Commemorating the 290th anniversary of Haydon's birthday to hold classical and romantic interpretation of autumn night melody in Hangzhou

On the evening of September 24th, the youth conductor Yu Ji joined hands with the violin player Wang Zhixuan to bring the Hangzhou Philharmonic Orchestra to the fans of "Tribute to the 290th Anniversary Concert in Haydon's Birth". In addition to presenting Haydn's classic D Rotor No. 104 "London" to commemorate the eternal classical music father, he also performed the D major violin concerto (work No. 77), classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classical and classicals. Romantic intertwined into the most charming melody of autumn nights.

At the concert scene, Wang Zhizheng opened the only violin concerto in the creative career of Brahms. There are three movements in this work. The introduction of some bands at the beginning of the first movement is full of enthusiasm. Hua Cai Alery section. Subsequently, the second movement was the famous lyrical chapter of Brahms. With the binocha, it led to the basic theme of her pastoral flavor, and the violin king was played with different sound types. Finally, the third movement of joy and lively, with the rhythm of folk dance and the style of jeep dance music. The ending of the cello hints on the basic theme of the basic theme. The middle sound color is getting brighter and brighter, and in the end, the whole song is made with three powerful chords with the characteristics of Hungary.

From the first movement of "soft board -allegro" to the second movement of "Xing Bo", to the third movement of "Small Step Dance", and finally in the fourth movement of the final song. The first theme is compared from the second half of the height. The cello and the round number continues to express the bass in the main voice. The second theme is based on the string -to -be -to -form dual notes. The motivation development of the motivation and the second theme; the reappearance of the second theme of the department, the flute helps beautiful performance; the end of the movement ended the full song with a huge ending, fully showing the profound philosophical and perfect art forms in Haydn's works Combine.

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