Yu Yin around the beam, the river flowers

The Xianxian drama "Step in the Umbrella" is going to participate in the Wenhua Award. The Wenhua Award is the highest government award, and it is also a rare opportunity to participate in it. This is of course a high honor, and it is also a great challenge. It can be regarded as a temple that can see the scene of the Wenhua Award. This play has been spoken too much, and the achievements and revelations are naturally worthy of careful taste and discussion.

And the success of a play, there are too many stories behind it. Even a small existence, like someone who is singing, is very words.

In the accompanying team, four women and three men, five paragraphs, not long, male voices have one less paragraph. In fact, it is very easy. In the old saying, among hundreds of people, this is really a screw -like existence. When I introduced me with an inconspicuous companion to the director, the director said politely -then you have to fight with us for a while. The inside may also be anxious, and his face is still full of smiles. The director is like this, with great reputation and kindness. You are not polite to the actors, and the corners are mainly encouraged.

It has been returned to music for a short period of time and can intervene in such an art event. It is also interesting to experience the experience of such a sprint. Like a bystander, like a participant, jump into the form of jumping out, like some styles of this play.

What is the backstage of the opera? It is a kind of old thoughts for many people, and it is also lasting. When I was a kid, I liked to watch the actor's dressing room -both envious and amazing. Even now, when it comes to the scene of going to the countryside, many people still feel the process of watching actors the most. This is amazing. In that process, there is both a strange face and a vague yearning for a certain beauty. It is mixed with children's imagination and sighs of adults, very strange scenes. On that face, it was amazing and mysterious with the alternation of ancient and modern times.

Near the rural theater, there is also a sense of crossing in the crowd who watched some makeup. Or watching opera actors through the downtown is also a hazy impact on the scene.

The opera band is a very special existence. Different from the magnificence of the national symphony, and the simplicity of the folk "gongs and drums". It is between the two: both serious and not visible. They are not the protagonists, it is important but not prominent. This is very interesting. The difference between the opera band is that even if it is a very professional folk player, I often feel that I can't play it in the opera, and I even feel awkward. This is very common. Sometimes watching a very modern and beautiful girl, very lazy to pull less accurate sounds, or always have a little bit of a little bit in the rhythm, and also feel like swallowing a fly.

The opera band is reduced by one compared to the Minzhu Orchestra -not at the level, but the mentality. This is a strange existence. Music music is often described, not common lyricism in traditional music. It requires a new spectrum ability. For many musicians, pure accompaniment scenes are not easy to adapt. Not only the ability of the spectrum, but also when it comes to charm, it is not only technology, but also a understanding and simple heart.

The band and the accompanying team are also interesting to the scene of the sound of the sound. The band duel, the accompanying team's voice, the actor's sound. Everyone has to solo. This is almost a minimum challenge. Technology, passion, contrast, feelings ... all become a music interaction. The difficulty is not the most important, and the taste is not even. The most important thing is the balance between individuals and collectives. It is a challenge to everyone. This challenge is more psychological.

The same is true of the accompaniment group, not the sound of individuals, but the sound of fusion. Most of the opera actors are clear, and in fact, the sense of atmosphere needed by the accompaniment does not merge. Therefore, in the accompanying group, it is important to concessions and restraint in the sound, just like an interdependence. The companion test is hearing, not the ability to sing.

I especially like to listen to the director's comment -how do outsiders look at ourselves. Record some quotations: "The details of life are especially true." "Don't go wild." "Be sure to grasp the relationship between the character, and the sense of weight is extremely important. This is an emotional realistic drama." "Always hand the eyes to the audience, Don't handle it to your opponent. It is a bad habit. "" Don't remember the action, remember the feeling, okay! "... There are many, it can be seen that the local drama is different from the modern acting mode. The problems here are worthy of investigation. Foreign directors and local dramas are a very challenging topic. But obviously, we might as well listen to the director first, and then reflect on it.

At the time of the first performance, the director picked more than 50 questions in a play, which was of course amazing -it may not be able to correct them all. But these issues still force each actor to face their lack step by step.

Can I see the future through the scene? After experiencing such a performance scene, their attitude towards acting should have a update cognition. But, I do n’t know how much can I stay?

The scene of the companion team is behind the band, and the specific location is actually under the stage. Of course, no one will notice this. There is a group of people under the stage, like on another stage. There is usually the first rough look of the building, the basement of the reinforced concrete. I stand in it, often thinking of the underground command post in World War II movies. The band is the part that tries to reveal the ground, and the stage is the starring actors. Under the stage of the stage, we carefully sounded and completed the rendering of the story.

In the accompanying team, it seems that the distance between the school and the opera: very close and far away.I naturally believe that this experience makes me closer to opera.Being a companion, nothing is bad.There used to be a short poem called "Before the Performance".The same, this is a rare part.The accompaniment is also a very meaningful existence.The band's performance waves rose, sometimes gentle, sometimes exciting.When the period of the accompanying section comes, the feeling of getting closer and closer, like an invisible life passion.This is very similar to the tide rising period.The companion singer is like the beach after the ebb.Clean and messy, maybe in the same situation.(Yellow Pengxing)

【Edit: Zhang Jing】

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