The beauty of traditional culture is hidden in the film and television drama "one meal, one drink"

Author:Radio and Television Review Time:2022.06.20

Many costume dramas exhibit the beauty of traditional culture, and spread a picture of life of different times for the audience, so that traditional culture will "live" and spread.

Author: Yuanzi

Tea spoon is pen, water is ink, and a flower gradually "puts" in the tea cup, let a lot of tea guests applaud and praise ...

In the recently aired costume drama "Dream Hua Lu", Zhao Pan'er's "Tea Hundred Drama" stunning the people in the play, and many netizens also enjoyed it. Many scenes in the play show the tea drinking customs of the Song Dynasty, restore the life scenes of the Song Dynasty people such as Dou Tea (Tea Hundred Opera), which has aroused the attention of the audience's attention to the traditional culture in film and television dramas.

From the need for food, clothing, housing, and transportation, to the spiritual food of cultural etiquette, in the popular costume film and television dramas broadcast in recent years, the integration of excellent traditional culture can often be seen. Cultural experience.

Cut the "Tang Feng" with cultural details, and some costume dramas bring a new cultural experience to the public.

Clothing and clothing are important symbols to show Tang culture. In "The Twelve hours of Chang'an", Li Biyu is matched with the hibiscus crown, and the flower -like eyebrows, falling horse buns, throwing home buns, single -knife and half -turning buns, etc. Different officials of the official rank, the "lack of robe" worn by the soldiers, the back of the turtle shells used by the soldiers, the prayer of the prayer of the gods to drive the epidemic clothes, the skirts of the women's upper body and the lower body skirt all showed The exquisite and diverse and aesthetics of the Tang Dynasty's clothing.

"Chang'an Twelve hours"

Non -heritage exhibition often brings richer cultural texture to the episodes. The two intangible cultural heritage of ancient papermaking and iron flower are cleverly integrated into the drama, allowing the audience to understand the bright Tang culture more comprehensive and in -depth. These Tang Feng and ancient charm are not only pursuing the ultimate, but also not loud.

After "Twelve hours of Chang'an", "The Wind Raise Luoyang" focused on another millennium ancient capital -Luoyang. In the play, the exquisite environmental buildings such as 109, waterways, stone carvings, and Buddha statues show the audience the traditional Chinese culture spirit contained in Luoyang City; the creative team also restores the visual memory belonging to that era in the details of food, appliances and other details. Essence

During the tea table, "Song Yun" was quite elegant in film and television dramas.

"Do you know if it should be green fat and red and thin" (hereinafter referred to as "Knowing"), in order to allow Moran, Rulan, Minglan to better learn "flowers, tea, incense, book methods" Lesson, grandmother Sheng, a grandmother, invited Sun Yan in the palace to teach in the house. The first lesson they learned was to order tea. "Know No" fragment

"First grind the tea cake into a tea end, and then add a small amount of tea cups into a small amount of boiling water into a paste, transportation, and mixing, so that the water and the tea minced tea foil and the tea foam are full." The corner of the Song people's elegant life scroll was opened, allowing the audience to understand that the Song Dynasty was very popular.

"Know No" fragment

In the process, the Song of the Song people used tea, Jianzhan, soup bottle, and cups used by tea was also "restored", and many lenses infiltrated the exquisiteness and beauty of traditional Chinese culture.

Pine fragrant gray, pile incense cone, fragrant gray, fragrant fragrance, burning incense, via fragrance, and fragrant incense ... After teaching tea, Kong Yan also taught the fire in the three boudoir girls Fa, Pinxiang Jianxiang's way, and the function of flower arrangement.

"Know No" fragment

The elegance and fun in "Knowing No" settled in the house of the mansion, and Song Fengyun in "Qing Ping Le" grew from the carved bar jade.

"The clothes have class, and the color looks at the color." The colors and shapes of the clothes in the Song Dynasty must be standardized.

The innovation of the women of the late Tang Dynasty as Xia Xun, embroidered with patterns and decorating pendants on the top. This "high -definition" costume, Queen Mother Liu and Queen Cao in the play are dressed.

