Why is the lineup so luxurious "There is her in the world", why is it so bad?

To say that this year's Mid -Autumn Festival movies, there are really many movies about women's topics. "Mother! The "role replacement" of the two older mother and daughter in "" The "Brother, Hello," Lu Chunli played by Ma Li in "Brother, Hello" also highlighted the great love for his son Xiao Wu; "The end of the sea is the grassland "Er Ji Sa Renna, played by Masu, has a greater maternal love that transcends nation and beyond the blood.

The highly anticipated Mid -Autumn Festival "There is her in the world" has surrendered the worst answer sheet in these women's movies. The film is now only 5.5 points in Douban, and the box office is only about 40 million, and it is a daily box office decline.

Directed by Chen Chong, Zhang Aijia, Li Shaohong, Zhou Xun, Zheng Xiuwen, Huang Mi Yi, Xu Yan and others starred in the luxury lineup "There is her in the world" is part of the "platter" movie with three units. A series of stories about family, affection, and love that occurred in this incident, the key characters in these incidents were inseparable from "her" in the movie. But the final presentation was "rotten".

First of all, let's take a look at the first story of the film. This story can be said to be the biggest "defeat" of this film. In the early 2020s, the epidemic swept Wuhan, Shen Yan (Zhou Xun) and mother -in -law (Xu Yan) were infected one after another, and the contradictions between the two mother -in -law also broke out at this time, and the focus of the contradiction was the men in this family- —The husband (Bai Ke) and his son had to move out because of the infection of the two.

The rottenness of this story lies in not to seize the main contradiction, but to rendering the sense of sacrifice of women in the family. The phrase "I want to say what I want, I think I am alive and live." At the same time, the image also made the viewer feel like a piercing back.

In the end, the reconciliation of the two was also because the mother -in -law saw the grievances of their daughter -in -law when they talked to their parents. Is such a female group moving? It will only make people feel suffocating and sad.

And what is the focus of the contradiction? First of all, the "useless" mediation of the bystander -style "useless" mediation, and then when the mother was seriously ill, he cried in the car and said, "I'm Mom Baonan, I was used to you to wait for Hou". Confused. This story exudes a strong parental thought, making it difficult for me to believe that this is a movie with the banner of women's care.

Then let's talk about the second story directed by Chen Chong. Aside from other factors, the narrative, audiovisual language, etc. of this story are complete and unique.

Couples Li Zhaohua (Yi Yang Qianxi) and Zhou Xiaolu (Huang Miyi) who are separated from the two places due to the epidemic situation will contact each other through a video phone chat, but one day, Xiaolu cannot contact Zhaohua. After being isolated, the last two finally got in touch. When Xiaolu was about to go back to see Zhaohua, Zhaohua left the world due to his illness.

This story tells us a story about regret and sadness with the help of the video online calling. The treatment of color is also exquisite. The color of the film is black and white (suggesting the atmosphere shrouded in the epidemic), but the mobile phone during the video is color tone, full of literary flavor. But the biggest problem of this story is what does this have to do with the theme of "her" to express?

The last story can be said to be the only qualified story in this movie. Liang Jingsi (Zheng Xiuwen) and He Daren (Feng Delun) are both reporters. When they are busy with their careers, the sudden epidemic has a problem with the marriage and family of the two: the two children can't take care of it, her husband and wife are not each other. Understand each other. The biggest feature of this story is the truth. If there is a problem, we face the problem, and we are noisy.

The turnaround of the two men appeared after the quarrel. After the quarrel, the two still leaned against each other, and both began to make concessions and changes. The scene that the two quarreled were also a highlight of the film. Zheng Xiuwen's life -oriented acting skills made people feel very substantive and immersive.

There is another detail in this story that is the Filipino maid. Although she is a worker in a foreign country, she is also a mother. Although she does not need technology and threshold, she is kind and sincere. She can’t buy a mask. However, she took out the mask sent by her family to share with the employer, and the little man's "her" was also shining in this story. If this story is taken away from this movie alone, it will not end the end of the "implication".

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