"Shufang Pavilion" was staged in Sui, which is a tide drama version of "The World"

"Southern" magazine all media reporter 丨 Li Mengxing

There is no heavy past in the prince, and there is no impassioned vocal singing. This is a large -scale overseas Chinese topic "Shufang Pavilion" that describes ordinary people's life experience and emotion. As one of the special events of the 2nd Guangdong -Hong Kong -Macao Greater Bay Area Art Festival, one of the programs of the "Guangdong -Hong Kong -Macao Greater Bay Area Stage Art Excellent Tour", the second regiment of Guangdong Chao Theater is presenting the beautiful presentation and exquisite performance of "Shufang Pavilion" as online and offline audiences. Dedicated a tide drama art feast.

"Shufang Pavilion" is based on local real -life stories. At the end of the Qing Dynasty, many Chaoshan people forced to live in the sea and went to Southeast Asia and other places to make a living. They were called "overgreens." Almost every family has a sour family history. Each sad history is full of tough hard -working hard -sweat, immersing the bitter tears of sadness and persistence, and reflecting the glory of human morality. There is a small rain pavilion named after Donghu Mountain in Shantou City, "Shufang Pavilion" named after the name of his wife, which has kept the sour family history of people and stores the touching feelings of civilians.

The play is based on the story of "Shufang Pavilion". The life of Lin Jizhong and his wife, Li Shufang, and fisherman Xu Ayi, is interpreted into a drama. Under the performance of Yang Weidan, Wang Ruiguang, Cai Caiwang, etc., the outstanding young actors of the second regiment of Guangdong Chao Theater, the group statues of the people of Chaoshan are tough and hard -working, the villagers, and self -denied adults.

The plot of "Shufang Pavilion" is close to life, exciting, and has a strong place color. The tide drama singing section, telling the sorrowful family history of others, showing the affection and national feelings of the people.

"At the moment, many practitioners in the drama industry will look at the big characters and themes, but I think that the emotions of ordinary people are also worth writing and interpretation. The emotional story of ordinary people often contain local humanistic local customs, moral atmosphere, culture, culture The foundation can resonate with people living in different regions and different countries, with universal value. "Fan Shaxia, a national first -class screenwriter and a screenwriter for" Shufang Pavilion "in Guangdong Chao Theater, told the reporter of" Southern "magazine.

Fan Shaxia believes that to create a repertoire that the masses love to applaud, they must understand their lives in depth. "Shufang Pavilion" is the subject of Fan Shaxia in the suburbs of Shantou and in -depth research. "The Shufang Pavilion of that year was the woodstone structure of hexagonal and heavy eaves. It was very delicate and beautiful. It was damaged by the Japanese bombardment. In order to commemorate the story again, later generations rebuilt Shufang Pavilion and carved the monument to the new wall."

Although there is a lack of text records, simple stories and legends have given Fan Sha Xia's vast imagination space. Fan Shaxia has a deep literary skills and has both Chaoshan cultural heritage and familiarity with the stage. She admits: "There is a stage in her heart when creating. Bottom. "

"The tide drama is deeply rooted in the blood of the overseas Chinese. It is a cultural bridge and spiritual bond that connects more than 35 million tide people at home and abroad. Tell the story of overseas Chinese in the form of tide drama, which will resonate many tide people." With the popularity of the tide, the tide people have spread in various places, and they also have extensive cultural identity and deep mass foundation in the Guangdong -Hong Kong -Macao Greater Bay Area. As early as the 1960s, Yao Xuanqiu, a well -known contemporary tide drama performance artist in my country, was invited to perform in Hong Kong with the regiment, which caused a sensation in all sectors of Hong Kong and set off a "tide drama heat" locally. "We must give full play to the role of the trendy drama 'cultural messenger' and actively strengthen the exchange and cooperation with the Guangdong -Hong Kong -Macao Greater Bay Area." Huang Yizhen introduced that despite the affected by the epidemic, the Guangdong Chao Theater has not stopped exchanges with the Hong Kong and Macao tide drama industry. As early as 2019, the Guangdong Chao Theater and the Hong Kong Tideman Arts Arts Association co -established the Hong Kong Tide Drama Inheritance Center of Guangdong Chao Theater.

The Guangdong Chao Theater also tried to break the stage boundary and cultivate the younger generation of inheritors in the method of "online+offline" lectures. From March 31st to April 30 this year, Shantou University and Guangdong Chao Theater jointly organized the first international trendy drama cultural training classes to invite a group of well -known scholars and tide acting artists in cultural circles at home and abroad. 47 students from Hong Kong and the Mainland taught at home and abroad. Huang Yizhen said that in the future, resources will be extensively united with the Hong Kong Tide Drama Inheritance Center of Guangdong Chao Theater and the Chaoshan Chamber of Commerce Fair, which are all over Hong Kong and Macao, to implement the planning plan for the drama, and at the same time, the special online platforms such as the tide drama "Cloud Theater", "Cloud Exhibition Hall", "Cloud District" are radiating. In Hong Kong and Macao, further enhance the sense of recognition and belonging of Chinese culture in Hong Kong and Macao, especially young people and ordinary people.

This article is responsible for editing 丨 Jiang Yu

Source 丨 Southern Magazine WeChat public account

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