The 13th China Art Festival special issue | Puxian opera "Step in the Umbrella"
Author:Cultural Tourism China Time:2022.09.01
Good times will be happy and happy
——The style and fun of the Xianxian opera "Step of Umbrella"
Wang Yan
In the Qing Dynasty, Li Yu had a sentence in "Kite Mistake": "But I do n’t worry about my words, I do n’t laugh.” This shows his preference for comedy creative style, and also shows his overall creation of the legendary legend in the late Ming Dynasty. Practice trend. However, from the psychology of the audience, this actually emphasizes the pleasant feelings and entertainment positions necessary for opera aesthetics. Only under the premise that the art of opera art and the audience accepts psychological penetration, can the social and cultural functions of the high stage of the opera high -Taiwan enlightenment and the passage of menstruation be more effectively realized. The Xianxian drama "Step in the Umbrella" is a work with such artistic charm, and its creative intention is undoubtedly profound.
In the situation where the soldiers were chaotic, a pair of young men and women panicked, and they met in the wind and rain. They could only "follow the power in trouble" and accompanied them in the name of husband and wife. After the two of them were in the hotel, they asked each other's surnames, and the woman found that the other party was a husband and a husband who "fixed relatives and did not meet." But the same emotions have made them strange from their peers. They seemed to have the inspiration and the vision of each other's closeness. Even the man encountered the woman's subconscious support, and "couldn't help" pull the other's hand. Faced with the man in front of him, the woman was in the question of "how he didn't know how to hire a married woman in front of his eyes, and how could he see the intimacy", so he began to find a man's heart. She asked, "Did you settle down?" The negation of the other party "blurted out" was like Lei Zhen, which caused the woman to be stimulated: a man with a marriage contract, when facing a woman who meets the stranger, she openly concealed her "marriage". fact. After all, this man who has a good impression on himself will eventually be "unsatisfactory with affection", "not true" and "determined to retreat". Therefore, when the man began to think of "formation of the relationship", the woman revealed the identity of each other on the spot.
Such a male and female emotional story is quite related to the "grab the umbrella" of the opera performance of many dramas. "Similar classic scenes of works. However, compared to traditional dramas, "Stepping on Umbrella" did not promote the narrative structure of sadness and joy along the "misunderstanding" method. Facing their true emotional choices and solve the psychological distress that the external world brings to themselves. "Step in the Umbrella" focuses on the misalignment of the established marriage contract and realistic love. Through the full perception and fully discovery of the hero and the heroine of the male and female protagonists, in the choice of love and marriage, we will realize their respect and understanding of themselves and others. Such an ending with the true psychological exploration of the protagonist interprets the emotional story full of modern concepts. Traditional scenes such as "stepping on umbrellas" and "rain" finally led to a new modern human sentiment. This is completely different from the artistic processing and conceptual position of traditional dramas, showing the height of the ideological height of "Step in the Umbrella" when expressing modern positions.
The man in the play Chen Shizhong's original ethics such as "lonely men and widows" and "do not receive kiss", but when the hotel was unexpectedly moved by the woman's youthful beauty in the hotel, he took the initiative to show love. Natural Zhicheng. Especially after the woman refused marriage, he apologized more frankly and chased the love he chosen in the form of "proposal". Although Chen Shizhong's old morality and new behavior, although there were two inconsistent images in the eyes of women, they completed his youthful growth with their accessible personality and decisive self -reliance.
The women in the play are like her name "Wang Huilan" and the name "Rugui". When facing herself and others, they also show two different self -one is naturally accepted by traditional rules and ritual education. A woman, a woman who faces men and gave birth to autonomous love. After facing the emotional impact of the man's negation of "marriage" and promising "retreat", although she was hovering in psychological tangles, she still resolutely expressed her negation of the established marriage contract and completed the adherence to himself. With the new behavior of "daughter unwilling", she rejected her parents designed for her, and also ushered in new love under her emotions and concepts. Real and accurate judgment is from the independent life experience of the individual. Her youth growth has also achieved gorgeous sublimation in self -reflection.
