Comments 丨 Qiao Yu's illness died: he left, no one can drive away

History is a weird old man. No one was going to leave, and no one he wanted to send away could not be retained.

The famous noun writer Qiao Yu died in Beijing on the 19th. He is the "Master Qiao" in people's mouths, and it is a well -deserved Chinese contemporary word.

In an instant, the circle of friends was brushed by those popular and familiar lyrics. Qiao Yu's lyrics, from history to the present, from the country to the small home, from the elderly to the child, all say, all write. He has a wide range of creative scope, great influence, and no one. His lyrics accompanied the New China along the way, accompanying the growth of hundreds of millions of people, and became a classic for people to sing.

Throughout the lyrics of Qiao Lao, it can be divided into two stages. In the previous stage, he mainly wrote "Let's Swash Patstels", "My Motherland", "Song of the Motherland", "Said Shanxi Scenery", as well as the lyrics in the movie "Sister Liu" and so on. The latter stage was the creation of the late 1970s, especially since the reform and opening up. Representative works include "Unforgettable Tonight", "Missing", "Say Liao Zhai", "Sunset Red", "Love Me China" and so on. This is his comprehensive flowering and masterpieces of creative eruptions. His works resort to the performance and explanation of modern people, modern life, and modern emotions. The first touching words for the people to make the common people are lingering.

Qiao Yu's lyrics are naturally wise and reasonable in language. They are flexible and eclectic in terms of words. In terms of form, they are rigid and soft, pursuing neutrality, and they are elegant and vulgar in interest. In 1956, the director of the movie "Shang Ganling" asked Qiao Yu to write the lyrics of the theme song. It turned out that the director asked the song to sound when the battle was the most intense. To express the beliefs of the soldiers vowed to defend peace, Qiao Yu didn't know how to write down.

One day, Qiao Yu suddenly thought of the feeling of shocking when he saw the Yangtze River for the first time: at that time, the rice fields on both sides of the strait continued, and the aroma of rice flowers made people feel refreshed ... he suddenly inspired: "A large river wavy, the wind blows the wind blowing, the wind blows the wind blowing On both sides of the rice flower, my family lived on the shore. I was accustomed to the number of Gonggong, and I was used to the Bai Fan on the boat ... "There was no battle scene, no empty words. He used the extreme lyric to depict a ordinary but beautiful The picture of life. Let me tell people how long the Chinese people who are full of war. The movie has not yet been released, and this song is played on the Central People's Broadcasting Station, and it has spread throughout China soon.

The ancients of the ancients, "with a simple resignation, the principle of deepness", "covering the poet's intention, care of the deepness. If it is not deep, there is a shallow disease; Qiao Yu's words are profound, and the profound philosophy is in the vivid artistic image: "Let's swing the paddles, the boat pushes away the waves", and the wavy language sings the youth of the New China clearly. New life; "Qingshan is there, people are not old," and hope to parting, convey to the future with blessings, there are free and easy and optimistic; The Daqian World is portrayed into Mu San; "You seem to be a butterfly, fly into my window", is hope, expectation, a feeling of heart, long -awaited, and hastily parting with each other. "Friends are here, come here If there is a good wine, if the wolf comes, there is a shotgun that welcomes it. "

In the lyrics of singing the motherland, praising the homeland, commented on the world, and care for life, Qiao Yu intends to excavate from the subtle life that is usually ignored by people, and use the height of the dramatic techniques of concentrated and enhancement. The future is cleverly connected with history, which has profound ideology and philosophicality of the alarm, but also has human affinity and artistic aesthetic effects.

This is because Qiao Yu's expression of personal emotions often starts with the details of history, society and life, and then rises to a wide range of life experiences. To write the psychological level of the people at the level, this makes the mind of their works point to a deep human care.有了这样的情感内蕴，乔羽的作品便排除了外在化和单一化，实现了人生化和生命化，既是个人的又是时代的，既是自我的又是大众的，是自我抒情与The harmony of the time of praise is the resonance between personal heart songs and the public's voice.

Qiao Yu once said, "The sea of ​​the sea, Baiyun Cang dog, history is a weird old man. He has to leave no one to drive away, and he can't keep it away. I will pay the theory with the passers -by of ancient times, I am a passenger from ancient times to the present. Dedicated the pride to Fengtao's thousands of miles. "The river rushed wide, and the mountains were not old. Qiao Yu sang his motherland and the people with a poem full of human business and a never -hoarse singing voice. Today, Qiao Lao is gone, but his works will become the memory of the times and history with vigorous vitality, and deeply integrate into the spiritual life of generations.

Edit Yin Shuguang

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