Is the living environment of female comedy better?

Today, female comedians have more opportunities to be seen. Even if you do n’t talk about the boy who learns to tease, there is no master and apprentice inheritance, and no class of science class, you can also show a sense of humor through talk shows, variety shows, short videos and other channels, and finally stand in the center of the stage. Their situation has improved, but the challenges are more.

Produced | Blog World Dawen Entertainment Group

Author | Shenghan

Edit | Bai Shu

The new generation of female comedians have risen, and they are bringing joy to the audience in various programs and film and television dramas.

For example, Li Xueqin, "funeral" and the Northeast accent have become her logo. In "Broadcast! In the first round of the Situation Comedy ", the popular" Hello everyone is Li Xueqin ", no longer the opening remarks, but a burden to help her live" Is there a performance today "and got the audience and got the audience. The highest score.

She became popular through short videos, and later talked about talk shows. Now she uses works to prove that she is a real comedian. After the performance, the judges in the audience asked Li Xueqin, "Can you come up with 100 days a year to come to dry scenario comedy?" The answer given by Li Xueqin was: "I can take it for 360 days, and I have to take a holiday for 5 days." Everyone was laughing by her.

"Broadcast! Situation Comedy "

Also from the hot -eyed Yoko who came out of the short video, the starring TV series "One Years No Work" just ended, and her acting skills were recognized. She also appeared with Li Xueqin in the variety show "Fifty kilometers of Taohuawu-Seaside" and "Mao Xuewang". The golden sentence they inadvertently said, as if a talk show was opened.

Jin Jing, Hamna Lisa, Yang Yan, etc., who are also new -generation comedy power, are also active in "New Travels", "Like the Song", "What to do!" In variety shows such as talk show special session, at the same time, it is trying to find more possibilities in the fields of film and television, short dramas, music programs.

Figure/Weibo@图 图

Compared to the previous generation of female comedians, the new generation of female comedy seems to have a loose creative environment and more opportunities to be seen. The Spring Festival Gala is no longer the only stage for popularity, and sketches and cross talks are no longer an absolute path. They seem to enjoy the labels of the comedians better, and they also greet more attention with a more brave and fearless posture, and hope to play greater challenges.

At the same time, the audience has a higher acceptance of female comedians and has more aesthetic capabilities. People are willing to see the new appearance of different female comedians.

However, under such a fresher context and criteria, how a new generation of female comedy people can go further, perhaps the most considering things.

From Spring Festival Gala to short video

Speaking of the representatives of female comedians, Jia Ling and Ma Li are absolute leaders. They are obviously no shortage of work. Jia Ling is still an important member of the "Ace Family". He also became a flying guest in variety shows such as "Three Teenagers"; Ma Li and Shen Teng went to "The Life of the Longing" while being a guest. It also appeared in "Mom 2".

However, from the age and fame, they all belong to the female comedian of the previous generation. They have a special era imprint on their bodies, and they are facing many dilemma in the process of becoming famous. Although Jia Ling and Ma Li are both post -80s, in the process of growing up, they have experienced the age when they can only be recognized by the audience through the Spring Festival Gala.

Jia Ling had suffered a lot before his name. When she graduated from Chinese opera in 2005, there was almost no source of income. It was said that a cross talk was only 50-100 yuan, but even such a performance opportunity was only once a week. She can only afford the basement, and she is reluctant to turn on heating in winter. She can only put more newspapers on the wall and cover the quilt.

This day Jia Ling had been in Jia Ling for 3 years. In 2008, her cool cross talk "Big Talk" with Bai Kainan was on fire. She performed more than 80 games in the small theater in Beijing. Spring Festival Gala, but finally there is a stable income.

Jia Ling performed "Big Talk" in the Spring Festival Gala

Later, Jiang Kun recommended "Holding the Da Da" to the Spring Festival Gala in 2010, which also became the first cross talk of the first men and women on the Spring Festival Gala stage. In the line of "Is it true? Is it true?" Jia Ling was really hot.

