When a "post -95s" decide to become a survivor makeup artist screenwriter: willing to break career prejudice | cover living room

Cover reporter Li Yuxin

What kind of story will happen to her "post -95"? In this unpopular career, it has tasted the prejudice and strabismus of the world, and wandered on the edge of the abandonment; or in the face of death day after day, he found the perception of life and death, and obtained his own belonging to your own. growing up? Perhaps the protagonist "Sanyue" who appeared on the screen can tell people a little answer.

On the evening of September 21, the first domestic healed growth drama "Sanyue with a new job" was officially launched in Bilibili, which focused on the "post -95s" relic makeup artist and met with countless audiences. The play tells the story of Zhao Sangyue, a makeup of the post -95 funeral home, from the unknown of this profession, to understanding life and death, and studying the remains of the body. With the development of the plot, the heroine Zhao Sanyue's "unpopular" workplace stories also kicked off.

Compared with the endless themes such as female portrait dramas, costume idol dramas, love sweet pet dramas, "Sanyue has a new job", although it is as "unpopular" as the profession in the play, it really makes people shine. Before it, recalling film and television works related to the funeral industry, I am afraid that both hands can be counted. "Since 2016, I have gradually paid attention to the phenomenon of population aging. In the next few years, I have thought about more issues about life and death, and the sudden epidemic has spawned the creation of this script." Before the show was broadcast, the cover news dialogue came to the screenwriter You Xiaoying. In her writing, affection, career prejudice, youth confusion, life and death affairs ... These representative social issues have been presented and discussed in the play.

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Life and death

The world seen by the Makeup Makeup Artist

It seems that the straight corridor that can't look at the end, arranged neatly and cold remains refrigerated cabinets, pushing the car rolling wheel of the remains to rub the ground and make a sound ... In this place called "Haijiang Funeral Pavilion" parting. The couple who abandoned the biological daughter because they wanted to have a son, and sent away the abandoned daughter and the cancer son here; because the children were not filial, they tied the house to the funeral home before the dying. The old man ... here, Sanyue witnessed the entry of one after another, and was able to peek into the ups and downs of life stories, reflecting the statues of all beings and the sadness of the world.

As a film and television work describing the funeral industry, it is natural to avoid the display of the proposition "life and death". What attitude should the world face death and what kind of appearance should they look at life? Not to mention that many social topics and life are derived from "life and death". To clearly convey value and emotions in such a huge proposition, and let the audience feel the same. Essence

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"Writing the" Life and Death '"is easy to fall into a more reasonable preaching and preaching. Therefore, during the writing process, you will pay more attention to starting from the details and can talk to the audience." You Xiaoying said, because the growth of Sanyue in the play is the growth of Sanyue is the growth of Sanyue in the play. The main line, at the same time, will also touch the characters of the branch line, including the family members of the life of each episode, the proportion of the creation has become a major difficulty. "Neither can you make a noise, but you can't stop it, you want to talk about all the problems, but there are detailed distribution to avoid the truth. The proposition of life and death is still heavy. adjust."

The perspective of the heroine Sanyue has become a window for the screenwriter to show the attitude of "life and death". From "qi" to work in the funeral home to work to the story of being born, Sanyue's view of life and death has also experienced a change. "At first she had a more teasing attitude towards death, but after entering the funeral home, she witnessed the real death. She could only see herself and can see other people's experience. The view of death has also changed. "

As the propaganda of the show said, "seeing life and death, seeing the world, seeing all sentient beings", the life that appeared in different units in the play, the life of their stories reflected There is more space for reverie. For example, in the first episode, the "heavy male and female" couple, the relationship between the female lead and the mother, the impact of the native family ... There are many sensitive and sharp social topics in the play. The deeper unit story in creation is that the eighth episode is because the two pairs of parents have different education for their children, which leads to a different trajectory of life in adulthood, focusing on the family's discussion of the meaning of individual growth.

"Actually, it is not for the topic in the process of writing. It is to discuss the relationship between individuals and families. When writing" heavy men and women ", it is essentially to make the opposition of men and women. , Men and women may become the victims of stereotypes and impressions. I want to discuss with a more peaceful and rational attitude. I hope to give both parties opportunities to listen to different sounds. . As for how much discussion will bring, this is not a special consideration for myself. "

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Beings

S three -dimensional display of funeral industry workers group portraits

Abandoned, fraud, Alzheimer, Anning therapy, body donation ... In the story of each of the permanent people in the play, it is concentrated or complete, twisted, or life. But at the "Haijiang Funeral Pavilion", all the stories ends here, and life must end here. It is the last stop on the road of life. The workers in the funeral home have become "the ferryer of death". In the play, there are also in -depth display of the work of the funeral industry, and the audience will see a more three -dimensional and comprehensive funeral industry workers. Zhao Sangyue, a body makeup artist who was ignorant about "breaking" into the funeral home, seemed to be stubborn and unable to get close to the master Liu Qingming, humorous and funny, and Gao Weidong, deputy curator of the funeral hall he was thinking of employees ... In the camera, You Xiaoying shaped the funeral industry with different character Persons' attitudes towards this job also guide the audience to give more understanding of this "unpopular" profession.

