National Grand Theater Weekend Concert | "Affairs and Youth" rewarded Beethoven's "Piano Triple" OP.1 NO.3 (below)

In the last weekend concert, genetic triple play led the audience to understand the meaning of the era of OP.1 NO.3 of Beethoven's "Piano Triple", and appreciated the first and second movements of them. This weekend concert will continue to lead the audience to appreciate the third movement and fourth movement. Let's feel "freedom, equality, and fraternity" through the artistic creative story of great musician Beethoven.

Genetic trio

Listen to the third movement of "C small piano three play", the fourth movement ✦

The third movement of "C Little Piano Triple" is smaller, and it is a very brisk furious song. In the first two trials of OP.1 of "Piano Triple", Beethoven placed a dramatic comparison in the third movement. Although the third movement of the third song is changed to a more traditional small step dance, this "small step dance music" has no elegant and stable court dance special signs, and the more humorous sense of humor and gorgeous dazzling skills In fact, it is still a richest man who dances with dancing rhythm.

In the fourth movement, Beethoven used the fastest. Prior to this, few composers would use the term "fastest emergency" as the speed and emotional reminder of the entire movement. This also reflects the personality of Beethoven, who is a fledgling, and the unique personality of Beethoven, and the courage to go forward. The whole movement has been sprinting almost, but in the end, it seems like a steed that goes far away from Mercedes -Benz, ending the whole song with the end of weaker -at this time, Beethoven has disdain cheap applause, but instead creates his own era. Essence

The arrival of Beethoven 时

OP.1, published by Beethoven in 1795, is the first work he published in Vienna, but also the results of the results of his learning with famous masters such as Haydn, Salier, and Shenke in the past two years. Teacher Haydn has a positive attitude towards the three new works of student Beethoven, but only a little bit of the "C small piano triple play", he believes that he is too rebellious in terms of tone layout, structure arrangement, and ending of the last movement.

Haydn was considered a pioneer at the time and laid a lot of music genre. Later generations called him "the father of the symphony" and "the father of the quadruple". Such an innovator feels that his student Beethoven is pioneer. It is conceivable how different the "C small piano trio" was at the time. Although it is not affirmed by the teacher, this masterpiece of Beethoven at the age of 25 is of great significance, because it not only indicates that Beethoven's creative technique is mature, but also indicates that the new era of European music is coming -still "Tribute to Haydn, Mozart", but it is a great era of Beethoven.

Piano triple play (picture source: visual China)

Beethoven Monument (Picture Source: Visual China)

Whether artistic creation takes service as the primary or creative as the primary, this concept has continued to this concept to this day. In the era of Beethoven, it is no longer just serving employers. The original intention of artistic creation has become the most important thing.

Today, when we listen to this work again, it is full of classical style and is very traditional. Therefore, today's "pioneer" may be the "tradition" of tomorrow, loyalty to art, and perseverance. Beethoven did.

Ludwig Van Beethoven (1770-1827) (Picture Source: Visual China)

Introduction to gene triminal play:

Gene trimer was established in March 2005, consisting of pianist Zhang Jialin, violinist Zhang Jingye, and cello Song Zhao. The three members of the three members lived together in the more than thirty years of the Central Conservatory of Music, which was the original intention of establishing a "gene" trio. Since the premiere in April 2005, genetic triple play has held more than 100 special concerts across the country. At the same time, a series of lectures were held in the 100 -year lecture hall of Peking University, the National Grand Theater and other places, and promoted the classics of indoor music. The recording albums released include: "Genetic Triple Recording" (2009), "Crossing Time" (2021), "Beethoven, Mozart, Haydn Piano Triple Play" (2018), "Beethoven" Grand Duke "triple play" (2021), "The Voice of the Times" (2022).

National Grand Theater Art Popularization of Ministry of Education/Planning

Gene trio/performance

Zhang Jialin/Director

Zhao Yifei/Organization

Responsible editor: Gou Xiaoqing

- END -