Domestic drama female elite, is it not done well or not well?

There are many female elites every year, and there are many this year, but none of them can play.

In March's domestic dramas, four female executives in investment banks appeared at the same time. The actors who play their actors are Tong Yao in "Heart", Liu Tao in "Holiday Warm 2", and Jiang Xin and Gao Ye in "Our Marriage".

However, a famous brand has only achieved "female elites" on clothing. Although the daughter -in -law's low eyebrows in the domestic family drama ten years ago, the children could still use red lips to keep output with red lips, but they still harvested similar "fake empty empty" and "feeling our country in my country. The evaluation of top investors is a big fool ".

Picture source: "Our Marriage", not shouting slogans

On the domestic screen, there are few female elite images.

Even though Liu Tao ushered in the second spring of his career with the female elite in "Ode to Joy", from a professional household to a female senior management household, she was always "rustic" in the image of vomiting.

In contrast, Yuan Quan's female elite Tang Jing in "My First Half Life" is the ceiling of the female elite of the Chinese producing drama in the hearts of many people. She was alienated, independent, self -confidence, walking with the wind, a black and white gray suit is enough to bring out the gas field.

Later, the female elite tide swept the domestic drama, and Yuan Quan, the ceiling of that year, was also at stake.

From "Meeting Time" to "Battle of Roses", her female elites played repeatedly questioned. After all, the blood and unreasonable dog blood of the plot cannot be offset by temperament and acting skills. The female lawyer played by Yuan Quan in "The Battle of Rose" was worried about not being able to find the neighbor's son. Under the reminder of the male lead, he remembered his own monitoring. Such behaviors are not very "elite".

To this day, discussions about feminism occupy the home of public opinion. Women in the workplace are no longer a new thing, but the poisonous eyes (ID: domoredumou) found that the female elite in domestic dramas is still blurred.

In contrast, the American drama has already had Samantha from the Public Relations Company in "Desire Metropolis". The idealist Diane and other classic female elites in "Anto Wife". Korean dramas also have female lawyers in "Juvenile Court" this year. "Female Elite" is never a rare species on the screen.

But why did "female elites" always be unconvinced when they arrived in domestic dramas? The female elite that is not difficult to see in life has become an empty shell wrapped in thick feminist slogans in the play. The audience is dissatisfied with the image of a full female elite, but few people know how to make it no longer the shell.

Men's wife to red lips royal sister

From the 1990s to the early 21st century, the image of the female elite screen was missing. Only in the background of their stories, they will have a distant role, or the image that will appear when domestic dramas are rough.

In the 1994 "Beijingers in New York", a restaurant female boss A Chun, who has been working hard for many years in the United States, is smart and capable. She said, "I hate the loser, I am afraid of being obscure", etc., will open a clothing factory for men who feel good, and will also say "don't be explicitly complimented your creditors when borrowing money."

The "I really want to fall in love" in 2004. The host played by Na Ying's TV show was expensive and her social status was high, which was in line with the various settings of the female elite. The four heroines in the play talked about more than 70 love in 32 episodes. It was the first time in the domestic drama at that time. Among them, there were a lot of similar to "Why can't women find fun, you are gender discrimination" and so on. Breakthrough.

In this regard, the director did not avoid it, and generously admitted that "all copied the" Desire City ".

In the environment, the audience lacked perception of "female elite".

This is not just a problem in TV series. Whether it is the state -owned economy or after 92 years, the market economy is booming. The "male elite" standing at the top of the mall and the top of the workplace, and women often have limited voice. It was reflected in the TV series at that time. If it was separated from the overseas background or out of the original text, the screenwriter would not know how to write a female elite.

By Around 2010, the workplace novels began to be popular, and many more than ten years of employment experience, or the writer of the corporate executives entered the game. For more than ten years of experience in foreign companies, the author of "Durara Promotions" Li Ke, and Arne, who has served as a private enterprise executive.

At the same time, in the wave of market -oriented economy, women gradually have a position in the workplace. Therefore, the heroines of domestic dramas have more professional women.

But at that time, the screen professional women were stereotyped. Almost every one has not stepped out of the shadow of the man in the "Pink Girl".