In the same year, Ma Li also appeared at the Lantern Festival at Hunan Satellite TV. The "Super Happiness insole" that she cooperated with He Yan made "Mali from the Northeast" being recognized by more people. At that time, some media evaluated her as "female version of Guo Degang". But before that, Ma Li had performed a five -year stage drama in the Happy Twist Comes Troupe, and also participated in "Master of Architecture" directed by Lin Zhaohua. He is an actor who has a work in the drama industry.

However, the Spring Festival Gala of 2013 was really well known. She and Shen Teng partnered in the sketch "Today's Happiness 2". Overnight, the people of the country knew Ma Dongmei and Hao Jian.

For female comedians, the opportunity for the Spring Festival Gala is rare, but the Spring Festival Gala will not be red.

In 2013, Zhang Xiaofei began to perform sketches. At first, it was the Spring Festival Gala in the local stage. The director of that sketch was Jia Ling. In 2015, she and Feng Gong and Gao Xiaopong appeared on the stage of the CCTV Spring Festival Gala together and co-starred in the sketch "Little Cotton Jacket". In 2018-2020, she also went to the Spring Festival Gala for three consecutive years, but she has not been able to get angry. In the Spring Festival in 2021, he became an actor with a popular popularity with the movie "Hello, Li Huanying".

The female comedian of the post -80s, like the generation of the front start, their fame is the same as the comedians who were earlier earlier. of. Cai Ming, known as the "Queen of Small Products", started filming at the age of 12, but it was not until the age of 30 that Gong Hanlin performed on the Spring Festival Gala "Stranger". Since then, he has entered the comedy career, and has become a uninvited female comedian with his experience of Sister Ma and participating in the 27th Spring Festival Gala.

The same is true of Song Dandan. In 1989, for 5 years in the actor industry, she appeared on the Spring Festival Gala and starred in the sketch "Lazy Move". The phrase "I was called Wei Shufen, female, 29 years old, unmarried so far," let the audience nationwide remember her overnight. Since then, the two scenarios of "I Love My Home" and "Family with Children", as well as many tacit performances with Zhao Benshan on the Spring Festival Gala, have made Song Dandan's comedy image have been rooted in the memory of several generations.

There are also Zhao Lirong, who said "court jade liquid wine, one hundred and eighty cups", and said, "You have to meet him earlier, you have to be lame by you", and Gao Xiumin who has been in the "Northeast Family", all of which are all that era. Not many but excellent female comedians.

Gao Xiumin guest "Northeast Family"

In the era when the old man stared at a TV, they were mysterious and far away, but those comedy and life -oriented performance content brought a lot of happiness and topics to the audience through the Quartet's TV box.

In a sense, this is also the embodiment of the changes in the times. However, with the "demise" of domestic scenarios, the comedians have lost an important arm. With the development of the Internet and the enrichment of the popular entertainment life, the influence of the Spring Festival Gala is not the same as before. Therefore, no one of the new generation of female comedy came out of the Spring Festival Gala.

Hamana Lisa

Some of them are from comedy variety shows, and Jin Jing has debuted by Oriental TV's "Tonight Payon"; some people have been talking about the rise in China in recent years. From short videos, Li Xueqin, who first shouted on Douyin and became popular, "face" learning B-BOX videos were spread throughout the Internet. Narissa et al., From the short video platform to a larger stage.

They don't need to transform

Earlier, the public was severe and harsh, and it was impressive. The audience seemed to be unable to jump out of the role to accept the real, but to scratch the role with themselves with themselves.

Cai Ming, who debuted in the role of sadness, became unable to go back after becoming popular through sketches. Whenever transformation, he would "play". Song Dandan, who has played a drama for nearly 30 years, has won multiple awards with non -comedy film and television works. The representative role in the public's heart is still peace, Liu Mei or Baiyun.

With the development of the Internet, this dilemma seems to gradually dilute, but regarding the transformation, the attitude of the new and old two generations of female comedians is surprisingly consistent, and they almost all think that "no need." However, the starting point of this answer is completely different.

