Their voice is worth listening to

■ Xu Changan

A few days ago, the 12th Beijing International Film Festival ended. In this film festival, the "Voice of Women" unit in the Beijing Showing Section gathers six films from different countries such as China, France, Indonesia, and South Korea: "Mainlight is right", "The past, now and after the five devils", "Five Devils", "Five Devils", "Five Devils" " Tourism "" Chasing Light Miles "and" Bamboo Dragonfly ".

They describe the survival scene of contemporary women, open different life cuts, and show their thoughts on emotions and life. Just as the recommendation of the Beijing International Film Festival Organizing Committee: "It is also a passage. Through these images, we can see their figures, hear their words, and experience their writing."

Delicate tentacles, expressing hidden emotions

"Mainlight is just right", "The past, now and after the Five Devils" and "Five Devils", explore the delicate tentacles to the depths of the soul, express the rich and hidden emotions of women, with their own characteristics and styles.

The "morning light is just right", which won the 75th Cannes Film Festival Director's Double Weight Unit's European Film Award, was directed by French director Mia Hanson-Lov. Guri, Melville Popo, etc.

The film opened, the street scene was sunny, which laid the overall style.

The story is centered on the heroine Sandra played by Leiya Saudu, and gradually explained her family and work: as a translation, she needs to handle daily work; as a widow, she needs to support her young daughter independently; as a daughter, she needs to take care of her. Father with neurodegenerative diseases. When she was entangled between the hospital and the nursing home and tried to find a safe place for her father, she accidentally met her old friend Clemang, and quickly opened a passionate but uncertain relationship ...

In a relaxed French tone, a charming middle -aged woman's fate of the fate is shown one by one. The scene of life, the statement of the clouds flowing, the true and sincere figure, the undulating plot, the Houmai -style film atmosphere, mixed with the thinking of the philosophy of life, fresh, beautiful, gentle, everything is just right, there is a calm romance.

At the end, in the sunny sunlight that continues the film, Sandra, daughter and Clemeng ascended to look far away, echoing the title -with the loved ones, it is the best "morning light".

Unlike the French style of "Cheung Light Is Right", "The Past, Now and after" by Indonesian female director Camilla Andani, showing a unique aesthetic and visual mood of tropical, known as "" "" "The replica of the Fantastic Year" is like "Wang Jiawei encountered Abcharbang." The film nominated the best film of the Golden Bear Award at the 72nd Berlin International Film Festival, and won the Best Supporting Award for the Silver Bear Award.

Camilla continued the exploration of the marriage dilemma of local women, and placed the background of the story in South Indonesia in the 1960s. It was a turbulent era. Many military political forces struggled, and the melee was in four, and the peaceful life of an ordinary woman could not be tolerated. Nana was unfortunately lost, and she was afraid of being taken away as a little sister.

Fifteen years later, Nana married a rich man, living in a house, wearing gold and silver, and lived a stable and rich life. However, under the gorgeous robe, it was covered with lice -Nana, like the second reborn, was not happy. The nightmare entangled her all night and all night, and the tragic situation of her family woke her up again and again. The second husband was tired of her, with Xinhuan, waiting for her to be cold.

Times, war, politics, rebellion, and gender shackles, plus the neck of Nana, endless harm and trauma to her breathless, she is eager to find true freedom ...

The film screen is delicate and delicate, the scene is beautiful, the string is beautiful, and the atmosphere is deep, especially the long shots that are made in one go. Especially the image of "hair" is unique. It not only refers to women, but also symbolizes the restraint and oppression of women in Indonesia. From Tibetan hair, hair, compile hair for daughter, dye hair for her husband, combed from servants, to the end of natural hair ... A series of incidents related to hair contains a variation of resistance and growth. This is also the strongest voice of the entire film.

The French film "The Five Devils" directed by Leiya Masis also placed the core between the two women, telling the ripples of life in the past.

The story revolves around 7 -year -old girl Viki. Viki lives in a small mountain village under the Alps in France, adjacent to a big lake named "Five Devils". Her relationship with her mother was too close, which caused her father to be embarrassed in the family and lack a sense of presence. However, with the arrival of a uninvited guest -Wei Qi's aunt Julia, all the tide of the past came, and the intimate bond between the mother and daughter was severely damaged.

