All the way, the hottest Korean drama in the near future is her!IntersectionIntersection

Are this Korean drama "Miss" recently chased? Intersection

At first glance, the name of the drama that is a bit unknown can not cover it at all.

Pick a few keywords to see if you touch your hi: poverty, female, chaebol, 70 billion won ...

After four episodes, Douban scored 8.4.

Just put a few high praises to comment.

Suspense, texture, the acting skills of the three sisters of Jin Gaoyin, the wonderful strokes of Pu Zanyu Royal screenwriter ...

These words that are constantly mentioned in the comments have a stories that make people overwhelmed.

Three bottom -level poor sisters flowers, who originally wanted to make the talent, who was talented, had a different career, and studied and grew up. In the conspiracy.

The eldest sister Wu Renzhu (Golden Gao Silver) is the small finance of the big company, and believes that "life without money is difficult to do."

The second sister Wu Renjing (Nan Zhixian) is a reporter of alcohol -addictive TV stations, and has excessive empathy for the suffering of the people at the bottom.

Sanmei Wu Renhui (Park Hideki) is the best art high school student in Seoul. She has a high talent for painting, but she wants to escape from her sisters all the time.

The design of the sisters jumps out of the strange circle of prestige, and the relationship between the three sisters itself is enough.

Sisters regarded money and raising their sisters as responsibilities, but the sister was overwhelmed by this heavy love.

I have always liked this complex and faint emotions in Korean dramas. Even family relationships often explore the gaps of human nature due to the differences in age, personality, and identity.

At the same time, the performance of the three actors also fits the role very much, and perfectly interprets the different personalities and world outlooks of the three sisters in age and temperament.

The role of the character and the gorgeous lineup are more than that. In addition to the protagonists of these acting skills, just a few episodes, there are already Qiu Po, Song Zhongji, and Wu Zhengshi who are very familiar with each other.

After such a luxurious actor lineup, there are also screenwriters Zheng Ruijing and art director Liu Chengxi.

Some friends may be unfamiliar with these two names, and one way to introduce these two may be realized.

——Pan Park Zanu's many years of partners, screenwriter Zheng Ruijing, and art director Liu Chengxi. Three people have worked together with many films such as "Miss" and "Determination of Breakup".

Under the strong front and back of the stage, the careful thoughts between sisters and the big conflict between the class are intertwined. The three sisters were gradually involved in the plot of the chaebol. Under the temptation of rights, they exposed everyone's most hidden desire.

From Han Ying to Korean dramas, the gap between the rich and the poor, the solid class, and the pores are full of blood and dirty chaebol groups. They are all areas of Korean film and television.

This time, it is no longer a class story in the style of "parasitic", but is focusing on such social rights structure. What kind of price of women who want to have a decent life need to pay.

The second sister Wu Renjing was a TV reporter. She was hated and crowded out by my colleagues. His interview was ridiculed by everyone because he did not hold back the tears of sympathy.

She did not confess for herself, but accepted these doubts silently.

In the bathroom, Wu Renjing's colleagues asked, "Is your family poor?"

Wu Renjing was in the moment.

She hadn't realized that her vocabulary was full, and the poverty background had been ruthlessly revealed by the cruel workplace.

—— Because you are too tolerated.

The eldest sister Wu Renzhu is a marginal person on the 13th floor of the company. Because she was deceived without her academic qualifications, she had been incompatible with colleagues who graduated from the prestigious schools around.

And like Ren Jing, she did not know her situation, and even thought that her uncomfortable group was because colleagues were jealous of her clever and capable or asking boys.

Wu Renzhu changed into a smiley face and made a few working days to the team leader for several working days. He was rejected or even ridiculed and could only endure it silently.

At the beginning, before she was broken by her colleague Hua Ying (Qiu Po ​​-Hyun), she knew nothing about her poverty and the class in her. Fantasy to rely on hard work and diligence, you can bring a decent life to your family.

Until, someone saw it with a needle: poverty was difficult to hide. Forbearance is the basic cost that the underlying woman needs to pay for poverty.

They are still ignorant to understand and accept this sentence, and they have been wrapped into a larger conspiracy.

At this point, the discussions on "poverty" and "get rid of poverty" have been imprinted in everyone's hearts.

Renzhu wore cheap and inferior pink high heels to go to high -end restaurants to eat with Sister Huaying.

When inferior high -heeled shoes climbed the high stairs, the heel suddenly broke.

The restaurants they are going to go are too high. Sister Huaying came from a car last time, but did not expect that she had to climb so many steps to walk, so hard.

High steps, broken inferior high -heeled shoes, car and walk ...

In these seemingly inadvertent details, they are the secrets of the screenwriter, which weave two completely different operating rules in the rich and poor world.

The wealthy wealthy people are not stained with the ground, and they are born on the stone steps.

Go up the mountain and down the mountain, sitting in the car, no matter how high it is, there will be no difficulty.

As for the poor, inferior shoes cannot take you to the high class, and the heels that are broken halfway can only allow those who want to climb up to retreat Valley Valley.

Renzhu's climbing should have stopped at the time when high -heeled shoes were broken, but Sister Huaying gave her the capital to continue to go.

