Guole Live | Liu Yan: Live new ecology brings new opportunities for National music dissemination

At the meeting, Liu Yan, the dean and professor of the Chinese Academy of Music School of China Music, said that the emergence of related new formats such as online performances, live broadcast rooms, and other new formats have innovated the way of spreading and inheritance of national music. The relationship between the role and power. It not only breaks the boundaries of art and commodities, but also makes the profession closer to the public, bringing new opportunities and challenges to the development of national music.

Liu Ye, Dean and Professor of the Chinese Academy of Music of China Music School

"Whether it is' broken circle 'or' breaking the barriers', it reflects the emergence of new formats such as online performances and live broadcast rewards, changing the status quo of national music inheritance and dissemination, and driving more musicians to get out of the" ivory tower '. "Liu Yan said.

A few days ago, Douyin Live and the Central National Orchestra launched the "DOU has national music" plans to invite the orchestra's hundred artists to settle in the broadcast to bring more than 100 online concerts. At present, the chief of the 12 bands of the top -level national instruments such as Erhu, Zhonghu, Pipa, Flute, Suona, etc., all of which have settled in.

In order to realize the contemporary construction of national music under the context of the new media, Liu Yan further pointed out that professional musicians need to start from the root of the nature and cultural tradition of national music, learn more from the public, and make good use of the high -efficiency capacity of webcasting. Information medium helps the spread and inheritance of excellent music culture.

Liu Yan said that he would like to "like" the feelings and responsibilities of the new situation for musicians, scholars and practitioners to spread the new situation, and look forward to more practitioners in the future. Discuss and practice the topic, so that the ancient sound rhymes are constantly glowing in the tide of the times.

Responsible editor: Gou Xiaoqing

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