Feng Yuanzheng counted behind the scenes of "Du Fu"

After watching "Du Fu", "Du Fu", the historical drama of Beijing Renyi "Du Fu" on the evening of September 23, entered the Capital Theater. Outside of the temple, the rivers and lakes of poetry, this historical drama from a unique perspective, a stage of poetic and poetic, painted Du Fu's spiritual world.

In 2019, the script of "Du Fu" was written by Guo Qihong, a writer who had created literati dramas such as "Li Bai" and "confidant". While telling the story, it carries cultural connotation. On the stage, with the ups and downs of the poet's fate, a familiar poem also flows out naturally, melting the poet's life and great personality into a furnace. Du Fu in the play has the inner confusion in the rough and bumpy life, but also has high ideals and open -mindedness.

Feng Yuanzheng said: "When I was a kid, I liked Li Bai. I felt that his poetry was elegant and elegant, and I felt that Du Fu's poems were heavy and too realistic, but when we really entered Du Fu's verses and inner heart, we would feel that his poems were so concerned about the people so much that the poems were so concerned about the people. , Following the hearts of the people and focusing on people's livelihood. "There are still many metaphors in the play. Feng Yuanzheng revealed that when the rehearsal in 2019, the crew read the script 24 times in 12 days, slowly adapting to the expressions that are not like oral habits in our lives. At the beginning we thought that if we couldn't read it, we changed to words such as "bumpy". However, after reading the script for 12 days, many young actors began to read the "kicking", but later they couldn't change it. I felt that "kicking" seemed to be more accurate and more cultural than bumps.

On the stage's wantonly poetry, the presence of the white -drawn situation allows the audience to see a concentrated historical scroll of the Tang Dynasty. Guo Qihong continued the exquisite dialogue in the past. In order to let the audience hear the half -text language in the play, the main creators have worked hard on the lines. "The poems in the play are not to recite, but to talk and communicate with poetry like speaking." Feng Yuanzheng said, weighing weight to make each line deeply rooted in people's hearts. Emphasizing pauses, leaving white, not pursuing the smoothness of cooked cleverness, but more pursuing a reasonable psychological basis to play a real person.

As a historical drama, the stage classic atmosphere, freehand lines, metallic structures, and full of "Shenhuo Huahua", creating a kind of artistic conception of people walking and poetry. In the end of the end of the end, the whole drama adopts the form of dreams, and has achieved a long time to meet with a dream. Blinds in the chest, distinguish between right and wrong, and at the same time lead the audience to visit the spiritual home of ancient Chinese scholars. Feng Yuanzheng said: "The beauty of Wu Mei must first be beautiful, because Du Fu's life is too bitter, so we don't want the hut on the stage, and then the wind is full of thatch. This picture, we use the video to show it." Wen/ Our reporter Guo Jia

Photography/Reporter Wang Xiaoxi

Coordinating/Manchu

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