Be careful, Godal!

On September 13, 2022, Jean-Luc Godal died at the age of 91.

The grandfather's lifetime achievement award won a lot, but he was not interested in taking it, and he was all used to make movies.

The old things that do not turn around here, let's take a look at Godal, who has already sealed God, and what kind of tricks do you like to play in the clouds in the clouds?

How is the correct way to open Godal's movie?

[Goodbye Language] Godal on the set

According to the founder of the French Film Architecture Henry Ronglwa, the history of contemporary film can be divided into Gedal front and Godal.

As soon as Gordal was mentioned, it seemed to be carrying the new wave of chronology and even contemporary film history.

However, the mysterious recent work [Movie Socialism] and [Goodbye Language] undoubtedly provide an opportunity to re -recognize Godal.

Be careful of Gadal's story

The old man has a friendly reminder: The story is the work of the work.

In other words, the so -called story is only an accessory rather than its film essence.

Breaking the traditional narrative law was originally a revolution in the new wave, but the early [exhaustion] and [contempt] were still weak, and it was considered to buy one get one free.

In the [Movie Socialism] and [Goodbye Language], Godal obviously disdain to do such a decline in such a decline and fully practice the self -awareness of "half a novelist, half of the prose artist".

[Movie Socialism] It is prose style. The crowds who gathered in the cruise ship were purposeful. The camera frequently jumped between their combinations of three or two, recording a conversation without context.

Therefore, don't try to summarize the story in the Godal movie.

[Film Socialism] Suddenly jumping, there is no clear story line

Be careful of Gadal's logic

Godal is actually a grandfather who has no script. Don't believe that he can't write a self -deprecation of a good script at all.

In his eyes, the script is just a kind of scene scheduling and evaluation in the form of stories. At the beginning and ending, it is not only boring, but also dangerous.

Because he believes in Hannah Arent, "logic is the beginning of totalitarianism."

Usually, as long as you are inspired, Ghodal is enough to start filming.

[Film Socialism] The initial conception was just an iconic group to start a new journey.

[Goodbye Language] A man and a woman quarreled at a specific moment, and then a dog saw everything.

Godal uses the "open space" theory proposed by Swiss surreal and existential sculpture master Alberto Jokmeti.

The shooting and editing process has become the most important stage, and the "interesting ideas" that are constantly erupted gradually promoted film molding.

So don't entangle in why you suddenly transfer to that scene from this scene.

[Goodbye Language] In the 26th minute, the black dogs, who were originally in the jungle in the suburbs, suddenly appeared at the subway station. After seeing the train whistling, the black dog lay in the snow again.

In this case, it is enough to see that the black dog is different in nature and the crowd. It is absolutely not desirable to use logic to limit the Godal film.

[Goodbye Language] The lens of [Goodbye Language] Follow the black dog to jump from the woods without logic to the subway station in an instant

Be careful of Gadal's character

[Madman Pierrao] Pierrao and [Fang Ming Carmen] are all past.

Following a character to watch the movie's psychological and emotional changes, it is no longer applicable to the current Godal.

[Film Socialism] Anyway, the cruise ship is also arranged as a context.

[Goodbye Language] Randomness, passers -by and dogs have dramas, and often break the "fourth wall". Similar to the audience outside the camera, the audience outside the camera communicates with only words.

[Movie Socialism] In the 47th minute, a woman explained the identity and life significance of the mother to the camera. From time to time, "Don't say" and "still" communication from the camera, and then the camera appeared brightly. In the camera.

In fact, daily dialogue is rare in Godal's movies, and the lines are basically filled with academic discussions or reports.

If a person speaks to you in a daily situation, a line of [Goodbye Language], such as:

"If you can create language face to face, the left and right are created, while the top and bottom are not, why?"

It is estimated that "speaks".

But these seemingly god -like remarks are actually what the old man wants to say. The characters are the tools, all of which are monks and symbols.

He had no patience to archive a complete dialogue, so that these arguments were guided by the water to the land, and now he is more inclined to smash his thoughts directly.

Therefore, treating characters as a tour guide is also risky to enter the maze.

Godal's characters are like their monks,

Break the "Fourth Wall" at any time to talk to the camera and the audience

Be careful of Gadal's audio and paintings

Godal believes that the image and dialogue can exist separately, and there is a zone outside the focus in the middle, which is the real movie that can keep the audience thinking.

The heavily surrounding Hollywood surrounding the audience immersed in the loss of sound and painting, which was regarded as spiritual hypnosis.

This is another classic movie language given to the new wave after [exhaustion] to bring jumping.

In the [I know her one or two], preliminary practice was obtained. For example, in the 27th minute, the picture is the seaside scenery film, and the narration is about the ambiguous relationship between facts and text records.