When Mali was asked about this question, the answer was: "Why should I transform? I think I am an actor, and some of the characters I like that I like. I didn’t say that I had to pass it. I don't play anymore like Ma Dongmei and Ma Xiao. I have never been like this. I just let it go and follow my actor's path. "

Ma Li plays Ma Dongmei

For a long time, Ma Li's positioning of herself is an actor without any prefix. She has never rejected the role of comedy, either comedy characters and women in the workplace. They are a carrier of her as an actor. In these years as a comedian, she has also played many other types of roles, such as "AA System" and "You who are on the current", Ma Li played in workplace women , I also tried a strong woman like Han Xiao who was sexually assaulted by a boss.

Jia Ling also said, "I am not going to make a movie as a director, and I am to make Li Huanying to be a director." After becoming the highest female director in the mainland's film history, she was still the same as usual, teasing everyone in variety shows, or playing some new roles. For her, creating the story she wants to express is much more important than changing this matter.

Many people will mention Zhang Xiaofei for 8 years, and finally become popular with "Hello, Li Huanying". But before that, she also starred in many film and television works of anti -Japanese, aerospace, and remote mountainous areas. She has always been an actor.

Zhang Xiaofei in "Beacon"

In essence, they don't care about the transformation, because they have never used the identity of female comedians, they have a greater definition of themselves, such as actors or creators.

This is closely related to their origin. Both Ma Li and Zhang Xiaofei graduated from the acting department. One reads Chinese opera and the other is Nortel. Ma Li's first play was the drama "Annie's Diary". At that time, she had not graduated. She only got 50 yuan in a play, but she made her into the drama. year.

Zhang Xiaofei said in a variety show that he was admitted to Nortel for fulfilling his own movie dream. Earlier, she played various types of roles, young women in rural women, anti -Japanese college students, China's first -generation astronauts ... but she faced the real problem that she rarely had a shooting and was questioned by the producer. It wasn't until later that Zhang Xiaofei became a sketch actor. Jia Ling read the comic dialogue in college. During the first year of the college entrance examination, Jia Ling reported on the performance of Chinese opera, but did not take the test. In the second year, in order to be secure, Jia Ling reported cross talk major outside of his favorite performance. When the enrollment office called, Jia Ling was not at home. It was a call from her mother Li Huanying. Because of her accent problem, Jia Ling's major changed from "drama" to "comedy".

Jia Ling's early photos

They had dreams of actors since they were young, and then admitted to the top art colleges, and they came out step by step. This is largely determined that they will be a good actor as a firm and pure goal. In film and television works, there are often greater ambitions and pursuits.

Now, they also want to continue to make better results on the big screen. Jia Ling and Ma Li have two works to be broadcast, "You Are My Spring" and "Lone Moon", "Hello! "Li Huanying" Zhang Xiaofei, who has not appeared frequently after the fire, recently entered the group, filming a criminal suspense movie "Save the Suspect".

The new generation of female comedians is different. They enter the public's vision with the image and identity of comedy. They don't care about the transformation, because many of them are still seeking the public to recognize their "female comedy" status.

As Jin Jing said in the interview: "I used to be a person who worked very hard to put the funny labels on myself. At first, I worked hard to put it. Why did I tear it off? ? "

She debuted in "Tonight Payon" and also performed well in "The Fifth Season of Happy Comedy", but in the "One Annual Comedy Comedy" last year, the audience criticized "not funny". This It was her pressure as a comedian.

Jin Jing in "Tonight Payo Men"

Others are also facing similar problems. Even if Li Xueqin took the fifth place in the talk show conference, he would still be broadcast in "Broadcast! The scenario comedy shed tears because of the anxiety of the script; the hot -bearing Yoko has already performed a lot of play. The brave He Yu in the "Funny Woman" and "One Non -year -Nonsered Annual" of "Yulouchun" made her praise. It is still often netizens who treat her as an Internet celebrity; huge public opinion once made Yang Yan label, becoming synonymous with feminism, or the target of attacked; who is it".