A sharp short hair, straightforward and frank to some popular character, became "standard". At that time, the episodes were good at using some masculine characteristics to distinguish them from curly hair in the play, and other girls with red lips. The "Marriage Defense War" starring Ma Yizhen and Yuan Li, and "Durala's Promotion" starring Wang Luodan has adopted this model.

The opposition in the image is also reflected in the plot. In their workplace promotion path, "female competition" is often the core, and men are usually the identity of "savior".

After filming two versions of the shadow and drama, its commercial chain created the "Durara Promotion" with a value of over 300 million, which reflects this trend to the fullest. Durala's promotion is inseparable from the teachings of her boss and boyfriend Wang Wei. The company's female executives also declared the war on her enemies and repeatedly declared war, but they would eventually "lose to" Durala.

The female elite at this stage also has a commonality, always facing a career or family choice. In the "Marriage Defense War" in 2010, Yuan Li and Ma Yizhen all achieved outstanding results in the workplace. The status of disparity is always arguing, and in the end, a "marriage defense war" will be played. In 2013, the grass -roots fashion magazine employees played by Sun Yan in "Hot Mom True Story", because they were almost pregnant with the female boss at the same time, their baby's experience gradually made her relationship gradually, and she was carrying.

It seems that in domestic dramas, the problem of female elites is family, not career, and this obviously uses the wrong strength.

Until 2022, Jiang Xin in "Our Marriage", the main battlefield of the female elite, is still not a career, but a family. How to balance family and careers is the common proposition facing them.

But during the evolution of domestic dramas, domestic women's consciousness is gradually awakening. The topic of women has entered the public opinion field, and many audiences and stars have begun to reflect on why only women need to answer the question of "how to balance family and career".

This may also be the reason why Tang Jing played by Yuan Quan in "My First Half of Life" in 2017 was well received. Tang Jing was calm and rational in his career. He said to colleagues who came to engage in the relationship, "The end of the wall grass is not good." Knowing that the engagement boyfriend fell in love with her girlfriend, she would also take off the ring and say, "The ring looks good, I can buy it myself. I will also love myself."

I have to say that for domestic dramas, Tang Jing is a character that has been enlightened. It has the light makeup of the previous generation of female elites and short hair. There are also coquettish and small women in my daily life.

Tang Jing's success also made the female elite finally no longer "masculine", but walked into another extreme.

Highlighting its own women's characteristics has become a new label for female elites in domestic drama. The most direct reflection is that there are more and more female elites in the play in the play, such as the two "Beijing Women's Illustrations" and "Shanghai Women's Illustrated Book" in 2018.

At the same time, another problem that is difficult to convince. They are still turning in their feelings, like Tang Jing's girlfriend Luo Zijun pulled in "My First Half of Life", each key node is inseparable from the guidance and help of men. In the "Women's Illustration Book", the two heroines have risen in the workplace, and they have a golden and talented boyfriend.

"Shanghai Women's Book"

In the same year, when the urban heroine's Korean drama "Mist" was on fire, netizens @Sum Fuji's brain had a "Four Unmarried 40+ Female Lords Support each other" "Lady's Character", which quickly became popular. The casting is Zeng Li, Chen Shu, Yuan Quan, Yu Feihong, which reflects the interesting orientation of the audience at that time, which is in line with the female elite in their hearts.

This brain hole was far -reaching. It was not only flipped by Zeng Li and Chen Shu at the time, but was later bought by a company to prepare for development into a TV series. Several sisters later became female elite professional households. Since then, Chen Shu has "Perfect Relationship", Zeng Li has "Happiness Di", and Yu Feihong has a lot of rivals in "Battle of Rose" and Yuan Quan.

However, the comfort in the casting is just the appearance. In the plot, many things that the sisters worry about are not related to their careers.

In the "Perfect Relationship", Chen Shu first was "hand -torn scum men", divorced the derailed husband, and then began a year of love with the "little milk dog"; It is more like a tool that stimulates the contradiction between the love of the male and female owners. There is no workplace. The 5.0 score of "Battle of Rose" so far has explained that it is weak in the workplace.