Viki is not only a main role, but also a testimony of the past and now, intimate and cracks. The film narrative suspense and treacherous, the plot is promoted through the nearly super natural smell. The smell becomes a passage, and the girl turns into a ghost, and it is quite western mysterious. The ending for a moment is even more exciting.

Emotion is an eternal theme. These three invariabbing the camera to the film of the women's spiritual world, it is worth looking forward to.

Focus on dreams, achievements and struggles, and seek the road of breaking cocoons

Career is also an important theme that requires deep excavation. "Chasing Light", "Bamboo Dragonfly" and "Tourism", focusing on women's dreams, sweat, achievements and struggles, trying to find a road to break. The Chinese film "Chasing the Light" is cooperated with two big coffees: one is Zhang Tong, a well -known documentary director, and the other is the first Chinese Oscar Golden Award for Lifelong Judge, and the "Evergreen Tree" who is still active on the age of 95 Lu Yan.

Lu Yan, a movie, is a needle, and the history of the century -old film is the line.

The first Chinese actress Huang Liushuang, who was in the United States Hollywood, participated in many films such as "Red Lantern", "Burst Dream of Chinatown", "Shanghai Express" and "Big Hotel", and became the first Chinese who stayed on the Star on the Avenue of Stars. The statue of the "Hollywood Silver Casting Four Ladies Overlooking the Table"; Li Minwei, the father of the "documentary film" in China, is not afraid of the war, went to the Northern Expedition front line to shoot, and also founded the first film production company in Hong Kong; the foundation of Chinese realist films laid the foundation People Cai Chusheng moved generations with works; world -class superstar Bruce Lee, conquered the world with hard work and advanced ideological realm ...

Interviews, real shots, scene restores, animation and a large number of historical image files have a variety of means to intertwine and merge, reproducing the "golden age" and century changes of Chinese films. The "chasing people" from generation to generation will always be revered and remembered.

The Chinese documentary "Bamboo Dragonfly" by Zhang Baozhu, Feng Xiubin, and directed by the director, put his attention to the present.

Bamboo dragonfly is a traditional Chinese toy, which is widely circulated. It consists of two parts -bamboo handle and wings. When playing, rubbing with both hands, and then loose your hands, the bamboo dragonfly will fly to the sky. After a while, it will fall.

The protagonist of the story is a group of dance girls who work hard to break the cocoon. They who are about to graduate, regardless of the day and night, repeat the boring and difficult rehearsal, look forward to the stunning blooming on the stage, making their parents and teachers proud of them. Countless pains on the toes countless times, at that moment, it turned into a gorgeous chapter. They are like a green and tender bamboo dragonfly, flying and rotating over and over again, and then fell to where they should go.

Black and white, color, interviews and style dance paragraphs outline a female group of women who are active. There are no wings in the sky, but they have flew.

In addition to honor and Hua Cai, female filmmakers need to face directly, as well as gender difficulties.

"Tourism" directed by Shen Xiuyuan and starring Li Yan, which reveals the embarrassment and struggle of Korean female directors.

The film tells the unemployed female director, when she was trapped in a middle -aged career crisis, she received a job: repairing the debut of the second female director Hong Enyuan, the second female director of South Korea. She traveled between 1962 and 2022, shuttled in and present, and dialogue with history, predecessors, and herself, and eventually moved to her heart.

This quiet and profound work is Shen Xiuyuan "the love letter and respect for all the female film predecessors who are going to dream, all the courageous women's films." The dialogue of the film, the dying theater, the shadow of the time and space overlap, the silhouette of the two people's clothes is reflected on the white sheets, the crispy sound of the last high heels ... These moving moments are intertwined into the most proper warmth in the heart. No wonder, "Tourism" has attracted the attention of many international film festivals such as the State International Film Festival, the Glasgow Film Festival, the Florence Korean Film Festival, and the Tokyo International Film Festival.

In the vast history, women's voices have never been absent. What these three films are doing is to make more women be seen.

We look forward to the presentation of more "extensive and fine" women's works at the next Beijing International Film Festival, shouting more "their voice".

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