Regain the tradition of Jingwei opera, tell the story of Beijing in the new era

From "Under Zhengyang Gate" to "Full of Love", from "Sesame Hutong" to "Little Woman Under Zhengyang Gate", to "Shichahai", "Outside Drum Tower", "Welcome" ... In recent years, a large number of focus on the new era The emergence of the drama of the new Beijing theme, regaining the tradition of Jingwei opera, and strive to tell the story of Beijing in the new era.

Outstanding

Jingwei opera

Zeng Li Chaotou

From the beginning of the 1980s, Chinese TV dramas moved from experiments to the market, opening a period of high -speed development for more than 30 years. The "Fourth Hall of the same hall" broadcast in 1985 is a work of the mountain. The "Desire" in 1990 is the transformation milestone. It is represented by the scene comedy "The Story of the Editorial Department" and "I Love My Home". It showed a stage peak period, and Beijing themes such as "Beijingers in New York" and "over addiction" and Beijing -produced film and television dramas produced in Beijing were the first to stand up to the development of domestic TV dramas.

Beijingwei, Jingqiang, and Jingyun, these works are created in different times, but they have followed the same cultural background. "Four of the Fourth Hall" brought the livelihood of Lao She's people's literature to the fullest. "Desire" turned his perspective to "indoor" for the first time. He also shifted his perspective from hero characters to villain, and began to pay attention to the joy and sorrow of ordinary people. "The Story of the Editor" and "I Love My Family", although it is a scenario comedy, has the same genes, authentic Beijing dialect, humorous and humorous as "Beijingers in New York", "Poor Mouth", "Poor Mouth" and "Poor mouth" Beijingers, from a younger perspective, endorse the changes in Beijing.

Entering the 21st century, a large number of Jingwei opera rushed. In 2001, the "Daizhou Gate" was played for the pure Jingwei era drama. A series of works with a strong cultural atmosphere of the capital city appeared in a series of cultural atmosphere such as "Pigeon Spirit", "Pigeon whistle", "Qianmen Louzi Jiuzhangjiu" and "Tea House". And more younger and more urban narratives "Blood Romance", "Days related to youth", "Struggle", etc., officially opened the new Beijing theme narrative, and also derived a large number of urban dramas that focus on "Beijing youth", such as "Who is my youth", "Beijing Youth", "Home of the Home", "Beijing Love Story" and so on.

But this creative momentum is not lasting. With the entry of capital, the market has begun to favors traffic stars, and themes are also biased towards networked costume idol dramas and sweet pet dramas. Beijing themes and Beijing stories are no longer the darling of the market. The drama gradually disappeared in the market.

Until 2013, a "Under the Gate of Zhengyang Gate" about the emotional entanglement of the Hutong courtyard house was born, and the works of the authentic Beijing perspective returned to the audience's vision. In the following years, many classic Jingwei drama "Little Woman Under the Gate of Zhengyang", "Sesame Hutong", "Love Full Supreme House", "The Days of Born", etc. Essence

Turning

realism

Return

The screenwriter Wang Zhili of "Zhengyang Gate" grew up in an alley from an early age, and the story of writing the old Beijingers is hand -over. Liu Jiacheng, the director of the "Jingwei Opera Golden Partner" with him, is also a native old Beijinger. "The two of us do Jingwei opera must be original and authentic." His stories are almost the original, almost every important type, almost every important thing The characters come from real characters in life.

However, before and after the broadcast of "Zhengyang Gate", it was not smooth sailing. "At that time, there were good works of Jingwei opera for many years. The TV series market has repeatedly subdivided and the business atmosphere is strong. I always think that the story of the Beijing Hutong, the southern audience may not like it. "

"Under Zhengyang Gate" premiered on the ground channel in Hubei in 2013. After the broadcast, the response was good, and only the star on Beijing Satellite TV. No one expected that a short drama of the parents of folk collectors in the Hutong can actually rank second in the national ratings and ratings, becoming a well -deserved dark horse in 2013.

But even such success, the market of Jingwei opera has not been opened. In 2015, the entire domestic drama market has been fully influenced by network culture. At that time, the hottest is "Flower Thousand Bone" -the first domestic TV series of online playbacks exceeded 20 billion times. With the popularity of "Flower Thousand Bone" as the wild, domestic dramas have officially entered the era of Xianxia fantasy. "Jingwei Opera", a drama that basically follows realist creative methods and based on the perspective of ordinary people. stand.

In such a market environment, Wang Zhili and Liu Jiacheng's "Full of Love Safe House" who cooperated for the second time wanted to go to the stars, and it was difficult. The play was completed in 2014. In 2015, it was broadcast on the ground channel in Shandong in 2015. After nearly two years, it was only on Beijing Satellite TV in 2017. The time did not overwhelm the light of good dramas. The ratings of the show broke 1%in Beijing Satellite TV. The Douban score was as high as 8.7 points. The starring actor He Bing has won many best actors such as the White Magnolia Award and Feitian Award.