Back to life, the elite is not related to the sex of men and women, but the result of the comprehensive manifestation of multi -dimensional capabilities. Behind a person becomes the elite, it must have both sides of the worldly definition of "men" and "women". There is no need to label any quality behind this. The national drama shows us the result of the "female elite", but it cannot show a "process" with trustworthiness.

"Female Jin Dong" and "Male Jin Dong"

In addition to the female elite itself, in the story of domestic female elites, in women's relationships, there are often another "Jin Dong" female elite. They are fascinated by the heroine's pointers, and they do it.

This is just like Jin Dong of the suit and leather shoes of "Ode to Joy", "My First Half of Life", and "Elite Lawyers". He has almost no difficulties. He is a life instructor of female characters, and he pays for love.

Wu Yue in "Beijing Women's Book", because the heroine's good deeds to her, have carried a lot to her in the workplace and life, and output her "marriage is a woman's second childbirth", "life reaches the second half, The enemy has only "golden sentences. In "My First Half of Life", Tang Jing dragged Luo Zijun out of the marriage quagmire, helping her workplace life, and said to her "I can support you too."

"Girl Jin Dong" classic speech

The existence of "female Jin Dong" was slightly healed by the greasy "male Jin Dong". After all, their attitude is not the guidance of high above, but with some cherishment, but when this "Girl Help Girl" bridge section is too much, and women's friendship also has the greasy crooked of industrial sugar.

Liu Tao's "female leadership" in "I really love you", unconditional favors for women's subordinates. The female employee betrayed her twice, and she would let the employees leave the job because she felt too difficult for women to find a job. She found that a series of job errors in the recent series of jobs were because of pregnancy. She immediately apologized to it and specially invited to celebrate. The "female leader" is always emphasizing the difficulties of women and the protection of women. In the seventh episode, she and the male lead also said, "If there are ninety -nine men in this world, I think I am a monster, as long as I can help a girl," enough. "

Such unconditional and unrealistic logic partially partially favored women, like the love that overcomes the gravity in the sweet pet drama. If women are not because of their professional ability, but only because of gender, they can only constitute another gender discrimination.

More than that, the ghost of "Little Times" has always hovered in most domestic female group portraits.

Among a group of girls, there is often a role as Gu Li who contribute money for sisters. Wang Luodan is a female investor in 8 companies in "North Rush", holding the sisters to open the restaurant and lend them to start funds. Li Chun, who doesn't love you so much ", combed his big back and wore a suit. He pointed at the sister and her clothes in the luxury store and said," She and I have wrapped it. "

If you have to compare with the past, this is also a progress of a female image. After all, in the past, it is still the man who has the function of paying for money. But this is also difficult to make the audience truly happy. This kind of female elite has developed for a long time, and it has become a kind of puppet. In essence, she and the sisters get along with the "General President and Xiaojiao Wife" model.

The setting of "President Ba and Xiaojiao Wife" provides great convenience for screenwriters. The female tyrant can always solve a series of difficulties encountered by the heroine politically, and the strong contrast between character leaves room for future contradictions and conflicts.

But when returning to life, the weakness and strength in the relationship between women's groups are not the form of stereotypes of black long straight and soft sisters and big oil backs. How complicated the humanity spectrum is, a cool girl with a soft heart, and a cute appearance of the cold -blooded appearance, only arranges a few simple template forms, just like only the black and white gray is locked from the spectrum.

Of course, this is not just the issue of the episode. After all, the play is still a reflection of the real relationship. When domestic dramas grow up the growth path of female elites and workplace life, it is difficult to ask for a rich and far -sized female group friendship in the female elites.

In reality, the male elite has existed for too many years, and we have seen enough samples. It seems that it is not surprising that they are. In contrast, the sample of female elites seems a bit single.

In the context of reform and opening up, we believe that there are backgrounds in foreign countries to become female executives. Later, we found that the female executives in the workplace were somewhat "masculine" and not gentle enough. Later, after this stereotyped impression was removed, only the red lips and sister -in -law seemed to be a female elite that seemed to be able to release the charm of women. Public opinion has developed to the present, and it seems that only the female tyrants who have relieved their risks can leave short hair.

We must admit that we still have "stereotypes" that cannot be washed. Either description of her, to use another gender; or in a period, a large number of similar templates appear, but no one is convincing.

