Thirteen Art Festival | The drama "Xiangshan Night" staged the 17th "Mandarin Award"

A century of great career, dreaming back to Xiangshan. On the evening of September 2nd, the online live broadcast platform of Beijing Renyi Art's original major revolutionary historical drama "Xiangshan Night" was staged. The play is the "Mandarin Award" drama children's drama participation works on the 13th China Art Festival. The drama "Night of Xiangshan" was created in 2021. It was written by Li Baoqun, directed by Ren Ming, and Wang Ban and Fang Xu.

In March 1949, the Central Committee of the Communist Party of China and the Central Military Commission settled in Xiangshan, Peiping, and began the first stop of "entering Beijing to rush to test". On the night of April 23, the People's Liberation Army crossed the Yangtze River and occupied Nanjing. Mao Zedong, who was standing at the historic moment, did not sleep all night. Chiang Kai -shek behind the wild was also restless. The two began a soul dialogue beyond time and space.

"Xiangshan Night" only two main characters Li Chunguang

Unlike other works of the same kind, the show does not just tell a story, but uses important historical juncture as a time node. Through the "Macross Soul Dialogue" of Mao Zedong and Chiang Kai -shek, it will fully trace back to the party's new democratic revolutionary history. Showing the party's struggle, revealing a profound theme -the reason why the Communist Party of China has achieved victory and continuously developing is because they are always looking for rejuvenation for China and happiness for the people. Use the different choices and results of two historical figures to explain the party's original intention and mission.

The combination of false and reality, based on historical facts as the content foundation, and poetic imagination as an external form. It is the artistic characteristics of the drama different from traditional realist works. Through artistic imagination, the work allows Mao Zedong and Chiang Kai -shek to have a fierce language, thought, and ideals and beliefs in different spaces at the same time.

In the drama structure, the play boldly adopts the form of jumping in. The actor is both a historical figure and an actor himself on the stage. The actor's transformation can lead the audience to enter the drama situation together, feel the thoughts and thoughts of the characters in the play, and cause more in -depth thinking.

Editor: Yuan Ming

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