The life growth of the two characters in love has been agitated in the artistic style of the light comedy of "Step in the Umbrella". The role of the male and female protagonists has opened their deep and delicate psychological space, but the works are not in the entanglement of human nature, good and evil, and no excessive interpretation of contemporary thoughts such as feminism. With the usual normal rules of "water clearing fish", let the protagonist return to the logic of nature after experiencing psychological twists and turns. Especially in the four -off drama of "stepping umbrella", "listening to rain", "rain" and "crossing", the drama has always been closely linked to the unique love psychology of the youth, and uses them in the emotional world. In the seemingly righteous "human feelings", it is full of romance unique to youth. In the "Four Dynasties" [Four Dynasties], the woman walked by the river alone, and seemed to be decisively out of reality, but she still maintained the original intention of "looking forward to Chen Lang Chengfeng and the case of the case." Driven by the concept of the world, all the emotions of the nostalgia were put on "I am afraid that the life is wrong, and the heart is hanging or lonely to run away from the Jiangan." This unique female psychology is forming a completely different psychological tension with her behavior, showing a gap between the surface words and deeds in the emotional contradiction and the inner psychology. This is an important origin of comedy, and it is a lively individual of life, looking at the interests of themselves and others. At the same time, between such human nature and stories, the unique "傀 同时" unique to the Xianxian opera shows the drama scenes to show a strong interesting, adding a different comedy style. After the premiere of "Step in the Umbrella", I used the article "The Modern Songs of the Ancient Drama" to praise the Xianxian opera, the "suffocating and tearful ancient drama", through this work. , Realize the granting of modern quality. After many performances and repeated revisions, the original transparent thoughts and comedy style of this work have been further strengthened. I believe that this work can become an excellent model of contemporary opera creation with its unique artistic quality.
(The author is the director of the Opera Research Institute of the Chinese Academy of Arts and the president of the Chinese Opera Society)
The high degree of national aesthetics and the spirit of the times
——Exian Opera "Step Pour" Creation Summary
Liu Qian Yang Ke
The new costume drama "Stepping Umbrella" created by the screenwriter of Zhou Changfu and directed by Xu Chunlan, and founded by Fujian Puxian Theater Co., Ltd. made the ancient Xianxian opera like Mu Xinyu, and it burst into vitality. The drama lasted for several years. Driven by the Fujian Provincial Department of Culture and Tourism, it was selected as a number of major national art support projects and important exhibitions. Excellent drama festival, the top ten key support of the national stage art boutique creation support project was selected in 2020, and the "Stage Art Creation Project of the 100th Anniversary of the Founding of the Communist Party of China" was awarded the 35th Tianhan Drama Award.
Origin from tradition,
Link the emotional experience of contemporary people
"Step in the Umbrella" premiered in May 2018. It has been polished and improved 13 times in more than 4 years.
The creation of the play is inspired by the Xianxian opera "Shuangzhu Ji · Fugue and Meeting", which is a humble auxiliary story. And Zhou Changfu believes that if the emotional logic and human nature of men and women in the story further analyzes the characteristics of the two men and women, ancient stories are very similar to today's people, especially the marriage and love life experience of young people, especially the youth groups. In the play, the woman Wang Huilan hidden in the name to test the man, which is a tangling of the person who is afraid of being wrong with the person who is unfaithful; the man Chen Shizhong concealed the fact that he was settled, and he was panicked for his true heart. As an important image, the "umbrella" connects the love of the male and female protagonists in series, leaving the audience's sight, and the distance between the ancient and modern, the stage and the stage is invisible.
The whole drama began in "benevolence" and finally "forgiveness", containing the most vitality and genes in Chinese traditional ideology and culture- "Hehe" thoughts. At the end of the drama, men and women complained their hearts, and the dust fell into a true love of modern love. The wind and rain are the same, and the umbrella moves forward. "This is the case for lovers and couples in the world, and the relationship between people is like this, and it is the same to push to a larger world!" Zhou Changfu said.
Shouzheng innovation,
The high degree of national aesthetics and the spirit of the times fits
There are only 6 main characters and 10 actors in the whole drama of "Step in the Umbrella". A linear story shows the new but traditional style of the Xianxian opera, creating a new screenwriter for simple inner shows.
The screenwriter integrates the characteristics and performances into the structure of the text, while providing the creative space for the stage. Classical masterpieces, famous sentences and ancient poems are cleverly chemical in lines and singing.
