Use Feiyang notes as a portrait, "Revision · Song" and "Our World" premiere in Shanghai

Following the Shanghai Symphony Orchestra, as one of the launch groups, the symphony poem "Thousands of Rivers" of the 23 Symphony Orchestra in the country in the Symptoms of the Symptoms of the Symptoms of the Symptoms of the Symptoms of the Summer Music Festival, on September 25, "Fuxing Road -Shanghai -Shanghai The Symphony Orchestra's October ideal "concert" concert was staged in the Shanghai Symphony Orchestra Concert Hall.

The concert was held by the famous conductor Wang Yongji, and joined hands with the cello Nie Jiapeng and the female middle singer Cai Jingwen. "Revision · Song", and "Our World" created by the four post -80 composers of Huang Kairan, Zhang Wei, Yang Fan, and Zheng Yang.

"As the future of Chinese music, the voice of young and powerful artists should be heard and remembered." Why did a number of young composers invite this heavy responsibility, Yu Long, the music director of the Shanghai Symphony Orchestra explained. In his opinion, these young musicians have a broad music vision. They use rich and diverse creative methods to portray the internal spiritual core of Chinese culture. Infinite longing. "

The "Revision · Song" composed by the young composer Fang Yanqing looked back at the glorious journey of the Chinese Communist Party's century in the music. The work adopts the method of vertical, relying on traditional Chinese culture, and the pulse of the times compose the Chinese dream. When it comes to creative inspiration, Fang Yanqing mentioned his experience when he was riding a high -speed rail. He watched the scenery of the flying out of the window. "The power and speed of measurement of the land of the motherland instantly caused the surging passion in his heart, and he wanted to turn into a note."

"In the process of creating" Revision · Song ", starting with the first notes of the first movement, a historical scroll was opened slowly in my mind. The personal experience, recording the true feelings in the work is the most natural revealing. "When the master -class Fang Yanqing was created, he often reminded himself" to go to the people and touch the pulse of the times "; like photography, sculpture, sculpture, sculpture, sculpture He is also good at completing the connection and conversion of visual and auditory art in music creation and other visual arts. He said: "I hope everyone will listen to" Revision · Song ", just like watching a main melody blockbuster."

"Our World" was jointly created by young composers Yang Fan, Huang Kairan, Zhang Wei, and Zheng Yang. The four composers have created the first movement "Warm China", which works for cello and bands (Huang Kairan), the second movement "Speed ​​China" (Zhang Wei), the third movement "Happy China", for the female middle voice and the sound of the female middle The band works (Yang Fan), and the fourth movement "Future China" (Zheng Yang), which forms a music world with "extreme" as its core concept. Has cooperated many times that have long become friends composers.

Yang Fan, a composer of the third movement "Happy China", said that the four have done a lot of technical communication such as tone, strong collection or weak collection, and style direction. And emotionally, because everyone's context is connected, it is easy to resonate. "Although the content of music writing is different, the emotional base is the same -our children, parents, family members, our communities, parks, and good rivers and mountains are part of this world. Emotional texture, showing and imagining the current and future world. "

In the fourth movement "Future China", composer Zheng Yang positioned the movement as a high madness, unlimited, unlimited madness. "Here, we can clearly hear music materials full of Chinese cultural style characteristics, and at the same time absorb more extensive style language, technical types, and aesthetic concepts."

Coincidentally, two of the four works made by the Shanghai Symphony to celebrate the four works of about four different intergenerational composers in the Centers of the Party -Yu Yang's "Chinese" and Yang Fan's "Father", also on September 25 At the Beijing National Theater, it was played by the Ningbo Symphony Orchestra. The two -batch of the theme committees of the Shanghai Symphony Orchestra created Beijing -Shanghai simultaneously, confirming the vitality and communication of the orchestra's contract. The two works are once again performed by other symphony orchestras, and it is also one of the results of Shanghai Symphony that has been trying to open up the copyright opening of the work since last year.

As China's first symphony orchestra, the Shanghai Symphony Orchestra witnessed many important historical moments of the development of the motherland. More importantly, Shanghai Symphony always shows the country's feelings at these moments, records the process of the era of sincere music creation, conveys ideals and beliefs, and wrote moving movements in the changing changes in the ever -changing era. For example, in 1949, the People's Republic of China was established, and Huang Yijun's accessories and instructed the Shanghai Symphony Orchestra to record the record of the "New Fourth Army". In the same year, the orchestra recorded the record of the orchestra version of the "Volunteer for the National Anthem" that had just been identified as the "National Anthem".

Subsequently, the Shanghai Symphony Orchestra accompanied the tide of the times to sing. Whether it is the 2019 Shanghai New Year Concert with the title of "The first song dedicated to the 70th anniversary of the founding of the People's Republic of China", the 2021 Shanghai New Year Concert "Sings the Shan Shan Song Listen to the Party" or systematically sort out 1949 to 2019 The record collection of China Symphony Music Creation Development "Seventy Years of China Symphony", or will it be a centennial red tour from Shikumen to Pagoda Mountain with the four ministries and commissions. The Chinese dream at the point.

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Photography: Ye Chenliang

Author: Jiang Fang

Edit: Wang Xiaoli

Editor in charge: Xing Xiaofang

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