Sister Huaying gave her her expensive black high heels, and even put on her brand -name jacket. When Sister Hua Ying committed suicide, we looked back at this paragraph, and we will find that this is a very intriguing handover.

The expensive shoes took Renzhu to the right and noble field, but the high imitation coat reminded her that she was still a fake rich.

Sister Hua Ying, a fake rich man, transferred the entry voucher to the successor Renzhu. In the middle of confusion, Renzhu has entered a plot of a chaebol.

The suspense is hidden in the details of the buckle, and the tone is bland everyday, and the treacherous waves are rushing.

Details and paving, this is the usual method of screenwriter Zheng Ruijing. Between poverty and getting rid of poverty, she just wrote about the longing and choice of Renjing with the paragraph of the high -end restaurant with Gen Jing and Huaying, and buried the foreshadowing in the future.

Such a female image is always reminiscent of the Tang Wei in "The Determination of Breaks up", which is not attracted, but has already made its own choice at a certain moment.

Renzhu was wearing Sister Hua Ying's new clothes and shoes, and happily felt that she must be a "rich woman who had received a good family education since childhood".

But her look and manner betrayed her. Sister Huaying straightened her body, meaning "you should go to yoga class well."

Of course, yoga class is an important drama, but here, it also means that clothes and shoes cannot hide a person's class and origin.

Good body and temperament requires time, environment, experience, and money to make together. It is not simply to have a simple change of clothes.

The "forbearance" of many years of practice will still easily expose their origin.

Women who are poverty -stricken and hard -working at the bottom of the society want to change their destiny or fight the chaebol. In addition to the patriarchal social system, such a story has an additional layer of women's perspectives, showing the reasons for various women's participation in rights. The respective means.

Surprisingly, the reason given by Zheng Chuan, in addition to poverty, also touched the real fear of everyone's heart.

This requires the first three episodes of my favorite paragraph.

In the VIP yoga class, which originally belonged to Sister Huaying, the coach pressed the back to Renzhu again and again. With breathing, Ren Zhu kept leaning down.

The 8 -year -old Renzhu kept leaving, and she was close to a little girl lying on her eyes.

With the deepening of the yoga posture, Renzhu's breathing became deeper, and the scene of her 8 years became clearer.

Gradually, we saw the past of Renzhu.

Before Sanmei Renhui, Renzhu and Renjing had a sister, but they died early because of their poverty.

The 8 -year -old Renzhu leaned in front of her sister and witnessed her younger sister's breathing disappearance.

From yoga scenes to Renzhu's childhood, to the moment of Renjing and Renhui, under the cooperation of editing and screens, we have seen the hidden pre -history of the three sisters.

In a play, I completely explained why the eldest sister Ren Zhu loved money like life, why the second sister Ren Jing loved her sister, and why the third sister Ren Hui draws the dark "dying sister".

I would like to call it the flash of the first three episodes in this paragraph.

It is not bothering, the switching of the language of the camera is smooth and free, and a few strokes present the three sisters to keep their mouthful in the past, and also give each character's previous history and motivation.

This family who couldn't face the family was painful, and Ren Zhu buried deep in the memory, but he planted the seeds of "death if you had no money" and regarded money as the protection of the family.

The 6 -year -old Ren Jing has forgotten the dying sister, but she cannot avoid the cause and effect of this incident in her subconscious.

Ren Jing's feelings for his sister Ren Hui are very deep, and even have a bit of excessive control of over -protection. At the expense of shame, he must protect Ren Hui in his own way, and even shouting "Ren Hui is my favorite person on this earth."

This kind of excessive tension with a bit of nervousness may be the subconscious projection of the subconsciousness that has been lost when it has been lost.

After experiencing the same family injury, Renzhu used money as a goal and protecting his family, and Ren Jing replaced all the emotions afraid of losing to his sister Ren Hui.

And the sisters thought that she knew nothing about this past, and the painful paintings implied that she had no idea where she had learned of this past.

Ren Hui, 16 or seventeen, did not feel the richness of the family like her sisters. Since her birth, she has poverty in her family, her parents are unreliable, and the sisters are too hard.

Unlike the two sisters, Ren Hui chose the way to abandon the family and origin, and use his own artistic talent as a stepping stalls, and embark on a road of dependence on power.

At this point, the different choices of the three sisters are fully revealed when they face their rights.

After this history and paving, it is difficult to have a high condemnation and judgment on their choices, and it has nothing to do with good or wrong, only endless sighs -under the same soil, you can reproduce three completely different three flowers. Essence

Like the orchids in the play.

Each has its own personality and has its own names.

Princess Princess, Vietnamese ghost, orchid ingredients ...

But who gave these orchids different names and meanings?

Those invisible hands are fiddled with the fate of these flowers and plants, as before the mystery that has not been revealed, behind 70 billion, what kind of horrible power will manipulate huge sums of money and chaebols?

When there are only two rare Vietnamese ghosts in South Korea, the ghosts continue to appear at every death scene. Suspense and conspiracy have already shrouded the three sisters. Do you escape or become one of them?Just three episodes, appetite has been hung on the ceiling.

Even if there have been movies like "Parasites" to write poverty, the tranquility and twist in this play can still give people a wave of surprises.

As for the next, how will the seventions of sisters spend their lives in the bottom of the sisters will end. Good shows are still behind.

- END -