Before entering the rehearsal stage, the main creative team of Xu Chunlan repeatedly watched the ancient drama information of the Xianxian opera, repeatedly discussed the historical development of the old artist of the Xianxian opera, the Kosuke movement and the music singing, and went deep into the grassroots performance to watch and experience. After his homework, he created twice after his homework, pursuing "inheritance is not the old, and the innovation is not forgotten."
Mr. Lao She once praised the Xianxian opera with "cute Pixian drama. "Step in the Umbrella" also made experts move, lamenting that it was "a milestone of the inheritance and innovation of the ancient drama" and "the model of the drama to keep the positive innovation, which reflects the high consistency of the national aesthetics and the spirit of the times."
Elegant and vitality, with strong vitality
The Xianxian opera has a long history and is known as "Song and Yuan Nan opera live fossil". In the New Year in 2022, "Stepping on Umbrella" appeared on a CCTV New Year Opera Gala, which caused the long -term village -to -vocal fans, Mr. Chen Lao's nostalgia: "When the familiar aria sounds, the steps come, and the unique performance of the Xianxian opera It's fascinating. "
Since the establishment, "Stealing Walk" has successively visited Nanjing to participate in the 30th Chinese Drama Plum Blossom Award. The traditional beauty of the aria also allows young audiences to feel the youthful wind of ancient dramas. "Step in the Umbrella" can not only move towards an elegant hall, but also love the grassroots people, and has a strong vitality.
There are many folk professional troupes in Putian, Fujian. Since the reform and opening up, although the rural performance market has been booming, in order to occupy the market, the troupe has more choosing to follow the market and adhere to the tradition of adhering to the Xianxian opera. In recent years, due to the impact of the epidemic, ancient dramas have added new difficulties. Relevant sources of the Putian Cultural Tourism Bureau said that the "Stepping Umbrella" on the Xianxian opera on the stage of participating in the Wenhua Awards, which caused a lot of shocks in the local state -owned institutions and hundreds of private institutions, re -revive the practice of Puxian opera industry The self -confidence and industry confidence of the drama will promote this ancient drama to adhere to the path of innovation and innovation, and then make a good masterpiece that is applauded and appointed.
Lao Shuchun is deep again
—— Applause for the Xianxian opera "Step in the Umbrella"
赓 赓 赓 赓 赓
Xinwen Xianxian's "Stepping Umbrella" as the Mandarin Award's participation in the 13th China Art Festival, which is gratifying. "Step in the Umbrella" is the fruit of creative transformation and innovative development. When art is played by the times, how can we miss the graceful posture of excellent traditional opera? In November 2019, the Fuzhou Phoenix Theater, the 16th Chinese Drama Festival, was based on the screenwriter of traditional drama, directed by the traditional drama, "directed by Xu Chunlan, and starring Huang Yanyan and Wu Qinghua. The art starry sky of the festival reflects the cheeks of each audience's joy. The artistic power of the ancient drama was deeply infected with contemporary people, comparable to the sensation of the coming of the pear garden opera "Dong Sheng and Li's". Finally, I saw a Chinese, opera, drama, art, artistic, personality, aesthetic masterpiece.
As soon as the "Step of Umbrella" made the national drama peers amazing, let the audience of the four seas of the five lakes and the seas of the world praised the festival, and let people re -examine the Xinghua drama of partiality. Fujian is a place with cultural precipitation. The Song Dynasty was chased and killed by the war, and the snow hid in the deep mountains in the southeast of Huaxia. Liyuan Opera and Xianxian opera are called the live fossils of the Song and Yuan Nan opera by the industry. From this, they can glimpse the historical sites and humanistic landscapes of the Song Dynasty. Indeed, the sound cavity and gongs and drums of the Xianxian opera, including performance, maverick, high recognition, and have not been assimilated by the dramas such as Qinqiang, Xunzi, Pipon, and Kunqiang.
