Dialect drama is not a "gimmick"!See how exciting them to integrate "funny" into the drama

The colorful and ten colors in the Payon cover the terrible breath of mountain rain, and the style of the rotation and dance steps are filled with invisible swords and swords.

In the Shanghai Beach in 1943, the forces of all parties were entangled, and the situation changed rapidly.

How to send the materials safely to Suzhong base?

This is the test that the "little boss" is facing, and it is also the battlefield where all hidden frontier workers do not see smoke.

Last weekend, the dialect drama "No. 51" was performed at the Wanping Theater.

You can't speak well in Mandarin, don't be here with my fourth and fourth -fourth!

If Kumita dares to come to find the water again, he will do it!

Movie version of "No. 51"

Although there is a movie of the same name, Zhu Yu, the dialect drama version of "No. 51" shows a completely different style of painting-

Use the stage scene to create a suspense atmosphere to highlight the crisis of the environment where the hidden frontier workers are located;

Then use the funny skills of the funny actor to show the process of fighting against Japan and the Japanese invaders, showing witty and not heavy.

The actor lineup of this dialect drama version

The potential of the star arches.

Chen Yucheng

The core figure "Little Boss" is the young actor Chen Yucheng.

When he looks handsome and calm, he has successfully interpreted the "little boss" that is dwelling between the forces of all parties into a three -pointer. It seems that it is smooth and the alarm. In some micro -rivers and lakes, it has a sense of justice.

And the "new star" to support the "No. 51" to reproduce the brilliance of the people's funny theater troupe.

In the play, they cleverly incorporated the "eighteen martial arts" into the drama performance, wiped out exaggerated traces, and made the gimmick appropriately, deeply rooted in characters and serving the plot.

Wang Rugang

The funny performing artist Wang Rugang's "Master Golden Mrs. Golden" in the play, a dark red melon hood, hidden a blue and small shoulder, and the rich man with a smile of the rich man with a smile on the cunning of the world. Fucking Sichuan dialects, seemingly mild, but have a deterrent, letting people not recognize the household name of Shanghai Beach.

With the three generations of the old and young generations of the old youth, Wang Rugang admitted: "It is to sharpen the actor's skills, learn drama performances, and inherit red pornography."

Pan Qianwei

Pan Qianwei played Ma Fugen. He was not so cunning and vicious. This smart clown brought a bit of comics.

There is a drama that searches for the "Little Boss" cargo ship, and the effect of the shadow play is performed. It will be concentrated in the fast -paced "moving picture", which will make people unbearable.

Pan Yuanwei said: "The experience of acting in the drama makes up for the lack of funny actors in the stage scheduling and presentation. Let us once again play the motivation of‘ useism ’, learn to find characters, and show it more appropriately.”

Chen pretty

Master Feng, played by Chen Liang, is the role that does not have in the movie.

He also asked the director in confusion: "Why do you have to have such a role." The answer was: "No matter what the power of all parties at that time, one thing is common -the Chinese always have a Chinese heart of Chinese hearts. When the nation faces the insult and violations of foreign enemies, no one will be indifferent. "

The final setting of the plot is exactly that with the gang of Master Feng and the help, the "little boss" can successfully transport the supplies to the Suzhong base.

Zhang Guoqing

Zhang Guoqing, a "villain professional household" on the screen red on the stage, performed "Huang Yuanlong" this time a different taste from the movie.

Just as in the initial cast, the main creator considers -Huang Yuanlong may not have to be Hu Chuankui's "net corner" like Hu Chuankui, or it can be Cheng's "big ugly", or even "old".

Zhang Guoqing's performance is smooth and free, and it has become the key to the rhythm of the whole play.

The drama dances beautifully

The way of "free style, realistic details".

The huge platform of one side was obliquely downward, and the edges extended to the auditorium.

Black and gray to create a cold tone, and in a murderer, there are various characters one by one.

Don't look at the minimalist of the stage, but it is full of changes. The diagonal board is the dancing field of Paramount, and sometimes the sword is tense pier.

At the end of the drama, the whole stage was raised high, bringing out a huge red curtain. It was a boat full of military materials to the base area, and it was also a boat that sailed towards the victory.

It carries the faith in hope and immortality to drive to a bright future.

New Performing Studio

Author: Zhu Yuan

Edit: Xiaokai

Picture: The organizer's picture, part of it comes from the Internet

© Xinmin Evening News Department of Culture

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