The nobility of the Song Dynasty has the iconic "pearl makeup", as well as the "one -year scene" of the four seasons such as peach, apricot, lotus, chrysanthemum and other four seasons. It is also presented.

There are also Baiguan uniforms from color to regulatory colors -more than three grades wearing purple, five grades wearing Zhu, seven grades or above wearing green, nine grades or above, and often appear in the drama Chinese martial arts official upper dynasty Time situation.

In the play, not only the costumes adhere to the principles of the Song Dynasty's "heavy style, good elegance", but also the construction of buildings, porcelain, furniture, etc. are also the "simple, elegant, and exquisite" route.

If it is said that clothing, props, scene layouts, etc., show the elegant and light traditional cultural characteristics of the Song Dynasty, then the poetic of their lives in "burning incense tea, hanging flowers and flowers, and gossip.

The exquisite food culture of the Song Dynasty was mostly reflected in film and television dramas. The first episode of "Menghua Record", the dragon and phoenix tea, peach rings, honey carved flowers and Bijia bean cakes, etc., which restores a lot of food in the Song Dynasty; , Honey Floating Crispy Naihua, Cherry Fried Fruits and other exquisite fruits have also been outlined and colored in the play; the lychee white waist and carp noodles in the characters in the "Qingpingle" are noodles ... Follow the Song people's attention to food.

Tea fruit in Menghua Record

"Water Water" in "Knowing No"

The carp noodles in "Qingpingle"

In addition, "Daming Fenghua", which tells "Things in the Ming Dynasty", uses chicken cylinder cups, court paintings, Xuande furnaces and other appliances to support the historical and cultural heritage of the drama from a subtle place. If the official uniform is used to distinguish between civil and military officials, it is both historic and aesthetic. In the ingenious integration of the characters in the Western Jin Dynasty, the Northern and Southern Dynasties, and the Song Dynasty's official and folk customs, the well -produced clothing also showed the traditional Chinese culture.

"Daming Fenghua"

"Shanhe Yueming"

"Crane Huahua Pavilion"

In addition to the detailed outline of the cultural level, the film and television dramas of costume themes also focus on digging the spiritual connotation behind culture.

In "Knowing No", Ming Lan was entrusted to send a secret letter to the New Emperor Zhao Zongquan after several folds, and rescued Mrs. Zhang, who was in dangerous to produce, and assisted Mingjun to consolidate the power of the regime with her husband. , Unity and friendly family culture.

"Knowing" Minglan rescued Mrs. Zhang, who was in dangerous production,

"Qing Ping Le" focuses on the philosophical thoughts of "benevolence, loyalty, filial piety, etiquette, peace, and natural nature", designing drama conflicts, and spying from the emotional choice of Zhao Yan as a "son, husband, father, and monarch". In the play, a series of follow -up caused by the fruit of the honey puppet allows Renzong to realize the "forbearance", and also let Fan Zhongyan's "worry about the world's worries and the joy of the world, and the joy of the world" can be followed. The street system created by the street system of "There is a city in the city, there is a city in the city, and the city has a square in the city".

A plate of honey in "Qingpingle" made Renzong realize "forbearance"

"Hezhang Huating", through the protagonist Xiao Dingquan, admires the gentleman's criteria of the country and the world, reflects the traditional Confucian master's "doing something", metaphorically the character's spirit of "small timidity and courage to fight the eagle".

The hero of the "Heye Huahua Pavilion", Xiao Zhentong, admires the gentleman's criterion of the country and the world

In the twelve hours of light and shadow in "Twelve hours of Chang'an", the two protagonists were spread out to save Changan's crisis and guarding the peace of their homes, showing the spiritual context of home country feelings and responsibility.

The protagonist of "Twelve hours of Chang'an" rescue Changan's crisis

There are fireworks, elegant life, historical stories, and spiritual inheritance. While these costume dramas improve their aesthetic texture, they deeply cultivate traditional Chinese culture, which has promoted a new trend of national style.

&& State Administration of Video Survey: Cheer up for the "Big Examination" and escort for sprinting