Since the emergence of "Step in the Umbrella", wherever he goes, there is a cheerful sound. Especially the unique stage performance, shocked. The story is not complicated, and a clutter of troubled times has seen the true face of human nature. It retains the linear structure of traditional Chinese opera. "Stepping umbrella", "listening to rain", "rain", "together", "together", the inheritance, refreshing, strong and light, there is no turbulent clouds, big ups and downs, but the most good and beautiful. The fate of the characters always holds the audience and is fascinating. Although Chen Shizhong, the son of the Ministry of Criminal Affairs, Wang Huilan, Ms. Wang Huilan, has never met. Suddenly, they fled each other. After being disappeared with the family, the two met at the wind and rain and went forward with the umbrella. That night, stayed at the inn. The man is frank and reports to the door. The woman did not declare that she wanted to try her fiance. Ye Yu Xiaoxiao, after drinking, the man's heart was frank and confessing Huilan. Hui Lan's surname of Hui Lan, who has already been known, complained about his infidelity, coquettishly, and shy, and it is difficult to relieve it. When I was chased to the boat, I confessed my mistakes, and vowed to ask for my relatives even if I retired. Hui Lan's heart is moving, the feeling of all feelings, the heart feelings, and the good as early as the beginning. Hao Yu knows from time to time, the umbrella is the same, and the love rainbow is shared.
According to the screenwriter Zhou Changfu, "Stepping Umbrella" is taken from the traditional repertoire "Shuangzhu Ji · Escape and Meeting Dears", "Ruilan Walking Rain", and "Yichun Rich Umbrella". He strictly follows the characteristics of the rhythm of the music of the Xianxian opera, and carefully carved the original scenery of the Xianxian opera. Unexpectedly, the script of the song style gave the Xianxian opera's delicate and touching voice, sweeping the rough and humble before, making the performance and singing particular, delicate, poetic, aesthetic. But it turned out that the "little lady" of the Xianxian opera was not beautiful, but she wore a dress before and drew her eyebrows lazily. At this point, Zhou Changfu realized the true meaning, and he was the leader.
In the 1980s, Zhou Changfu began to write the script. In 1985, his virgin played the "Autumn Wind", and he was still talked about after nearly 40 years. "Step in the Umbrella" is the result of his years of reflection. The script is good, and the performance can take off. Zhou Changfu talked about his creative experience and said emotionally: "Puxian opera consists of a complete and mature song brand music vocal singing. It is ashamed. I wrote it in the previous script singing. Therefore, I also complained that the music design was not good. Don't listen, even bite words are not as clear as the previous generation of artists. This is an authentic fight! I was invited to write Kun opera after many years. Kun opera asked me to write lyrics strictly and follow the routine. At the same time, he has a deep guilt to the Xianxian opera. "The creation of" Step in the Umbrella "is his double repayment of the psychological to the psychological to the psychological to the psychological.
Zhou Changfu wrote to the well -known director Xu Chunlan and asked her if she was interested.
A stage work, compilation, guidance, and acting in the world, winning the second, successful. When three points are occupied, it will be romantic.
In the creation of modern opera, the director's weight is very heavy and is the chief designer of the stage style and performance style. "Step in the Umbrella" is precisely because of the joining and dedication of the excellent director, and the square products are outstanding. Xu Chunlan is the leader of classical works among contemporary opera directors. She directed the Peking opera "Yan Xijiao" and "Hua Rui", Kunqu "Zhao's Orphan", and Fujian opera "Double Butterfly Fan", all of which are superior. The direction of "Step in the Umbrella" this time injected the breath of the times for the quaint Xixian opera. The old tree is new flowers, and the new flowers are bright. It is reported that at the beginning, Zhou Changfu invited Xu Chunlan to Putian, and wanted her to put her back to the formation of "Step Walk". Regarding the director who asked the director, the old gentlemen in the group had doubts, for fear of neglecting the Xianxian opera, and eliminating the characteristics of the play. Director Xu Chunlan, who was new to the rehearsal field, felt this keenly. She knows that although Puxian opera is not the same as Beijing -Kunming in terms of freehand and program, she has a lot of ancient and ancient charm in the performance style. In particular, its body is deeply affected by the puppet show. It exaggerates to the shoulders, elbows, wrists, cents, and feet. It is used to control the movements of the neck, arms, hands, and legs. Occasionally, one imitation, its performance is becoming more realistic and interesting. As a result, in the rehearsal field, according to the plot and character needs, Xu first used Beijing -Kun's hand to make a demonstration, and then asked the famous forms of the Xianxian opera to find the corresponding form of performance. One or two times, Beijing -Kunming's emphasis on the elegance of the atmosphere and the texture of the Xianxian opera has an elegant response, and generates a traditional and distinctive way of performing. Xu Chunlan is a more real director and an artist. Her success is firstly to respect the awe of ancient dramas, be careful not to change the shape, and try to dig the essence of the Xianxian drama as much as possible. This female director who was called a foreign director by Fujian people was familiar with the artistic charm of Beijing and Kunming. Inadvertently, it also injected it into the Xianxian opera, making the style of "Step in the Umbrella". Highlight the atmosphere.
