Close to the Qinqiang master to understand the charm of art -listen to the plum blossom award actor to talk about Qin Qiang

"Come!" As soon as the plum blossom award actor appeared, the enthusiastic fans came forward and asked for a photo. The staff reminded "the performance time has arrived."

In recent days, such a scene is performed next to the open -air stage of the Xi'an Yulun Club. This is the activity of "famous masters entering the masses" at the Ninth China Qinqiang Art Festival. The majority of theater fans and the plum blossom award actor communicated face -to -face and interaction.

Behind the enthusiasm is the love fans' love for Qin Qiang from the heart. What are the perceptions and ideas of the plum blossom award actor for the Qinqiang Festival? Let us approach the winner of the Chinese Drama Plum Award, Qu Liaoying, Zhang Tao, and Yang Shengjuan, listening to their voices.

Uchida

26th Chinese Drama Plum Blossom Award winner

I am from Xianyang, Shaanxi. I am a Qianxian doll. I have worked in Ningxia for more than 30 years. This time I came to the Ninth Qinqiang Art Festival. I returned to my hometown for me. I was very kind and sincere. As a "old man", I have participated in several sessions of Qinqiang Festival.

The first Qinqiang Art Festival in 2000 was held in Xi'an, leaving me a deep impression. At that time, I performed a "Life and Death Card", participated in "Catcats for Prince Edward", and saw many "big names" of Qinqiangjie. I was held in Lanzhou, and I sang "Zhezi Drama", which won the first prize; the fifth session was also held in Xi'an. I sang "Qingfeng Pavilion", and the response was pretty good.

The holding of the Qinqiang Art Festival has played a very good role in promoting the spread of Qinqiang and the cultivation of young art talents.

Why do you say that? Because young people need platforms, especially young actors, he has a growth process. If you go through too much, you will make progress in art. Take me as an example. I and our peers in Shaanxi participated in the rookie exchange performances of the five provinces in Northwest China. At that time, we were still very young and exchanged learning and progress together. Many actors later won the Plum Blossom Award.

Now young actors also need such a platform. It may be very nervous for the first time, and it is not good to play. If you participate more, it will gradually get better and better, and it will have a certain role in promoting art growth. In addition, the growth of young actors requires a certain degree of experience, so that there will be a state of shaping the characters and shaping the characters more accurately and vividly. I have grown up step by step. Without such a platform, my artistic level may not reach the current state.

To develop, it is necessary to spread it, which requires all flowers, and requires good opera atmosphere support in the five provinces in the northwest. This session of the Qinqiang Art Festival brought a "cultural package" to the majority of fans of theater. The arrival of the troupes in the five provinces in the northwest, allowing everyone to enjoy the dramas of each group. Different styles, equally wonderful. It is hoped that the Qinqiang Art Festival will be enough to continue, the better, and the better, and the Qinqiang will cultivate a group of outstanding successors.

Zhang Tao

27th Chinese Drama Plum Blossom Award winner

The Qinqiang Art Festival was held for nine sessions. I participated in five times and was regarded as a witness. The Qinqiang Festival was held in Xi'an this year. My biggest feeling is the comprehensive publicity, and the atmosphere of Qinqiang is very strong. On the other hand, the interaction with fans is more deeper. Qin Qiang entered the community and schools, allowing more young people to know our Daqin cavity.

The Qin people sang Qin Sheng Qin Yun, inherited for a century, they wanted to make a piece with the people. For a long time, the Qinqiang people have been adhering to and inherited, and contributed to the protection of national art. As one of them, I have responsibility and obligations to inherit the Qin cavity and carry forward.

Qinqiang should start with young people and dolls. For example, the environment of my growth is inseparable from Qin Qiang. Qin Sheng Qin Yun listened to my ears all day. It can be said that Qin Qiang has already merged into my bone blood. Children should also be cultivated from the smallest, focusing on them, and guiding them, letting more dolls join in, so that Qin Qiang is like a continuous pulse.

On this basis, traditional opera knowledge such as Qin Qiang should be part of the nine -year compulsory education, and it should become a nutrient for children's growth. Without the joining of young people, the dolls are not interested, and Qin Qiang will inevitably face the crisis of talents and inheritance. Many elementary school students appeared in the "Little Plum Blossoms" contest held in Shaanxi this year. Seeing so many dolls joined the Qinqiang team, I think that we have hope for Qin Qiang and really have hope.

Nowadays, the "Regulations on the Development of the Qinqiang Art Protection and Inheritance in Shaanxi Province" has been promulgated. I hope that in the future, Shaanxi can increase its efforts to protect local dramas, and at the same time, Qin Qiang must be deeper into the campus and let more people know Qin Qiang.

Yang Shengjuan

Winner of the 30th Chinese Drama Plum Blossom Award

I participated in the Qinqiang Art Festival, and I felt like the New Year. Everyone's enthusiasm was very high, with joy, and took my parents, children, and even grandparents. Qin Dajie not only gave us a chance to filial the elderly, but also gave us an opportunity to understand traditional Chinese culture. Such activities are very good.

I am from Fuping, Shaanxi. At the age of 3, I fell in love with Qin Qiang. I was singing in the village at the age of 6. I became recognized as the "little child star" in Shili and Eight Township. At the age of 9, I participated in the Fuping County Mass Television Grand Prix. Officially embarked on the road of Qinqiang.

Our family has no professional Qin cavity, but his parents are fanchers. Whether they work in the field or cook at home, they hum in Qin Qiang, so I have "permeated ears" since I was a child. When it was still in the middle of the middle, my mother hugged me to watch the Qin Drama, and my master's "Zhou Ren returned to the house".

I won the 30th Chinese Plum Blossom Award, and performed "Zhou Ren" adapted from Qin Qiang's famous drama "Zhou Ren's Back to House".

"Zhou Ren returns to the house" is not only my favorite, but also my enlightenment show. It took me to change my life all the way, letting me be a real Qinqiang actor. Qin Qiang and I have puzzled bonding.

In our house, the biggest fun to KTV is not singing, but singing Qin Qiang. Maybe this is a kind of love and feelings for Qinqiang in Shaanxi people. I will just go to ninety -nine, no one does not like to listen to Qin Qiang. No matter where you go, as long as you hear "Handichas of Shaanxi Hancheng County", as long as you hear the Qin Qiang, everyone has that kind of resonance.

What Qin Qiang attracts me the most is the script, which is particularly educational. The culture in Qinqiang is very profound. Its monarchy is particularly attractive and attractive. A singing can tell what kind of story of the whole scene is. Our cultural confidence is in these singing words. Here I have found the guidelines for doing things. For example, when I play Zhou Ren, I will learn from his character and personality to be a gentleman who knows a justice.

The key to the spread of Qinqiang culture is to lead. When I was a kid, I didn't understand it, because my parents liked it, I fell in love with Qin Sheng. I think professional actors need to lead, and fans also need to cultivate and lead.

As a younger generation of Qin cavity, we should strive to inherit the art of Qinqiang and let Chinese culture be inherited. The great rejuvenation of the Chinese nation, Chinese opera is indispensable.

Culture and Art Network-Cultural and Art News all-media reporter Gao Sijia

Editor: Xiaojia Responsible Editor: Mu Yu final trial: Zhao Zixi

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