The four major artifacts in "Agarwood Like Dandruff" have the original type?

In recent years, costume dramas have paid more and more attention to the details of the ancient Chinese historical and cultural symbols, and set off the revival trend of traditional Chinese culture on the screen from the aesthetic level. Nowadays, the fantasy fairy drama also pays attention to traditional cultural elements. There are four major artifacts in the hit Xianxia drama "Agarwood Like Dandruff", namely Qiyuan, Mo Mo, Lixue, and Stop, and the "Three Silver Teams" have been looking for these four artifacts to dig the truth behind them.

A hot search today surprised netizens. There are four artifacts in the drama. They are designed by the cultural relics left in ancient Chinese history. Is this statement reliable? During the interview, the Yangtze Evening News/Zi Niu journalist learned from the design of the four major artifacts from the player.

The "Agarwood Ru Dandle" starring Yang Zi and Cheng Yi tells the love entanglement of the heroine's ancient heritage Si Ye Yan Yan Yan Yan and the Xianluo mixed -race child Ying Yuanjun. Because it is the background of Xianxia, ​​all the gods are indispensable for their magic weapons.

After Ying Yuan, he became Tang Zhou, and was secretly calculated by a masked person. The fairy clothes were broken, resulting in the spillover of the immortal power. Recording temporarily helped Tang Zhou to control the immortal power and remind him to find the four major artifacts scattered in the world as soon as possible to completely repair it. Good fairy clothes. These four major artifacts are seven 器, 楮 ink, dust, and stop. In the novel, the Seventh God of God is a purification of the soul and a magic weapon for the Yi people; Buried in the mountains is Ying Yuan's magic weapon. What is its design related to reality?

The stop (the original is passive) is the artifact of Emperor Yingyuan Yingyuan from Dongji. The artifact to stop the mountain can cause the mountain to stop, and it can also destroy Liangtian. The reporter learned that the design of the stop design borrowed from the eight -petal lotus Dawei Dalogang's lotus and the elements of the ancient incense burner, as a whole as a lamp. The upper part is a lotus that can be freely opened by eight petals; the middle is wrapped in hollow -out branches, and the light halo of the artifact is revealed slightly; The stop can open the mountain cracks, and there are also healing, and the power can also protect the lives. The artifact is the origin, the user is the source, and the two complement each other. The artifact is huge, and the user is good at heart, and it can protect the life; if it is thoughtful, it is also a disaster. Ying Yuan is the emperor of heaven and the descendants of Shura. This layer of identity cannot be known to the outside world. The stop is like a beacon, dispeling the fog to illuminate the road for him, reminding him to guard the three realms to the light.

Artifacts (Smoke Stop), Zhao Sheng Emperor's artifact, looks like a dust, can clear all obstacles. As one of the four major artifacts in heaven, after consulting a large number of religious artifacts and sacrifice rituals at the beginning of the design, it combines the shape characteristics of the dust, and selects the design elements of lotus flowers and the combination of gold and silver jade. The main creator said that the lotus is a gentleman in the flowers, with noble character and will not be seduced by the material of the outside world. Even if you are in the mud, you must keep your own highly clean and cold image. Religious magic weapons often use lotus flowers as magic artifacts. The gentleman is like a jade, the gentleman takes the followers, and the inside is tenacious; he treats others, strictly disciplines himself; The jade is given the essence of the sun, the moon, and the mountains and the mountains and the beautiful character and characteristics of the world.

Qi Yan Shenyu (one life) is the artifact of Emperor Wan Yun, which can purify the soul or swallow others. According to reports, the design of Qiyu Shenyu refers to the concentric ball. The production process of the concentric ball is quite complicated. The ghost ball is carved with a whole ivory. The skills of jade carving balls have been lost for a long time until the first jade ball trial production in modern times in 1966. Its complex craftsmanship and delicate design are not like the world. In the play, the seven gods and gods can devour the number of people's lives, staggered layers overlap, and the surface is carved on the surface. The patterns are strange and mysterious as life. There are layers in the layer, and each ball can rotate freely, but it has the same heart, and the fate of sentient beings is the same. The production craftsmanship and exquisite formal style of the jade carving ball coincide with the Qi Shenyu of the Emperor of the Heavenly Bay Yun Emperor. The bottom is held up by three simple gold and silver beasts, and the sacred solemnity of the artifact.

There is also a piece of ink (all things), Emperor Emperor's artifact. The design of the ink is based on the description of the script, shaped like a tablet and ink ingots, and borrowed the elements of the error gold and silver hook inlaid. The Thai and ink ingots belong to the four treasures of traditional Chinese studio. It has always been loved by literati, calligraphy and painting, and painters, and has a vital role in the spread of culture. Error gold and silver is one of the national non -material cultural heritage. It was first seen in the bronze wares during the Shang and Zhou dynasties. It is one of the important decorative craftsmanship of bronze wares. ， 楮 can resurrect the creature and regain the dead life. In reality, there is no such artifact that can save the dead life. The meaning of life is not limited to life and death. Human thoughts, spiritual and creative classics can be circulated and the continuation of life.

In fact, the national style charm has always been the magic weapon of hitting Xianxia drama. Under the fluttering robe, the audience valued, not just love. The diverse theme of the bloody rivers and the world, the style of painting style, and the use of the style of painting are indispensable elements.

Yangtze Evening News/Zi Niu Journalist Zhang Nan

Edit: Qin Xiaoyi

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