Fujian Shiba Mountain is brought to the sea, and in the territory of Chinese opera, from the north of the Wei and Jin dynasties to migration from the north to the Song Dynasty to the Ming and Qing Dynasties, the essence of the Central Plains civilization has been preserved, especially in Quanzhou's Liyuan opera, Xinghua's from Xinghua The opera represented by the Xianxian opera has been circulating in the depths of the Fujian land for nearly a thousand years, and the aesthetic accumulation is deep. However, since the 21st century, Puxian Opera has faced crisis and challenges. The first is the serious loss of talents. The traditional performance art is on the verge of loss. Facebook, clothing, and music have a tendency to be assimilated, and the artistic personality is weakening. There are a lot of stage performances, but the quality declines. Most of the performances are mainly rewarding gods and red and white happy events. The "grass -desktop" trend appears in the professional institution, which makes people worry. If you do n’t have a good show to lead the market and comfort the audience, the Xianxian drama with a history of nearly a thousand years is afraid that it will be self -destruction. Could it be that God sent Xu Dao to pull a Xianxian drama? Xu Chunlan felt heavy burdens. She was not anxious. From a small thing, she pursued a novel and not weird stage style. She regards the director's "Stealing Umbrella" as a journey of paying tribute to tradition and praising the classics. Avoid expressing similar to Beijing and Kunming. As for the performance, he made every effort to use the Xianxian opera Kosuke, and strictly required the actor to understand the script and entered the characters. Do your heart first, and then the movement is intentional. Through the "Step of Umbrella", the younger generation of the leaders and leaders should be raised. The best director is melting in the actor's performance. It is always the director of the role of the director and the director of the director.
It should be a fired in the Xianxian. A pair of people Wu Qinghua and Huang Yanyan seemed to come from the ancient models, lived up to expectations, and provoked the beams of the Xianxian opera. The two successfully performed the beautiful and touching love of "Step in the Umbrella", continued the artistic blood of the Xianxian opera, and resurrected the blood of the Xianxian drama with blood, and lively. This is a time to play with the opposite play. Chen Shizhong, played by Wu Qinghua, is elegant and delicate. He is not only handsome, but also stepped on the scenes, filled with ancient rhyme poetry. His clean and kind face brought a good impression on the audience as soon as he appeared. Ms. Jiao Mu, played by Huang Yanyan, dressed in dignified and elegant, sounded, can sing and sing well. The two poked on the stage and stopped on the stage. There are two key points of the whole scene: First, "stepping on an umbrella". Wang Huilan encountered Chen Shizhong, although men and women were not taught, but in the chaos. She took the initiative to ask for help. The two of them are quite dramatic and interesting, filled with elegant classic atmosphere and rich youthful colors. Wu Qinghua's hand -raising and singing and singing all interpreted the spirit of ancient scholars. Each of Huang Yanyan's program dynamics conveyed the sweetness of the girl's first love. The rotation, shoulders, shoulders, shoulders, and shoulders are shaking, dragging, walking, and step -by -steps under the feet of the feet. Huang Yanyan was very delicate and expressive when dealing with this performance. Originally, I liked Chen Shizhong, but she showed the little "flower tricks" of the little girl who tried and tested in ancient and modern times. The seemingly unreasonable coquettishness is really full of love. In the behavior of dragging umbrellas, picking umbrellas, grabbing umbrellas, stepping on, and kneeling, it is to keep people pay attention. And an umbrella, at this time, became a token of the emotions of the two. The thoughtful Hui Lamado was worried about the encounter, and even more disappointed in an infatuation. Repeated manners were all ruthless and annoyed. The second focus of the eyes is "listening to the rain". The male and female protagonists who have a good heart live in the inn and live in the same suit. The two sides of love are not calm. Leave all the way, hard to sleep in the night rain. One kind of acacia, two sorrows. At this moment, contemporary people feel the same. Knowing that Chen Shizhong was an unmarried husband, Wang Huilan was happy and worried. Huang Yanyan seemed to resonate with the character with the same frequency. She converged to be happy, and she wanted to test the depth of human nature. Ms. Hui Lan, played by male and women's teaching as a shield, retreats, and step by step. Then the moment the two men bumped into each other, such as electricity, it was difficult to control. The religion lost to true feelings. Hui Lan pretended to be calm, and when he was constantly accusing the husband of being unfaithful, he also looked forward to the beauty of the suite to become a room. Huang Yanyan showed Hui Lan's passion, kindness, and pride to the fullest. On the surface, she looked like a "female". In essence, she loved each other, cares about each other, and longed for Bingqing Yujie's pure and flawless love. After a spiritual game, both of them were caught in unlimited melancholy, only the night rain, as if the tears of the lover dripped.