Narrow is not just a female elite

Xia Meng in "Love is delicious" seems to provide a "correct" solution.

In the setting of the plot, she is not white, not thin, and her appearance is not prominent. In terms of living habits, you can remove makeup when you go home and do not wear underwear. You know, the female elites of domestic dramas have always been sleeping.

However, she was so popular in the workplace, and she was independent and self -confident. She also struggled because of the label of female elites.

The first boyfriend broke up because he felt a gap with her and the pressure was too strong. Therefore, when encountering the next younger brother, in the face of her identity differences, she subconsciously hides her real career and shows her in the appearance of a worker. After being found to be a female executive, she will no longer be liked to be liked to be liked to be liked to be liked to be liked to be liked. Essence

This image has received a lot of praise. Click on the Douban homepage of "Love", Gao Zan's comments are full of praise to Wang Ju.

But there are too few examples.

It is obviously not a simple matter to shape an elite. Elites are not only relying on appearance, golden fingers, or bandwing in the play. They are fleshy and lively individuals in their lives. In their work, they can show their multi -dimensional capabilities through a series of words and deeds, and the stack of specific cases. But unfortunately, the female elite should have killed the workplace dramas of the Quartet, but it has always been the weak item of domestic dramas.

Poisonous Eye (ID: DOREDUMOU) has analyzed in the article "Domestic Drama Connected to Do Workers". The workplace drama, which has been drifting in China for many years, has not been able to have a burst enough "can play". The most common ridicule for workplace dramas is "the screenwriter has not been in class." The "truth" required by the audience in the workplace drama is the basis, logic and emotions need to be commonly reasonable -after all, who is not a worker?

The perfunctory of workplace dramas in creation indirectly leads to a single "elite" image. Although the image of the male elite is much richer than the female elite, it is still inevitable to be put into a template.

For example, Wang Yaoqing, a elite professional, later found the executives and presidents in reality, and found that they did not wear a suit. According to GQ reports, he collapsed and found: "The really suits are the waiters." But in the subsequent role, he was still wearing a suit. Because the director's request, the audience is looking forward to it. In this regard, he also admits that the role that actors can play in a play are limited, and he only hopes that the role he plays can be understood by the audience. Male elites, female elites constantly apply templates. However, there are still many actors who are diligent in Wang Yaoqing and strive to become an anchoring point for the audience to understand the elite in the suspended plot.

Although "Perfect Relationship" has just passed the Douban score of 4 and the theater drama has been criticized, Steella played by Chen Shu, performed on the town fields on several occasions, made up for the lack of public relations cases in the script. Yuan Quan set up Tang Jing in "My First Half of Life", so that film critics were lamenting the screenwriter "in confusion of her emotional logic" and "all united to bully Tang Jing."

However, having said that, more than the elite image of the domestic drama is narrowed.

There are always some occupations or images. As soon as it appears, it has clarified its function in this drama. For example, there are few media people in domestic dramas. The reporter either always carry the camera and hold the microphone, ask the short topics of some parents, or shouting the slogan of idealism, and repeatedly created a crisis for the protagonists.

Since the "Ling Ling" who has been loud and dressed up in "My First Half Life" has become popular, the "female junior" of domestic dramas has also been made from the previous thick makeup and hot character (the classic template "The temptation of home home" "), Transition to the image of light makeup and soft voice, and the bad description is" green tea ". I don't know how many hot search for women's dramas must be rushed by "hand -tearing green tea".

This lazy description is a manifestation of the scribble. After all, this kind of labeling behavior can make these groups being quickly identified in the market. Although this loses their possibility of complexity, the audience has to be forced to appreciate the uniform conflicts and plots in domestic dramas.

At the moment when almost all entertainment products emphasize "female friendship", female elites have become the largest conventions of this "friendly". However, domestic dramas allow women to occupy the strength of women at the elite level, but most of the time let her shout her own flags. (For details, please refer to the two today)

However, it is undeniable that this one is the same, which also means that the episode is always in the safe area of ​​the audience. When facing investors at the beginning of the project, there are enough successful cases to prove that such people or plots are popular. Or at least it proves, "You see, someone wrote it, it won't make an error."

The "laziness" in all aspects pushed down a series of Dominino cards, and the female elite was just one of them.

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