special forces, Zong Dawei is not a soldier, nor is it special forces. He has not undergone any professional weapons and physical training.

As a diplomat with a "power -free chicken", he has to lead more than 100 compatriots out of the warfare circle and withdraw to a safe area, depending on the sensitivity, wisdom and responsibility.

It is precisely the characteristics of these characters that make Zong Dawei completely distinguished from all the protagonists of the previous withdrawal overseas Chinese, and it is full of unique personality charm.

Without a shot, in the unpredictable war seams relying on the extraordinary wisdom, positioning the location and route of the withdrawal overseas Chinese.

Relying on his own sensitivity, he opened up the border port and took the retention compatriots away from the dangerous place.

In all this adventure, Zong Dawei was carrying the hope of more than a hundred families, and it was the care of the compatriots throughout the motherland.

Successful withdrawal from overseas Chinese is the duty of a diplomat. Once it fails, hundreds of families will be broken and hundreds of compatriots will die.

Zong Dawei became the last line of defense for their life safety in the fire.

Diplomats like Zong Dawei have no guns, but they are security guards in the war. For the safety of the compatriots, several of the most dangerous and complicated battlefields were entered, and they were on the verge of death several times. There was a kind of courage and magnificence of tens of millions of people.

Not only Zong Dawei, the image of the newcomer diplomat Cheng Lang also seemed real.

Cheng Lang, a young man who was first sent to war in the war, was full of blood but was childish. In fact, we have seen a lot in many film and television works.

In fact, such a role tests the creator's skill -it is easy to recruit people. It is too obedient and sensible, and there will be no highlights.

In many plays, this role is basically a satisfactory role in a satisfactory and most easily forgotten. I want to remember, it's so difficult!

But in "Return to Wanli", it shaped a moment of flash (mature) unique to Chenglang.

What's more, this moment is related to the camera that Cheng Lang has been holding in his hands -and the camera even shaped the moment when the character "jerky" was shaped.

It is precisely these two very interesting moments that make Cheng Lang transform into a mature and reliable diplomat, and also become a lively character worthy of memory.

A simple prop, completed the transformation of Cheng Lang, from green to mature, and wrote this role that was not pleasing to be cute and close.

It must be said that in this film, Wang Junkai finally found a screen image suitable for him: green but not naive, blood but not stupid, and gradually became a real diplomat during the tempering of war.

Put down some burdens and pick up some ambitions. In the role of Chenglang, Wang Junkai found the "feeling" belonging to an actor, which is the mutual achievement of actors and characters.

Director Rao Xiaozhi's emphasis on the character's extreme portrayal and the props that it is easy to remind us of his other movie "Unknown". In that movie, a shotgun became an important prop. Gou connecting several groups of different stories, leading the different destiny of the characters. Turn, exquisite, not looking at the IQ of the audience, and a little surprise to expect, it is the consistent level of Rao Xiaozhi movies. Under the appearance of its seemingly main theme, it is actually wrapped in the director's unique author's temperament and business blockbuster thinking.

Its power is very amazing.

Because it was too rushing that day, there was no psychological preset before watching the film, and then the defense was firmly caught by the film.

It was a very powerful business blockbuster temperament. The story was twists and turns, and the character's character was bright and cute. It was always nailed to the seat, looking forward to the next plot direction.

This attraction is not common on our screen.

In the trailer, the big scenes such as war, blasting, and drag racing are indeed available, and even more exciting.

Although it is not a war film, the texture of the war is very delicate. In the real war of the panorama and the depth of the field, it restores a very realistic scene.

But compared to its twists and turns of narrative rhythm, it must be said that after domestic commercial films solve most of the visual effects, it approach the core and the hardest narrative and rhythm problem.

Zong Dawei played by Zhang Yi is a husband waiting for his wife to be on his basin. A diplomat who must save his compatriots. When family identity and professional identity encounter challenges at the same time, the character is always in a strong pressure.

This is another very colorful role of Zhang Yi. The richness of the characters is not bad by him. The tenderness and guilt in front of the wife, the responsibility in front of the compatriots, the sincerity and sincerity in front of colleagues and brothers ...

In the switching of different states, the sense of pressure of the character was released by him, and the characters seemed to be restrained and relaxed. It was a little bit fatigue, and more ease of relaxation.

Zong Dawei kept facing choices. The characters are established, shaped, and sublime in such a choice.

Zong Dawei is certainly not a formal role. He wanted to change his job more than once and wanted to stay with his wife.

The most ordinary and simple family vision of the Chinese is "wife and children hot buns". He also wanted to live such a life, but chose to become the guardian of this life.

In the whole film, one of the most moving clips of my favorite is not a big scene in the war, and it is not even a thrilling moment that is dare not make out among the withdrawal of overseas Chinese. In the end, when they go home safely, Zong Dawei’s family Human houses, the voice of the old house of the hutong house, the sound of human voice, the sound of cooking, the sound of cooking, and the sound of the neighbors ...

They were wearing pajamas, and even with rolling sticks on their hair, greeted the neighborhood, and teased noise with the decoration neighbors to disturb the people.

One day when it was worthless, it was a day when someone crossed the mountains and the sea.

Under the background of war in the distance, everyone seemed to have experienced life and death. Since then, any ordinary day in life has also become a commemoration worth spent.

Behind the door, a big family was lively and greeted, and a large table was Zhang Luo and hot.

The newborn child slept in his mother's arms, Zong Dawei hugged the child and hugged his wife.

He saved more than a hundred families. When he reunited with his family, more than a hundred fellow families reunited because of his persistence and belief.

Tourism and war, walking through the way home, they finally returned to the homeland of peace.

The greatness and responsibility, showing the best on the way home step by step, without a word, but made people cry.

It's hard to say whether this tears are for the country or for home, or for us to have such a peaceful and simple life.

When the movie came to an end, listening to the nasal sounds that were still surrounded by this, as if he heard the sound of everyone's hearts.

In extreme rhythm control and narrative, we have gained long -lost viewing.

When it strives to pursue the details of the story and the credibility of the character, the emotion is naturally revealed in the emotional changes of the characters, and it is also dripping in the details of the story.

When the movie ended, sitting on the chair and waiting for the subtitles to go, the emotions were still trapped and immersed, reminiscent of the thrill and breath in the film.

Out of the cinema, when the autumn sun was sprinkled on the shoulders, a kind of treasure and joy of the rest of their lives were raised in my heart. This is the emotional taste left by the movie.

I have seen warfire and peace and preciousness.

The National Day Cinema, "Return to Wanli" will never disappoint you!

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