If the "stepping umbrella" reveals the beauty of love, then "listening to rain" is the spark of the two people's spiritual collision. This love opened a gentle ripple in the hearts of the audience. The audience expects them to open the door, and the lover will eventually become a dependent.
The voices of the song card sent out the unique charm of the Xianxian opera through Huang Yanyan and Wu Qinghua's singing. The sound is in the ears, and the love is passing. Their performances were very eye -catching, but they saw Hui Lan's fibrous hand played by Huang Yanyan, and the ring finger was bent with the little finger into semi -circular, with both hands buckled in front of her chest, and twisted up and down (related to the line puppet). With the ups and downs of the ups and downs, the vicissitudes and elegances of the Xianxian opera were stunned, and the nobleness and beauty of ancient women were out of the ancient women. I heard that the family of Xixian opera was rich, and the male Dan had performed. Tu Linghui, the performer of the Gan opera performers and the winner of the Plum Blossom Award, told me that when the "Second Plum" winner of Liyuan Opera, Zeng Jingping repeatedly asked a male artist of the Xianxian opera when rehearsing "Dong Sheng and Li". Teacher Men Dan taught Zeng Jingping without reservation of his stage performance. For example, the eyes that seem to be thrown to the opponents on the stage are mostly to the stage and communicate with the audience. Huang Yanyan's performance was colorful. Chen Shizhong, played by Wu Qinghua, also entered a good realm. Although he was led by love all the way, he still tolerate everywhere, inherited everything, and often stepped back to half a step, giving up half a shot, and giving the brightest light to the heroine. The character and the actor are integrated, and it is difficult to solve the difference. Because they always thought of the audience, they held the audience, they were comed on the stage, the drama continued, the play was unsatisfactory, the performance was beautiful, the performance was beautiful, and the performance was endless.
I wrote this that I thought of the "Qin Pic" and "Stealing Poetry" of the Kunqu "Jade". The process of the two hearts of men and women is so difficult to be so difficult. That's what true love should have. A umbrella, covering the tenderness, a rain, washed away the heart, a pair of loved couples supported each other, and gradually settled in the audience's emotional world in the dark rain.
The success of "Step in the Umbrella" tells us: 1. Be good at traditional culture. As long as a nation respects its excellent traditional culture and has a fixed force in his heart, traditional culture will help today's people in the new era. Second, the quality of art works can survive, and the actor's color art can only have a market. The show is the last word, and the good show is the king.
The Xianxian drama is like a thousand -year -old tree, which coincides with the fertile water in the spring of the spring.
(The author is the executive vice president of the Chinese Opera Society, the former editor -in -chief of "Chinese Drama" magazine)
(The pictures in the text are all the photos of the Puxian Opera "Step of Umbrella", Fujian Province Puxian Theater.) August 31, 2022 "China Culture Daily"
Published on the 5th-32th version of the 13th China Art Festival special issue
Among them, the 12th edition published
"Good Show will be happy -the style and machine fun of the Xianxian drama" Step in the Umbrella ",
"The height of the national aesthetics and the spirit of the times -the schedule of the Xianxian Opera" Putting Umbrella ",
"Lao Shuchun is deeply flower again -applauding for the Xianxian drama" Step in the Umbrella "
↓ ↓ ↓ ↓ ↓ according to
Editor -in -chief: Chen Xiaoyue
- END -
Live Trailer | The second Jiangxi Children's Chorus Art Festival Exhibition will begin tomorrow!
At 14:40 on August 15th, the 13th Children's Art Festival of Jiangxi Province · T...
Is Mango TV made up the "episode" board?
Text | Zero OneThe strength of the Mango TV variety show and the lack of the episo...