[Goodbye Language] Also, three black screens occurred between 4 minutes and 42 seconds to 6 minutes and 51 seconds, and the last time was 30 seconds.

The middle -aged man turned over the camera, showing the name and portrait of the famous French technical philosopher Jacques Eruel, and explained:

"He saw the future, atomic, genetically modified organization, advertising, nanotechnology, terrorism, and unemployment."

At the same time, the female voice besiege is still explaining the historically reflection of the view that "the conquered by the weapon's conquest managed to fight against his conqueror".

The two voices spoke and spoke, but they formed a strange echo complementarity.

Therefore, remember to treat the sound and painting in the same heart.

Godal has a long -lasting preference for audio and painting, [Goodbye Language] is very prominent

Be careful of Gadal's waywardness

Mixing Ghodal is like a high force, and it is still wayward without money.

In the early years, Friends Truffe said:

Ghodal is not the only one, but he is the best one, but he is the best, but he has Rosnini's fast, Saka Guitrey's naughty, Higong Kirk's efficiency, Bergman's Deep, but no one is as rough as him.

The rough here is the wayward performance, not necessarily implicitly, but just like a child who loves to be right.

For example, [Love's Era] reverses the convention of the past and colorful performance with black and white, because he wants to try it back.

Another example is [Movie Socialism] without cutting, just speed up the playback speed and compress the trailer for one minute and a half.

In the 6th minute of the video, the close -up lens of the camera uses dense and non -practical jumps, as if it is a good set of fixing the fixed camera.

[Goodbye Language] The color saturation is full of strong and exaggerated shots, typical such as the cycling bicycle race (8th minute), blue sky and yellow leaves (26th minute), dog crossing fields (33rd), and driving wild flowers (No. 1 41 minutes) and so on.

At this time, the effect of the picture is close to the works of the beast painter who pays attention to color expressiveness that Ghodal's preferred color expression. In addition to becoming a diverse image style of the film, there is no need to think of its profound connotation.

This makes us always need to beware of Gordal's willfulness.

[Goodbye Language] Frequently jumping out of color exaggerated and weird pictures

Be careful of Gadal's theme

Since this is not allowed to study and do not need to be summarized, can you worship the great god?

This is what we want to say.

After jumping out of the story, logic and characters, and sound and paintings, you will find that the thought is ranked first in Godal movies.

The old man claims:

"I am old now, the older people think, the deeper, and I can't catch the things on the water. I think on the bottom of the water."

He still implemented the principle of "politically filming" established half a century ago. There is no doubt that it is political.

Although the focus is different, the themes described in recent years are very stable, that is, the dialectical relationship between history, war, state, and human rights.

The French Revolution in 1789 was the element of Ghodal repeatedly mentioned, and the pens point directly to the writer Balzac in the period frequently appeared in the works of [Love Era of Love], [Our Music] and [Film Socialism].

In this way, history is connected with the present, and the revolution of metaphorical to strive for justice and freedom of freedom must continue.

The battle between Israel and Palestine has also been repeatedly mentioned.

[Our music] With this as the core, the first chapter "Hell" is a large number of discontinuous brutal war pictures. A variety of image quality and type of image materials are densely presented, revealing [movie socialism] and [goodbye language] Editing style.

The second chapter "Purgurm", the French Jewish girl in the Russian descent, Olga, went to Jerusalem for death, and hoped that the Israelites would die with her peacefully.

The third chapter "Paradise" is given symbolic meaning. The state of the paradise of the American soldier guarding is extremely similar.

[Movie Socialism] Ghodal symbols such as the ocean, Balzac and alpaca again appear again

Highly unified themes and elements of such elements infiltrated in it, Godal is still the warrior with movies as weapons, surrounded by "history, war, state, and human rights".

From [Contempt], the frequent marine shots that appear in many movies, which symbolize eternity and tolerance, also show that the wave of dilapidated and new waves never stop.

However, as mentioned earlier, do not logically analyze the Gordal prose -style movies with verbatim, and its openness and richness are also reflected as confusion to some extent.

This is exactly the biggest feature of Godal, emphasizing the thinking interaction with the audience.

The old man believes that there is no real difference between the film comment and the director, and both are creating movies.

Therefore, the movies listened by our eyes are actually only semi -finished products, and all intuitive surface interpretations are meaningless.

Only by understanding and perception from this complicated social academy encyclopedia, can it be regarded as Gordal.

If you remember the above are too troublesome, then at least one thing, in 1968, facing the audience's question:

"Do you mean you want to change the audience?"

At that time, Ghodal, 38, said:

"I'm trying to change the world."

The last shot of [Movie Socialism] means "no comment"

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