After "The Full of Love", "Jingwei Opera" has accumulated a lot, and the "Jingwei Opera" gold partner represented by Liu Jiacheng and Wang Zhili has joined forces many times. Keep a strong posture. According to Wang Zhili, this year, the "Love Full Nine Bends" of his cooperation with Liu Jiacheng has been filmed and is waiting for the broadcast period. Wait for shooting.

From the perspective of Wang Zhili, the Hutong Courtyard is just a form, which is a means to let the narrative go back to a certain era background. The residents and their behaviors here represent the spirit of Beijing. They are all living bright, kind, simple and enthusiastic. "In Wang Zhili's writing, the silly pillar in" Full of Love "not only gives the house to others, but also has a bunch of children who have no blood relationship with themselves. In "Little Woman Under the Gate of Zhengyang", Xu Huizhen, who was bumpy, tried to maintain the operation of the tavern. He never lost his principles before the wind and waves of the times. He shook hands with the deadly opponent, showing the ultimate tolerance and goodwill. Director Liu Jia's achievements once said, "The theme of" Full of Love "is to show the beautiful things in the past, so that people can see the truth of that era." Wang Zhili also said that it is not fantasy to gather people who are true, kind and beautiful, "The audience likes such characters, which is still yearning for truth, goodness and beauty, and these beautiful qualities have been lost for a time. I use the story of a small person to tell the great feelings and hope to express such value orientation in the work."

In addition to the works of Wang Zhi and Liu Jiacheng's partners, in recent years, the drama of Beijing's subject matter and the lives of ordinary people's lives has been continuously launched. "Welcome" reflecting the "North Drifting" youth root. These episodes have chosen the perspective of ordinary people and small people without exception. The characters are shaped to the ground, and the story also shows more life and fireworks.

In the view of Wang Zhili, the tide of "Jingwei Opera" also represents the return of realist creation. When the audience is tired of the full -screen fairy -tale mixture, it is no longer satisfied with the urban idol plot that is unmoved, and the creative tradition that truly describes ordinary people's lives and reflects the emotional needs of small people and the state of life is also returning. "Just like the classic works we have once had in the last century, pay attention to the joy and sorrow of ordinary people, and reproduce the lives of small people. The creators have returned to the expression of realism and reflect the real characters and real life. This It is the tradition of Jingwei opera and the tradition of realism. "

Innovation

New Beijing theme

Pursuing fusion more

Dividing "Jingwei Opera", is it not the only criterion in the Hutong courtyard in the Hutong courtyard. In recent years, there have been more and more dramas that focus on new Beijingers and tell the theme of the new Beijing. They have continued the urban perspective of "Beijing Youth" at the beginning of the century, and interpreted the spiritual temperament of the city from the changes in the new era.

The producer Liang Zhenhua has recently produced a new Beijing -themed TV series "Thoughtfulness". The mother of the screenwriter Su Peng is the screenwriter Wan Fang of the representative work of Jingwei drama "Empty Mirror" in 2001. Wan Fang is still in the new drama. He served as the literary director.

"I have been in Beijing for 20 years. I have always had a desire to create a TV series with Beijing themes. It can also be considered an explanation of the lives of the new Beijing people in these 20 years." In his opinion, the definition of "Jingwei Opera" should not be limited to whether the "Jingwei Opera" is limited to the Hutong courtyard, and the full -screen Jingqiang Jingyun and today's "New Beijing" are not matched.

"From the historical development, the city of Beijing is open and tolerant. It has both the Hutong Supreme House culture and ancient capital culture under the roots of the imperial city, as well as the canal culture brought by the Beijing -Hangzhou Grand Canal. With the exotic elements of civilization, Beijing culture itself is a collection of multiple civilization forms. Especially in the present, international and modernization have given Beijing a cultural appearance that keeps pace with the times. All kinds of fusion. "

"Things" and "Empty Mirror" have similarities. They are still the two sisters living in the courtyard of the courtyard. They still tell the long water flow, sweet and bitter in their lives. However, in the background of the new era, although the two "post -90s" sisters are the natives of Beijing, they have new thinking and lifestyle. "They are authentic Beijing people. They have distinctive Beijing tradition marks in personality, growth environment, and living habits. But they go out of the alley every day and come to the high -rise building. In the face of various problems in the contemporary workplace, this requires the work to show the traditional Conflict and integration with modernity, and all of this should be implemented in specific characters and plots, "Liang Zhenhua said.

