Yang Yan and Agarwood, the two nephews chased together?

The new "Yang Yan" is familiar with the light.

Author ｜ Six 1

In this summer stall, the new god of chasing the light animation ushered in a general -Yang Yan.

"New God List: Yang Yan" and "New God List: Rebirth of the Nazha" belong to a worldview system. Discovery. After "Yang Yan" landed in the theater, the viewers had different voices of their praise, but they were a bit familiar.

Yes, Yang Yan also seemed to fall into the same situation as the former Nezha.

The art part is stable and the plot is too weak. Not only Yang Yan and Nezha, but also the white snakes and green snakes, including the "New Legend" series, are inevitably evaluated by the works delivered to the market. "White Snake: Origin" was born as a turning point in 2019, and "Pixar in the East" took a key step. Three years have passed, and the unjust appreciation of the silver catcher Yang Yan helped the nephew of the nephew to split the mountain on the big screen, and also tried to help chase the light outside the big screen to further split the adult to the domestic animation market.

It is difficult to define "success or not" so far, including the final box office results of the final box office as a commercial animation. From the perspective of the content itself, the materials, the atmosphere of shaping and the effect of the screen are remarkable, but unlike Yang Yan in the movie, Yang Yan can break through the eyes of the mysterious bird. The bottleneck in content brings enough surprises.

After all, the cinema is full of people who are watching movies and adults who listen to the story.

From Yang Yan's face to the beauty of the national style, "Yang Yan" looks good!

Once the war god Yang Yan, now he is leisurely.

After 1,500 years of the battle of Shang and Zhou dynasties, the heavenly world declined. It is said that the fairy fairy is not as good as a dog, and Yang Yan, who hurt the sky as a silver catcher, survived between heaven and earth. The "new" of the "New God Bang" is implemented on Yang Yan. Wipe off the identity symbol of the God of War, the elements of the three -pointed and two -blade knife are loaded on the crown of Yang Yan, the slingshot of silver elastic into the piano, and the Erlang god of the armor is the "two" in this story.

Although they cannot conquer 100 % of the audience, they have to admit that part of the good reputation of this film is contributed by Yang Yan's face value. "Yang Yan" looks good, first looks good in Yang Yan.

Here, "looking at the face" is not so superficial. When it comes to the "Erlang God" of the three eyes, most of the majesty is the first impression of Lenovo, which comes from his high force value. After this label was removed, the feeling of the building's face left to the viewer was very important, and to a certain extent, it determined whether the new set of people could stand.

In the aesthetics of most people, Yang Yan is handsome and is only related to this face instead of other. Furthermore, his handsomeness and the personality given by him are adapted. This face can be carried by carelessness, and it is also able to live up to the awakening of great realization. The most important thing is that making an article on Yang Yan's face value is a benchmark line that adults need to maintain by animation.

Because adults' expectations of the animation image "pleasing to the eye" and the identification of the character experience with the role are often much higher than children. The creation of animated characters is often based on bold imagination, so the tolerance space of the recipient is very large. But when the character's "face" began to be discussed, the blurred text impression became a specific Yang Yan, and it was a side of the public's aesthetic. It will be delicate and beautiful enough to become a flash point, attracting the audience to pay for it.

In addition to Yang Yan's good -looking, the fine art design of various scenes is the consensus of most viewers, which is also the consistent level of chasing light. In the movie, Yang Yan drove the wooden punk spacecraft in various "mission land" conversion, allowing the audience to get a glimpse of the strangeness of the fantasy world -what exactly is the ancient god realm?

In the official behind -the -scenes special, director Zhao Yan introduced the setting of the god realm is composed of many different fairy island. The Penglai Xiandao appeared in the movie is equivalent to the business center of the God Realm. , That is the entertainment center; Yinzhou is a tourist city with exotic style. Xiandao, which has different positioning, also has its own characteristics in art design. Among them, a large number of traditional elements and modern aesthetics are combined, showing a very complex art style.

