The "Big Coffee" of the Cantonese opera music industry is passed on to the treasure, and the four lectures focus on Cantonese opera music creation

Author:Yangcheng Evening News Yangche Time:2022.09.19

Text/Yangcheng Evening News All -Media Reporter Huang Zhihui Correspondent Zhou Zhixiong

Photo/Guangzhou Quyi Association provided

From August to September this year, the "2022 Cantonese Opera Creation Training Series Lecture" was held at the event base of the Cantonese Opera Association in Liwan District, Guangzhou. In four consecutive games, the "big coffees" of Cantonese opera music industry, focusing on the theme of Cantonese opera music creation, taught related knowledge in diversified opera creation, Guangdong music and Quyi singing, so that the Quyi workers and city songs from various districts in Guangzhou and the city songs were allowed The association is greatly beneficial.

Series lecture poster

The first lesson began on August 17th, Shen Rui, the honorary chairman of the famous writer and the honorary chairman of the Guangzhou Quyi Association, and taught the students to the "Cantonese Creation Creation of Modern themes". In combination with his years of creative experience, Teacher Shen conducted a detailed analysis of the knowledge of students' profiles, from the text structure, the law of flat sound rhymes, and the creation of modern themes of modern themes. During the lecture, he detailed his experience to his experience of creating the Cantonese music "Flower Love" and "Huaxia Glory".

Shen Ruihe conducted teachings

On August 24th, Kong Qingyan, the honorary chairman of the famous musician and the honorary chairman of the famous musicians and the Guangzhou Quyi Association, taught the students to "Cantonese Opera, Cantonese opera, Guangdong Music". Teacher Kong analyzed the three folk art of Cantonese opera, Cantonese opera, and Guangdong Music in the process of breeding and development in the process of breeding and development of each other to form their own style characteristics, and then became independent dramas, songs, and music. In addition, he also introduced the layout and structure of Cantonese opera and Cantonese opera vocals, analyzed the function of Cantonese opera vocals, and talked about the individual view.

Kong Qingyan gives teaching

The third lesson was held on August 31. He Ping, the first -level actor, chairman of the Guangzhou Quyi Association, and the third generation of Xingqiang, combined with his years of singing experience and experience to explain to the students, "The Cognition and Application of the Singing Seven". She chose the star cavity, red cavity, shrimp cavity, wind cavity, new horse cavity, He Lifang and He Lifang's classic Cantonese singing section for on -site demonstration, and conducted detailed analysis of their singing characteristics one by one, thereby strengthening the fans' singing cavities. The understanding of the genre has broader people's understanding of the chanting genre. Teacher He Ping specifically mentioned that the star cavity has rooted in the people and has a deep mass foundation. There are currently five generations of inheritors. Among them, Li Shaofang and Huang Shaomei have worked hard.

He Ping teach

Lesson 4 of the finale was lectured by Cai Xiaoben (He Che), a well -known Cantonese opera director, Guangfu Cultural Scholar, the Arts Director of the Guangzhou Quyi Association, and the chairman of the Liwan District Cantonese Opera Quest Association. He Che cuts into basic theoretical knowledge from the definition and concept of Nanyin, and introduces the classification, flow change and artistic characteristics of Guangfu Nanyin in a simple way; combined with specific singing examples, the recording is explained, so that the audience to the water and the music scene to the water and the music scene. Different styles such as Nanyin and Cantonese Opera's Nanyin stage have a clearer and intuitive understanding. Since then, he takes the creative process of "Nanyin New Singing Thirteen Walks" to "The Thirteenth Rules of the Thirteenth Walk of the Thirteen", from the understanding of content to the given by form, and analyzes in detail to inspire the audience to find the artistic law of Nanyin creation.