To grasp the "Beijing flavor" in the new Beijing theme, deep cultural recognition is needed. Liang Zhenhua believes that in the past ten years, domestic film and television dramas have the tendency of regional culture, which reflects that most of the film and television dramas in urban life and contemporary society have lost local cultural labels, blurred regional differences, and flowed in suspension. "Many stories can happen in Beijing, or in Shanghai, Wuhan, and Changsha. The city and region have only accidentally become the place of the story, and they have not established a organized and organized by the creation itself. Conscious regional cultural consciousness is largely large extent. I was ignored. "

In Liang Zhenhua's view, the theme of the new Beijing does not mean that the traditional traces are completely erased. Modern and traditional penetration and integration of each other are exactly that this complexity constitutes a complete regional culture. Inside the old Beijing people's thinking concept, tradition of life, and language habits all described and discussed. Our stories are ordinary blue -collar workers who get up early and late daily, and the uncle Beijing, who will raise cages all day in the hutong. Without four or six chats, but the sincerity, kindness and simplicity in their bones have not changed. "The narrative of attaching importance to the perspective of civilians has not changed. "Thoughtful things" not only tells the troubles of the two sisters in the new era, but also tried to explain the changes of the city from a wider perspective. In the play, the courtyard house where the two sisters live in are not the ancestral property, but the public rental houses of the older generations, and they also face the demolition upstairs. Liang Zhenhua introduced that the stories about the property rights of these courtyards and the relocation of the people's division of houses came from interviews and investigations from the main crew team. "The characters here are closer to the real state of most local residents, instead of" imagined Beijingers "who have the courtyard of the courtyard and no survival troubles."

This also reflects the new requirements of the new Beijing theme creation: it is necessary to understand the traditional kernel in the background of Beijing's capital, but also inject the understanding of the spirit of the new era in the new era. Grasp the people and things in the change, reflect the new urban cultural connotation.

policy

"Beijing Mode"

Help boutique creation

The film and television drama creation of Beijing themes has gradually become a scale, and a package of policy support is inseparable.

Taking "Full of Love Nine" and "Thinks of Thoughts" as an example, these episodes are the key projects of the Beijing Radio and Television Bureau's "welcome 20", which have been "focused on attention" from the launching stage. These projects are also the reserve projects of the "Seed Library" of the Beijing Municipal Radio and Television Bureau. In the early days of the creation, the Beijing Radio and Television Networks Audiovisual Development Fund was supported.

The fund focuses on focusing on Beijing's theme works, focusing on digging ancient capitals, red culture, Beijing -flavored culture and innovative culture, focusing on the inheritance of Beijing's literary veins and changes in the times, reflecting the connotation of the history and reality culture of Beijing, and reflecting the advanced models of the capital reform and development process. Moral models, civilian heroes, etc., show the development of Beijing's urban development and social humanities, and have excellent works with strong Beijing characteristics and reality.

According to statistics, in recent years, the fund has supported "Awakening", "Xiangshan Ye Zhenghong", "Welcome", "Full of Love", "Thoughtful Things", "Hutong", "Shichahai", "Glory Age", "Sesame Hutong" More than 20 TV series such as "Happy Sweet and Sweet and Better" and "Story in Happiness" support the amount of nearly 100 million yuan.

In terms of mechanism construction, the Beijing Radio and Television Bureau adheres to the planning and planning of planning and planning, combines deep cultivation with new farm, management and service synchronization, and make every effort to promote high -quality creation of Beijing theme TV dramas. "—— Established and improved the script creation mechanism, service guarantee mechanism, guidance of the shutdown mechanism, talent construction mechanism, incentive support mechanism, and focusing on supporting support for Beijing theme TV dramas in terms of policies, funds, and resources.

In terms of project reserves, the Beijing Radio and Television Bureau actively excavated the planning topic, based on the advantages of the capital resources, planned and organized the topic selection seminar, and actively organized the production of companies, screenwriters to go to the 16 districts and relevant units to go deep into life and collect style research. In accordance with the "service package" normalized work system that "every month, weekly, follow -up, and special person in responsibility", "Five Years of Life", "Don't Consolation", "Things", "Hutong", "Love", "Love Full of Nine -way Bend Bending "" Born to the Water "and" Breakthroughs "and other key projects to focus on tracking, supporting, promoting, and guaranteeing them, and provide topics such as topic selection demonstrations, expert review, coordinated shooting, publicity and promotion based on project creation. High -quality promotion of project creation and broadcasting, not only do "Beijing products" and "produce Beijing".

In 2022, the State Administration of Radio and Television issued the "Fourteenth Five -Year Plan" China TV Drama Development Plan "to anchor the goal of building a cultural power in my country in 2035. It proposed to accelerate the high -quality development of Chinese TV dramas and build a TV drama power. The relevant person in charge of the Beijing Municipal Radio and Television Bureau stated that it will continue to cultivate the "Beijing Mode" in the "Beijing Model", starting from the creation of the script to dig deep into the excellent work "storage pool", and promote more outstanding topics with the new Beijing story and the excellent script standing out of the script. , Continue to launch a masterpiece to contribute to the construction of the national cultural center.

expert's point

New Beijing theme

Link with the times

Noble martial art

"Jingwei Opera" is named for reflecting the real life of Beijing's realm and the customs of the customs, and because of the rich "Jingwei" cultural characteristics, it is unique in many types and theme film and television dramas. Welcome to the audience and even Chinese all over the world.

With the accumulation of creative experience and the continuous expansion of creative themes, in recent years, the new Beijing theme film and television drama is constantly innovating regardless of its connotation, form and value expression, and has produced more and more outstanding works with the era of the times and social influence. Essence

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