To be the most representative, the "Luo Shenfu" Feitian dance segment must be on the list. In order to restore the gravity "Dunhuang", the production team specifically found the choreographer teacher of the Dunhuang Dance of the Beijing Dance Academy for research and co -creation, and eventually achieved the flying Dunhuang dance in the empty scene. Wan Luo and the fairy danced in the air, and the ribbons on her body turned into pieces of petals. The shelter, elegant costumes, light dancing, ethereal singing wrapped in the full Dunhuang intention, giving the audience a beautiful cultural shock.

The Battle of Tai Chi -style in Ink Danqing is also a climax in the movie. The setting of Tai Chin is that the people who fall into it can be turned into black, just like a drop of ink falls into the water to dissipate, so it is used to present the space in the Tai Chi diagram in the way of ink. The plane ink painting is treated 3D and maintaining the different style of painting inside and outside the Taiji map. It is also the innovation of national style elements.

Draw to tradition and expand to innovation. The imagination of animation is both an unlimited and a strong restoration. Therefore, from the perspective of the audiovisual experience and the national style experience, "Yang Yan" is worth the fare.

From character shaping to the advancement of the plot, "Yang Yan" is not so good!

The plot of the entire movie is not complicated. Yang Yan was entrusted by the mysterious person (Wan Luo). Yang Yan went to hunt a teenager named Agarwood, and later found that the person was his own nephew. With the help of Shen Gongbao, Xiang Xiang looked for Baolian lamps for splitting mountains to save his mother. Among them, the death of Shen Gongbao's death, the exposure of Wan Luo's "姥", and the reversal of the identity of Master Yang Yan's real villain. The story of "Yang Yan" is not procrastinating, but in the narrative of about two hours, I still want to say too much, but it is too broken. This has led to a detailed product, but lacks a certain explanation.

For the story of "splitting the mountains and saving the mother", it is important to understand why Yang Yan and Agarwood "split the mountain" are very important for understanding the entire movie. However, the description of this point is mixed with the "duty" of the Yang family's daughters, the shuffle of the god list, the mysterious bird flying with Cangsheng Peace or no connection, and a more macro -reincarnation reincarnation.

Many content that needs to be explained to a certain amount of space is squeezed in the space that is not spacious, and it is advanced with the main storyline, which has caused a story that can be faintly perceived but unclear.

In addition, from the perspective of character creation, Yang Yan's protagonist was fully emphasized when the mysterious bird broke through the eyes. Prior to this, Yang Yan had been following the footsteps of Agarwood, and the silver catcher became a private detective, and from this perspective to clarify the plot and make up the overall story for the audience.

Many audiences believe that the growth line cannot be seen on Yang Yan. In fact, for Yang Yan, from the decline of the God of War to the restart of Tianyan, it can be regarded as a hidden development line. After all, it also implies the rebellion of the goddess of the gods represented by the real people of Yuding, and "respects" the reincarnation of the world.

So from the third eye of "blind" to the world and earth, barely can be regarded as growing in contradictions.

But this is just right, the crux of this movie is. "Save Mother" is the theme of the agarwood line. It is the most important main task to collect Baolian lamp fragments and split Huashan. Compared with the Yang Yan line, the understanding of the agarwood part is slightly lower, so the idea of ​​the viewer will follow the agarwood tightly. As a result, "Agarwood finds treasure lotus lamp -Agarwood Pinba Lanter Lantern -Agarwood split the mountain."

The content that needs to be directly perceived is worthy of the logic that is more apparent to the back. The front desk presentation is not clear enough primary and secondary narrative.

Furthermore, the connection between characters can also be sculpted more detailed. For example, Douban has a high praise short comment: Erji has cured my mental internal consumption.

Picture source: Douban

Although it is playing stalks, a problem obviously exists objectively, how is Erji cured the mental internal consumption of agarwood?

The relationship between the two has been changed several times, but after the relationship between the nephew has surfaced, except Yang Yan taught his nine -to -mysterious merit between the mountains and forests with agarwood, you can not see how the interaction between the two people shape shaped how the interaction between the two people shape shaped the interaction between the two people. connect. This is very similar to that in "Nezha" Li Yunxiang and Nezha Yuanshen almost "zero communication" but reached a consensus, the fetters between characters should be three -dimensional with the advancement of the plot, otherwise they will not be able to support the thickness because they are too thin to support the thickness. "Love".

