Micro -reviewing Thirteen Arts | I played Tong Gang in "Saihan Changge"

Stills of the drama "Saihan Long Song"

The role I played is the second -generation forest forest, and it is also a representative figure in the second generation. He has all the younger generations who continued the spirit of Saihanba's spirit of the forest love the commonality of Saihanba, and also have his own personality of the land of Saihanba. How to perform such a character with flesh and blood? I think this is inseparable from the second creation from scratch. But from scratch, it is not forgotten our performance experience and knowledge. It also needs to use the performance foundation and skills as the basis to help us complete the characterization of the role.

The highest performance state of the drama characters is "shaping the character". When we receive a new role, first of all, we should contact the character at zero distance and find the common point and different points with the character to open a new creative task.

When I got the script, I liked this character very much. He was sunny and persistent. He inherited the spirit of Saihanba, the older generation of forests, and was thirty years in Wanghuo Tower, letting people see his mind and feelings.

After reading the script, I formulated a word for my creation, which is "simple". It is simple to all creative tasks from scratch, forget the previous performance techniques and means, directly enter the role, follow the role to the specific on that specific one. In the context, do not hesitate or doubt; just feel, feel his growth experience, feel his joy and sorrow, feel everything he can feel, so that he really becomes the Sahanba in our hearts. After the integration of sensuality and character, we need to rationally find the same and different points with the characters. Starting from the same point, different points are demonstrated, so that the characters' thoughts and actions are deeply rooted in our minds. Some people once said that only if you open your heart to the character can the character walk into your heart.

The lines and shapes are also the basic kung fu of a professional actor. The combination of the two can help us better shape the character image. The lines in the drama performance are a magnificent life language, and monologue is the externalization of subtext. The body is an important means of character creation, and the body movement is a true portrayal of the specified scene. But in the drama "Saihan Long Song", if we want to be closer to the characters and restore the specified scene at the time, we need to start from scratch in terms of lines and shapes, so as to obtain the internal and external phase. Unified expression.

This character is a representative figure in the second -generation forest. In line and body, he is youthful and sunny, and is full of positive energy, but he must meet his background identity, especially when he is one year old and his father came to Saihanba. And love. His appearance was five games. When facing the vast forest, he and his daughter -in -law Er Tao expressed his emotions with singing. When I deal with these lines, I completely naturalized the language, born, and from the heart. It is not intentional to portray the language movements. It is to express it completely and let myself form a state of subconsciousness. The body is given to the specified scene at this moment, and the scenery of the beautiful Saihanba is integrated.

Each performance of the drama is inseparable. It has a complete artistic form. Each of the actors' players means a new creation of the characters. But over time, long -term rehearsal and performances, fixed lines and body movements will make an actor gradually lack a sense of freshness to the character, especially in the emotional drama. Essence So how can we maintain the emotions we have captured in each performance? This requires us to make a lot of preparations before each performance. Instead, we must start from scratch in the performance. Performance status, re -establishing relationships with character characters. For example, whether Tong Gang and his wife stayed in Wanghuo Tower had different differences with his wife's sister. He couldn't leave because the forests they guarded were exchanged by the older generation of forests. He used simple language to convince his wife's sister.

In this paragraph, a large amount of text and information reflect the inner activities of the characters at this moment. Emotional vent, narrative lyric, showing the character of the character, and the communication between opponents. However, in the long -term performance, because of the lack of freshness, we are likely to ignore a lot of performance elements. This will make emotions change, so that we cannot accurately capture the inner activities of the characters. Get resolved, let your performance start from scratch in the performance, listen, true love, and feel, enrich the emotional world of the characters, establish self -confidence, and achieve the subconscious manifestation of each line and each action. This kind of subconsciousness. Emotions are naturally revealed to shape a successful role.

(Special author: Tian Shuo, the performing arts group of Chengde Driven Co., Ltd., Hebei Province, the picture is provided by the Chengde Drama Troupe)

Responsible editor: Gou Xiaoqing

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