"There is her in the world": Focus on her in different emotional relationships

The film "There are her in the world" by Li Shaohong, Chen Chong, and Zhang Aijia finally appeared on the big screen on the Mid -Autumn Festival after several votes. Lovers, mothers, daughters, mother -in -law, and daughter -in -law have more hidden emotional needs and growth trajectories. The lineup of the actor is also expected. Zhou Xun, Zheng Xiuwen, and Yi Xi Qianxi, just listening to these names have the impulse to enter the cinema.

Li Shaohong is in Zhou Xun. The author thinks of Princess Taiping in "Daming Palace", Xiuhe in "Orange Red", and Shen Yan in "She in the World" seems a bit strange. Zhou Xun, who was once known as the most aura actor, has a strong plasticity. Young female young women, young fairy, and spy war intelligence female agents, but falling into the dust and smoke to play a little housewife, it is undoubtedly challenging for her. Just like the fairy who falls into the world, acting or becoming a mortal role requires experience. In the film, her opponent- "Best Mother -in -law" Xu Yan is very experienced in the "daughter -in -law". The director deliberately arranged two quarrels to Zhou Xun and Xu Yan, who had no fireworks and a family temperament, and fiercely collided in the background of the epidemic. The first time was about isolation in the epidemic. The second was a fish, "Fairy and Fairy and The chemical effect of mortal people is at a time.

Director Li Shaohong once perfectly shaped a female character with characteristics and fate in "Orange Red", especially Xiuhe played by Zhou Xun, which made countless audiences rising with her destiny. In the movie, Shen Yan became a questioner who had lived "whether the mother -in -law" was so "correct and worthwhile". She refused to see her future on her mother -in -law. After all, her husband was a mother, and she was also a son, so she vented emotions and resistance to quarrels. The relationship between mother -in -law and daughter -in -law was originally a world -class problem, so it is not an exaggeration to make any difficulties in the film's mother -in -law. The director cleverly intensified this contradiction. In the context of the epidemic, the war triggered the war to bring fish, and it rose to life and death. At the point, behind the "dementia" behavior, a mother's perseverance and love hidden. Of course, this is what a daughter -in -law Shen Yan cannot understand. Therefore, when the mother -in -law war calmed down, the daughter -in -law Shen Yan not only did not realize the good mother -in -law, but "complained" she should not live without self. " But life is exactly so cruelly and ruthlessly gives women. The beauty you envision often compromises in chai oil and salt until the original self becomes a bubble disappear.

Part of the director Chen Chong tells the story of a forthcoming love couple who is about to get married because of the epidemic. From the plot, it absolutely has a touching gene, but it has to have a relationship with "women", but it is a bit worse. Yi Xi Qianxi's partner Huang Mi Yi is enough to be eye -catching. After all, the "four -character brother" use tears to ensure the box office with tears in many movies. The director once again used this point in this little story, and the two off -site couples performed their story via a video phone. In fact, not only the two people in the film, many people under the epidemic also experienced the suffering of thoughts and indispensable thoughts. The plan can't keep up with the change, you can't predict when life will be stopped. When Huang Miyi in the film was looking forward to going to see her boyfriend, she was interrupted by a strong mother who was protected, and her mother had to stop her daughter from seeing the seriously ill boyfriend. The sorrow of the door encountered by Yingtai is the helpless choice and sacrifice in the face of life in front of life. This tragic little story does not seem to emphasize the role of women, but in fact, it shows us the determination of women in front of life and death.

Li Zongsheng said that "the price of love" is not a love song, but a advice written to her sister. The original singing of this song is Zhang Aijia, saying that she is the female director who knows the woman's heart most, and it is not an exaggeration. Therefore, setting a epidemic, Hong Kong's middle -class families and second -born working mothers, and the lack of male family responsibilities in men's families are enough to arouse people's curiosity: what will she do?

As soon as Liang Jingsi played by Zheng Xiuwen appeared, she told her life state in two quarrels, and her mother urged the pressure of divorce and further forced her to the corner of the desperate situation unable to breathe. What will she do? We want to know the answer. Then naturally you will find that the choice and the environment have an inseparable relationship. The influence of the epidemic stirred up the undercurrent of life. Such treatment is undoubtedly the director's mind.

The contradictions around Liang Jingsi are not only the mother, the husband, the Filipino maid, and even the herself, but all the solutions to the end are faint and avoided. No matter how heavy her mother said, she just asked, "Can I go to take a bath?" She accused the man of the lack of family's family. It was nothing more than repairing wallpaper, not accompanying the child, and did not want to have a second child. Essence But this way of processing is common, and the life of the bedside quarrel is the choice of most people. The story of Zhang Aijia's part of this part began to be fiercely attributed to plainness. The problem of Liang Jingsi was not resolved, but temporarily put it down, because the purpose of the director was not to teach everyone how to solve the problem. Whether you live like Liang Jing Si, you have to pay the price of love, tolerate, sacrifice, reconcile with yourself, and constantly grow up.

"Do you remember the dream when you were young/like flowers that did not wither/accompanied me through the wind and rain/see the impermanence of the world/see the vicissitudes of vicissitudes ..." The lyrics in "The price of love" explained a very accurately to interpret a oneThe life paid by a woman, when they let go of themselves, accept the continuous labels such as girlfriends, wives, mothers, and mother -in -law, when they look back at the girl, they can only comfort themselves, "People always learn to grow up/Find a home with your heart ", this is most of the" her "in the world.Jingbao reporter Zhang Yuchun/Wen

The picture comes from Douban.com

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