The magnificent worldview is constructed, and the diverse character configuration is the basic disk of myth adaptation. When you choose too much, you can't tell a good story. Motoring supporting actors and details to serve the development of the plot requires skills. How to choose is the key.

Simple and complex Libra should master the balance.

The next step of chasing light, where to go?

"As soon as I moved to Changsha, I didn't see the home in Changan in the west.

The topic of "Yang Yan" is estimated to be maintained for a while, but Chase has released the preview of the new series of works. "Thirty Miles of Chang'an" is a new series of chasing animation, and will be the main character of Li Bai. In the preview film of the official announcement, the sparkling water surface was the bright yellow crane building, and a gourd was rippling under the moonlight. The petals fell and the poetic was full.

The more exquisite the picture, the more the atmosphere of each frame is the heart, the more stricter the eyes focus on the light. Not just "Changan Thirty Miles", but the "next one" chasing forever.

If you want to chase the light of the domestic animation adult market, you can no longer stop in the ability of storytelling. If the expected breakthroughs cannot be achieved, it will become a stereotype label that is difficult to corrected, which will be tired for the market.

To think about the differences between adults and animations, the most substantial thing is not to release the lingering scenes of Xiaobai and Xu Xuan in "White Snake", not to make female characters more and more enchanting. Go to understand a story.

Children can be very happy without understanding. Adults do not understand that they will only have doubts.

For chasing light, the advantages of art special effects are obvious. The integration of traditional Chinese aesthetics with punk, waste soil and other styles is bold attempts, and the use of diversified BGMs in "Yang Yan" is also practiced. The standards of "sound" and "vision" will undoubtedly improve steadily in chasing the creativity.

In terms of content, the direction of the three product lines of "New myths, new legends, and new cultures" selected by the light itself is carried by the accumulation of traditional Chinese culture. Whether it is the four episodes that have been released or in 2023, the "Changan 30,000 Changan 30,000 "" "None of it was imagined out of thin air. It is not for the screenwriter, nor is it for the audience. So the question lies in how to get a good "reconstruction" work after "deconstruction" is at least a complete and smooth work. Putting the field of vision to a more macro level is not just a proposition to chase light. In the field of domestic animation, the development of traditional Chinese IP also has a force in the Holgos color house, including "Ginger tooth" and "The Demon Children of Nezha" and so on. Traditional myths and legends are good. The higher the risk of the development of the original story, the more predictable the risk of development.

This can also explain why the "Fengshen Bang" and "Journey to the West" are always a hot theme, and it is also easiest to attract audiences to enter the cinema. From the perspective of commonality, the audience's expectations include two points. One is whether the reserved part is in line with the presets, and the other is whether the adapted part exceeds expectations. These two points are actually "boundaries" that they need to pay attention to when making domestic animation, one is the kernel base point, and the other is innovative narrative. If these two parts are insufficient, no matter how high -level sensory enjoyment, it will be greatly reduced.

If the "polarization" stimulated by "Yang Yan" can no longer be changed, but at least it has verified the shortcomings for the pursuit of light again. Undoubtedly, adults need to chase light to the animation market. No need to deny all the efforts to chase due to defects, but the so -called "deep responsibility of love "-

Next time, telling a good story is a surprise.

No. 1 conclusion

"Yang Yan" is a sincere work of chasing light. Although it is suddenly fixed, the summer vacation of "airborne" should not be underestimated.

The visual feast of the fantasy ancient style still has strong attractiveness, and there are not a few audiences with two brushes and three brushes. The audience is willing to walk with Chinese animation, and at the same time, they also look forward to the producers to deliver better works.

Under the dispute is desire. To meet the shortcomings on the front and make up for the shortcomings, we can find more possibilities in the adult animation market. There is no need to detect, and it is clearly placed there.

Topic No. 1 Interactive topic: If the score is full, will you play "Yang Yan"?

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