"Thirteen Arts" Highlights ｜ Drama "protagonist": praise the spirit of hard work

Great Wall Network · Jiyun Client News (Reporter Wang Xuan Zhang Qian) On the evening of September 3, it was recommended by the Shaanxi Provincial Department of Culture and Tourism. The Grand Theater was shocked. The play will represent the 17th "Mandarin Award" on behalf of Shaanxi and other outstanding works in the country.

Stills of the drama "protagonist".

The drama "protagonist" is another masterpiece launched by the "Mao Award Trilogy" of the Shaanxi People's Art Theater "White Deer Plain" and "Ordinary World". The play is adapted from the writer Chen Yan's Mao Dun Literature Award of the same name. It tells that Yi Qin'e from a 11 -year -old sheep baby to the Qinqiang drama troupe was recruited as a fire girl, and then four old artists learned to learn Qin Qiang for the teacher. , Practicing the true skill and the reputation of the truth, with their own talents and sweat, stepped from the supporting role to the protagonist step by step, and won the reputation of the "Queen Queen Queen". By recalling Qin'e's stage career and struggle for nearly half a century, the play reflects the rise and fall of Qin Qiang, the oldest drama of China in the torrent of the times.

Stills of the drama "protagonist".

The play is a realist work, which lasted for three years. The crew members of the crew went to Sanyuan, Puyang and other places in Shaanxi many times, listened to the Qin cavity, watched the studio, carried out a symposium, and felt the author's writing in the process of collecting the wind. The script is Jiuyi's manuscript. The drama text of more than 30,000 words of novels of more than 30,000 words is used to convert the drama on the basis of loyal and original works. Hundreds, focusing on the spirit of struggle that the protagonist never abandoned.

Stills of the drama "protagonist".

As a drama, the drama presents the art of Qin cavity, and it is a "cross -border" innovation. In order to shape the characters in the original Qinqiang drama troupe, the theater deliberately renovated an exclusive training room, allowing the drama actors to conduct two years of opera training during rehearsal, and learn the Qinqiang's "four -in -one methods and five methods". Hard opera training has brought severe challenges to these actors who have never been in contact with opera.

Recalling Qin'e actor Liu Li Youyou showed his shoes that he practiced.

"The protagonist is the person who bakes yourself on the fire, because you control everything on the stage. Therefore, you need to have more sacrifice, dedication and tolerance than others." This is the drama "protagonist" in the drama "protagonist" A very shocking line. In the play, Liu Li Youyou, who played the protagonist, recalled Qin E, although he is a young actor of the "post -90s", has a wealth of experience of hundreds of performances. Tian Xiaoxia in the world has also won the "Five One Project" Excellent Works Award for the 15th spiritual civilization construction. Liu Li Youyou said that the opera performance in this play is too difficult, but she has always told herself during training that she can cry but not counsel. When the epidemic was encountered during the rehearsal, Liu Li Youyou insisted on practicing in his own parking garage, and dared not to have a little deserted. Her practice shoes were rotten. She called "Laughing", which was specifically reserved as a memorial.

The actor of the drama "protagonist" conducts physical flexibility training.

The actor of the drama "protagonist" conducts physical flexibility training.

Like Liu Liyouyou, many young actors in the crew have not trained in physical flexibility for many years. During the training such as "split" and "stepping on", these young girls endure the pain of their bodies and inspire each other to break through each other. Difficulty. After unremitting efforts, the main creative team finally made the audience see a wonderful drama full of glory and the supporting role. After the show's premiere, he was praised by many Qinqiang performance artists. "Seeing the actor Qin'e's actor kicking his legs, he knows that she must have suffered a lot." "I didn't feel that they were drama actors on the stage, I just felt that they had paid a lot for this play."

Stills of the drama "protagonist".

In "protagonist", not only remembering Qin E as the protagonist, but also the supporting roles with their own characteristics, but also the protagonists who use their lives as the axis. This is also the writer Chen Yan to focus on a small man's writing, because ordinary talents are the real protagonists of life. The protagonist is the most suffering person in the whole line. This tone is exactly the praise and praise of the work of the work and the spirit of self -improvement. At the same time, the entire work deeply entered the depths of opera texture, showing the thick heritage of traditional culture as the loess plateau.

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