Almost all of them are "half -way monks" non -scientific players. The hot -eyed Yoko and Li Xueqin who became popular with short videos, all graduated from the news and communication majors. Jin Jing, who debuted through a comedy variety show, graduated from the School of Political Science and Law. Field affairs and other work. Being able to become popular through short videos or talk shows is more like something outside of their original trajectory.

Yang Yan participated in "What to do! Talk Show Special "

Among them, some people are humorous and grounded. Some people have a sense of variety. Some people have unique thinking and expression ability, but can they be as actors or directors like those female comedy people in the past. Intersection This is an unknown thing. No one can give a determined answer except for the acting of acting. This is also a issue that is more worth thinking about by female comedy people who mainly rely on variety shows.

Is there a good living environment?

Chinese female comedians have been in a scarce state. On the one hand, it is rare to have the ability to make fun of the audience and converge their emotions and let go of their image burdens. On the other hand, the living environment of female comedy people is not optimistic.

In the era when comedy and sketch supported most of the comedy, female comedians had almost no chance to be seen by the public. Deyun Club, the most famous professional cross talk community, has not received female disciples for so many years. Zhang Shouchen also said: "Crosstalk is not a woman's saying. There are women in other industries in other walks.

Jia Ling was in such an industry that was exclusive to women. She is talented and willing to suffer. In 2003, before graduating, he won the first prize in the Beijing Crosstalk Contest. Guo Degang was the third prize. As the judge, Feng Gong asked Jia Ling to worship his head and accepted her as an apprentice. In the next few years, Jia Ling also won the second prize and third prize in the two cross talk contest held by CCTV.

Jia Ling performed in the early years. Figure/Weibo

But the dilemma behind this is that as a cross talk actor, she can't even use the most basic facilities. There is no female dressing room in the background. Every time she can only change to the costumes in the bathroom, she once teased: "Girls say cross talk, just like entering the wrong bathhouse." In order to make her role richer The screenwriter eats and grinds the script to become a tool person.

It can be said that at that time, the problem of gender imbalance occurred in the roots. However, the development of the Internet has greatly improved this situation that excludes women outside. Today, female comedians have more opportunities to be seen. Even if you do n’t talk about the boys of teasing, do n’t have the inheritance of a master and apprentice, and without a class, you can also stand in the middle of the stage through the sense of humor in life or the art of speaking.

Behind this is the broadening of the concept of comedians. The comedians no longer refer to comedians who are professional in crosstalk and sketches, but can be placed in more scenes. Women can participate in talk shows, recording variety shows, shooting short videos ... As long as they can show the talent of personal comedy, they can become female comedians. At the same time, the dignity and personal value of female comedy are gradually valued. In the past, it was the survival of many female comedians. It was not only the stage of cross talks and sketches. Many female characters in many classic comedy movies also rely on this way of survival.

For example, Wu Junru, known as the Hong Kong "Comedy Queen", often played rude eight in the film and the ugly idiot woman in the early days. Yuan Qiongdan also walked into the public's vision with the pomegranate sister in "Tang Bohu Point Qiu Xiang" and the poisonous old man who was poisoned by "Jiupin Sesame Officer".

However, with the rise in the popularity of the public, such a performance method is no longer widely accepted. In the first "China Crosstalk Sketch Competition" held in 2018, Cai Ming, as the judge, said: "Young female comedians cannot win applause by relying on ugliness."

"If you want to find a beautiful actress, he wants to catch a lot, but if you want to find a ugly, confident, confident, and funny woman, I will be one. I am not beautiful, but only one of this one , Ended. "Her attitude was appreciated by many people.

But this also means that everyone has higher aesthetic needs for comedy. Volkswagen recognizes more beauty of female comedians, but also requires them to show a more tasteful comedy stage with a more "fried" burden and more unique thoughts.

On the whole, although the living environment of female comedians still faces many problems, compared to the past, it is going up.

The audience's misunderstandings about comedy and vulgar regions have been solved, as Zhang Xiaofei said: "I can't think about the comedy, I did it, very proud and grateful."

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