Arts Observation | Focus on the theme of the green development era to praise to dedicate no regret life

The drama "Saihan Long Song" created by the Chengde Drama Troupe focuses on the theme of the green development era, adhering to the principles of realism, and vividly described the distinctive and touching figures of the Saihanba Forest Farm represented by Bao Bao Middle. The "Sahanba Spirit", which is artificially explained in mind the mission, hard entrepreneurial, and green development.

"Saihan Changge" has highlight the era of the theme. When they desperately wanted to escape, the screening of the "Shang Ganling" movie was just like the light of their confused spiritual world, and I realized that the mission on the shoulders was heavy. Keep in Saihanba and never retreat. " "Saihanba Spirit" and "Shang Ganling Spirit" are inherited. In the future, whether the horseshoe pits will fight or fight drought relief, and even the second entrepreneurial on the stone yang slope, I don’t know if I live in the horseshill shed. Hungry ... they all support them. They struggled unremittingly for more than 50 years, and finally made the deserted Linhai. On the other hand, the work has always pursued and highlighted the era of ecological restoration, green development, and the rational spirit of scientific development, so that the lofty spiritual style of this model group has a solid realistic foundation, heavy and solid.

The drama "Saihan Long Song" performed stills Xiang Chunxia shooting

In order to show the history of the Third Generation Forests of the Saihanba, "Saihan Changge" has built an ingenious drama structure, and has shaped a group of flesh and blood and different personalities. Highlight the "one" in the group image, and portray personality in commonality. It is a miniature pen, a few strokes, but it is also unforgettable. In terms of the overall structure, the story of the family in the Bao Baozhong as the main line, combined with the point surface, vividly reflects the history of the struggle of the three generations. Select typical events to highlight the characteristics of the times and form a magnificent and thick meaning of the whole drama. For example, the first stage of horseshoe pits is used as a typical event, highlighting the difficulties of entrepreneurship. The typical event in the second stage is drought resistance, and the mental image is watching. The core event of the third stage is second entrepreneurship. Three sectors, advanced layers, showed the spirit of "Earth Guardians" and "National Modeling of Poverty Alleviation in the Country" in all aspects of Saihanba Machinery Forest Farm. ", Vividly revealed that" green mountains and green mountains are Jinshan Yinshan ".

Under the overall magnificent narrative, "Saihan Changge" gives more vivid and touching details, giving the works full of poetic and plump flesh. After being rescued by Bao Baozhong, he opened his eyes and trembled weakly and said, "Second, I am still alive?" Erye replied: "Alive, you are still alive." No more needed, it made people cry.

The refining of the image of "tree" in particular is a precise grasp of the spiritual temperament of the subject matter. Tree has particularly important significance in every Saihanba. Planting trees and planting live trees are their dreams and their careers. Tree is their daily life, also their spiritual world, and the form of their lives. The man had tears and did not bounce lightly, but the trees could make them tears several times. Just like the emotion of Bao Baozhong: planting trees, just like raising children, weeding, treatment of insects, watering, branches, cutting off ... with these trees, after more than 50 years, the tree grows taller, long straight ... people are straight ... Old, the waist is bent, and the hump is ... can be exchanged for green mountains and green mountains, ecological civilization, creating a world miracle that controls desertification!

In more than 50 years, they composed a green love song with these trees for more than 50 years!

(The author is deputy dean and researcher of Hebei Province Culture and Tourism Research Institute)

Responsible editor: Gou Xiaoqing

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