Micro -reviews Thirteen Arts | Highlights of Kuangshi Butterfly Love —— The acrobatic drama "Hua Die"

"The creation of Chinese acrobatic dramas has transformed from a simple acrobatics display to a new performance of the plot, contradictions, roles, stories, and dramatic creations. It emphasizes the perfect combination of techniques and art, and uses a new performance of narrative with acrobatics. "At the 13th China Art Festival, the concept of art director Ning Genfu was newly interpreted in the" Hua Die "performance, restarting the audience's cultural cognition of classic love stories, filling the tribute with contemporary acrobatics dramas. The blank of "Liang Zhu" conveys the poetic characteristics of China's excellent traditional culture.

Acidistic drama "Hua Die" Stills Stills Guangzhou Acidistic Art Drama

1. The emotional temperature in the process of butterfly change

Excellent literary and artistic works must not only tell a good story, but also to realize empathy. "Compassion is a subtle, strong, restrained and firm force, and a high -level realm pursuing excellent literary and artistic works."

"Liang Shanbo and Zhu Yingtai" is one of the four major love stories of ancient Chinese folk, and is known as the eternal singing of love. To this day, it is still engraved in the bones of the Chinese, and the emotional temperament and humanity that cannot be dissipated in time. With the spirit of excavation and exploration, the Guangzhou Acrobatic Art Theater interprets the tragedy story of this common memory of the Chinese nation in the form of acrobatics. It can be described as a conscious pursuit of humanistic meaning in the development process.

The key chapter of "Liang Zhu" in the acrobatic drama "Hua Die", accurately grasp the positioning of text characters such as Liang Shanbo, Zhu Yingtai, and Ma Wencai, and use the artistic hand to make a useful development and innovation of the classic love story. Vividly show the emotional temperature and human luster in the process of butterfly change.

Liang Zhu's characters have grown up in turn in turn in order "Girlfriend's Nostalgia", "Reading", "Love", "Love", "Farewell", "Anti -Marriage", "Dreaming", "Dreaming", "Love" and "Love". In the play, the journey of their minds has been enlarged in detail, and the lively, rotten, rebellious, and strong Zhu Yingtai, ignorant, honest, sad, and dedicated Liang Shanbo, the personality of the two people stand out in a progressive narrative, stand out, Bring a beautiful and eternal experience to the audience.

In the play, the characters of the matchmaker, wishing father and mother, and Ma Wencai have also been successfully shaped, and their ingenious, greedy wealth, high -qi Yang Yang and the innocence of the male and female protagonists have been in sharp contrast. Become the "drama" part of the play.

What is even more intentional is that the end of the drama is uniquely added to the scene of "Hua Die" book through the scene, saying that "life and death follow, all fate with you will always linger; "It shows that behind the beautiful love story, the courage to break the cocoon butterfly and the determination to pursue freedom and beauty requires the classic love story and people's emotional memory to reflect each other. significance.

In short, in the spreading exhibition of the plot, all kinds of emotions are ups and downs, and the suffering contains sincerity and sentiment. It exudes strong and courage, grief and joy, reality and romance in the desperation. The essence also reflects the heavy sense of the times and the texture of the individual of life. The ultimate choice of consulted, courage, freedom, and longing to become the protagonist in the play is the most valuable spiritual bright color, and it is the soul and value of this acrobatic drama.

Second, the plot settings of agile extension

The play uses the dual expressions of vertical and horizontally to use the classic love of Liang Shanbo and Zhu Yingtai as a narrative base line. , Incubation, fighting out of the cocoon, freedom flying, and transforming a better journey.

In the vertical, the opening of the "broken cocoon into a butterfly" plot is added. It not only finds the original point for the birth of love, but also implies the life of the butterfly "cocoon butterfly and the butterfly cocoon". Hua Die returns to "find a life that turns around; the end of the" butterfly love "adds the plot of the book through the book, implying the eternal spread of Liang Zhu's story.

Horizontal, Liangshan Bo's misses became ill, and the aura scarf guided the two people's dreams, which was difficult to distinguish; between the light and shadow of the heaven and earth in the "fantasy realm", the butterfly accompanied each other. The intersection of real scenes and false realities, reality and dreams, fully demonstrated the realm of Zhuang Zhou Mengdie and I forgotten.

It can be said that these agile and extended plot settings are a way of expressing poetic expression in the character's feelings. The clever conversion of time and space constitutes the "creation" of the stage. Essence

Third, the diverse form of carrying the meaning of the carrier

Stage art should pay attention to "Fu Xang". "The so -called formula is to give the form to the soul, and to discover and create meaningful images, forms and images through various means on the stage," eventually made the stage a "meaningful form" as a whole.

"Hua Die" is core of more than 30 acrobatics such as empty bamboo, silk hanging, hanging ring, top cylinder, piercing umbrella, shake, collective fan dance, brush hand skills, funny drilling boxes, stepping on steel wires, ballet on the shoulders The diverse forms of dance and opera are performed, carrying rich spiritual meaning, and cleverly convey the characteristics of poetic, ethereal and romantic.

Starting from grasping the overall temperament of the work, the play uses the elegance of the essence of the acrobatics and the elegant charm of the drama, and gives an extraordinary "poetic" on the overall "shape" of the stage. For example, a "love", the flow rotation of the two people's shaking bamboo implies that the autumn waves are surging and the love is dark, and the water sleeves of the character "inner externalization" are used to strengthen the school's first sight and see ten thousand years; Use a high -altitude hanging ring to show the two people's cherishment; use an umbrella to suggest that a lover is forced to disperse. In particular, "Hua Butterfly" shows the unique "ballet on the shoulders" and "ballet above the head". theme. The poetic traits are also reflected in the shaping of stage images based on the "group" ideas. For example, group fan dance and brush hand skills show the elegant scholar; group dance turning discs symbolizes the "Liang Zhu" spirit and spreading leaves and spreading forever. It is worth mentioning that a similar combination lens "Love", Liang Shanbo and Zhu Yingtai read and play together on one side of the stage. Flying, it has the meaning of "metaphorical people". In a "pro -change", the matchmaker, the father and the mother, the propose and other groups of people appeared to show the stilts to imply that the feudal level concept was strict. The dazzling flying disk and ball skills show that there are countless jewelry, and the magic of magic is boundless. It can be said that the use of acrobatics in the play has closely linked the complex changes of the characters, and all the interpretations are accumulating elements for the poetic form of the stage.

What is remarkable in "Hua Die" is the simple dance design. Gazebo, small bridge, stone steps, bamboo orchids, brushes, fan noodles, umbrellas, line circles ... create a poetic and elegant, dreamy stage space, which not only shows the characteristics of the regional environment of "Liang Zhu", but also reflects the excellent tradition of China in China. Culture's poetic romantic characteristics.

"The new century is the" drama era "of the development of Chinese acrobatics." From the 2004 Guangzhou Military Region Warrior Acrobatic Troupe, the first Chinese acrobatic drama "Swan Lake" was launched, and today the highlights of the Guangzhou Acrobatic Art Theater showing a worldly love "Hua Die". A number of acrobatics such as Wei Yanhua and other acrobatics of exploring the limits of the body, the determination of the classic inheritance of the acrobatics drama, and the practice of cross -border integration of Hainan. Ning Lao has gone, but "excellent works often live longer than its authors", classics are immortal, and "Hua Die" is always circulating.

(Special author: Guo Xiaoxia, Hebei Provincial Literary Federation)

Responsible editor: Gou Xiaoqing

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