When creating the script of the show, You Xiaoying said that he also met a friend who worked as a body -made makeup in the funeral home. He often communicated with him and went to Chengdu funeral home for materials. During the interview, You Xiaoying also talked about some of her impressive cases. Some of them were written into the play, and they were about to appear in front of the audience.

"I remember that a wife made up for the died husband. There was also a body makeup artist that the people who usually made up were closed. It's scary. This may be some small and daily moments, but it is just these moments that make me feel like the funeral home's experience of life and death is not in such a dignified context. Interesting points can be excavated. "

Due to his anger, he decided to become a body makeup artist, and he realized the bitterness behind this career in his work. He was caught in a huge confusion and embarrassment. He was also biased by the people around him in the funeral home. ... Everything you have experienced in Sanyue is actually a stage that practitioners in this industry must go through. In the storyline written by You Xiaoying, the audience can also see this profession from the minority.

"There is a driver's character in the play called Yang Lin. Because the incidence of cardiovascular and cerebrovascular diseases is particularly high in winter, he can eat a plate of dumplings several times a few times a year. Expressing, I also want to say that the funeral home staff is not easy. Including another remaining makeup artist Zhou Yaman in the play, she wants to make a shape from the unit. It is a character or event detail. "

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Grow up

When a corner girl worked hard to grow

With a messy long hair, lying on the bed with nothing to play with the mobile phone, the leftovers were placed at the foot ... In the camera, when the heroine Zhao Sanyue appeared for the first time, let alone the so -called "protagonist halo", scribbled The decadent image first introduced the eye. With the beginning of the plot, the audience could see that the "waste wood girl" did not find a job and sat at home for a year, exuding a pessimistic and negative "negative energy".

"Isn't it good to be yourself? Isn't it?" ... In the doubts issued by Zhao Sangyue, the confusion and anxiety of contemporary young people reflects the "funeral" she shows, and she is also the theme of many young people at the moment. At the same time, Zhao Sangyue suffered from gender discrimination when looking for jobs, mother's incomprehension and suppression education, etc., which truly reflects the most authentic work pressure of young people at the moment, and the agency ditch between parents.

"Sanyue must be a growing female lead, and the starting point is not high." You Xiaoying analyzed carefully that the Sanyue she wrote was not known and not afraid of death at first, but later, she began to understand death. The weight. "She entered the funeral home to accept the process of sincerity and goodwill, and then giving her sincerity and goodwill. From only to seeing her love and hate, she can see all beings. Her world has become vast."

As for the "funeral" revealed by Sanyue, she believes that this is a way of self -protection of Sanyue. Sanyue wraps her very soft heart in this way. fail. "I can't say that Sanyue represents all the young people in contemporary contemporary, but according to my limited observation, the more softly, the softened by the mouth. We all have a way to treat the funeral as a weapon and escape, because it is often possible for people who have hope for reality. In the end, it will be presented in a way of funeral. "

Not only Sanyue, but also the funeral industry who walked side by side with Sanyue to engage in women, as well as the gentle and firm Zhou Yaman, and the outstanding appearance Lianggege. The three women support each other in their work, and they have become good friends who are cherished outside the work. Speaking of such character settings, You Xiaoying also talked about the reason why the funeral industry as the entry point tells the story of urban female stories.

"In the environment of the funeral home, some things of humanity, including putting some emotions to a lot. In this environment, women's ability to resist pressure and delicateness is a natural advantage. So when they bring their pains with their own pain Or the story gather here, and experience the strong pressure and difficult moments together. In fact, put their friendship in a more extreme description, which can inspire different qualities. And in the past, it was less to write such women. "

From exclusion of this job to serious investment, from disappointment with the world to fighting spirit, from the education of the mother to calmly release ... In Sanyue, a seemingly ordinary and ordinary heroine, the audience can see the young women.The growth path can also understand life and death through her perspective, and get a warm heart story in the general anxiety of the times.At the end of the interview, You Xiaoying also talked about the original intention and expectations of creation."I hope that through the show, it is not only an prejudice against this profession, but also allows the audience to see the process of breaking through the inner barriers to grow hard to grow. I also hope that in the era of the post -epidemic situation, we will touch our reality.The issues in life, cure some pain in the audience with sincerity and warmth. "

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