Micro -reviewing Thirteen Arts | Public Saids - "Mother", "Deep Sea", "Teacher Guimei", "Lu Yao"

Stills of performances of Peking Opera "Mother"

Peking opera "Mother": walking around the world, the revolution rely on itself

I heard that Cai Hesen and Cai Chang's mother Ge Jianhao was a revolutionary mother. At that time, she stepped on the three -inch Jinlian to accompany the children to study abroad, cultivating several early leaders of the Communist Party of China, to achieve a good story of the party history, and to achieve a good story of a female struggle. Seeing this story on the stage, the Peking Opera "Mother", still felt very shocking and was also very motivated. The story of Mrs. Ge Jianhao tells us that we must never say that we are subject to objective obstacles. Compared with the old lady Ge Jianhao, we have at least a sound feet.双 Our is not our feet, but our heart! (Zhao Jun, Institute of Culture and Tourism, Hebei Province)

"Deep Sea" performance stills

"Deep Sea": Deep sea, deep love

I have never seen such works that are closely linked. The title of the drama is "Deep Sea", which is developed "Deep Sea". His homework is in the deep sea. What is even more deducted is that the prototype of the protagonist is the winner of the "Republic of the Republic" and Huang Xuhua, the "father of Chinese nuclear submarine". The team's concentration, just as the rapids sinking into the deep sea, dedication silently, worried, and the surface of the water, it will be the world! The deep sea is a nuclear submarine, and these scientific researchers who created the country represented by Huang Xuhua's representative! There are deep love in the deep sea. There are our love for Huang Xuhua outside the play. In the play, there are Huang Xuhua's love for the country, love for career, love for family members, love to comrades ... The drama "Deep Sea" expresses the deepest love with the deepest sea. (Zhao Jun, Institute of Culture and Tourism, Hebei Province)

"Teacher Guimei" performance stills

The drama "Teacher Guimei": firm belief, inseparable from the hot land of true feelings

The drama "Mr. Guimei" is an excellent work that has quickly entered the drama and successfully leads the rhythm. Real people are on the stage, and it is difficult to present the real movement on the stage, let alone the content that will be derived from reality beyond reality. However, the show did it. Through the return of the return of Mr. Gui Mei, by following the way when Mr. Gui Mei was looking for, she realized her spiritual world through the real presentation of Teacher Gui Mei. There is no doubt that faith is the strongest persistence! However, the play did not stop at faith, but to further dig out the root of the firmness of faith is "hot soil"! The true warmth from the people is the root of the belief of Teacher Guimei, a firm power! (Zhao Jun, Institute of Culture and Tourism, Hebei Province)

"Lu Yao" performance stills

Simple but not exciting -the drama "Lu Yao" after the view

On August 27, the drama "Lu Yao" performed at the Fengnan Grand Theater in Tangshan. Lu Yao is a person who has blood and life creation. This drama perfectly interprets his life. In order to write works closer to the lives of the people, Lu Yao used the relatives and friends around him as the prototype of the work to create. He went deep into the grassroots and even went to the mine to understand the working environment and voice of the workers. Lu Yao's literary works were successful, but he failed as a husband and father. In the play, Lu Yao's wife Cheng Yuan is a gentle and virtuous intellectual woman. She maintains a poor family life with her meager salary, and continues to help her poor relatives. In the end, she couldn't stand Lu Yao's disregard of the family. When Lu Yao won the Mao Dun Literature Award when Lu Yao's "Ordinary World", she chose to break up. In the next year, it was the last time of Lu Yao's life. Cheng Yuan came to see him and brought a cloth doll given to him by his daughter. After Cheng Yuan left, Lu Yao hugged the cloth doll alone, crying like holding his daughter. This is the true feelings of Lu Yao on his daughter when he died, and he was guilty and reluctant.

The narrative of the drama "Lu Yao" is simple, just like Lu Yao's writing style, condensing the writer's life for a short life in the two and a half hours of the plot. A large number of Shaanxi dialects are used in the play, which has more regional characteristics. When the actors were very popular, especially when Lu Yao faced the left and right things to help him help him, the helpless but could not bear to refuse, and portrayed a Shaanxi man who did not forget the book. (Wang Yongqiang)

(The picture is provided by each performance unit)

Responsible editor: Zhang Jiayi

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